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Afghanistan's street photographers fading away

FOREIGN EXCHANGE

Digital devices have sidelined Kabul's 19th century-style box cameras, known for their moody, ethereal shots -- 'beautiful images,' says one operator forced to abandon his trade.

June 24, 2009|David Zucchino

Desperate for work, Habib has taken up a job he dislikes, as an areza newsee, or scribe. He fills out government forms for illiterate Afghans, some of whom are former box camera clients.

He once earned as much as $80 a day with his camera, but now scratches out just $8 a day as a scribe.


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Habib says he longs to return to the job he loves, if only he could persuade people that his black-and-white images are works of art compared with generic color shots from digital cameras.

"These are beautiful images," he said, pointing to mug shots of stern-faced Afghans he has on one of the four cameras he built and still owns. "But people prefer the modern ones."

Habib and several associates quit street photography late last year after security officials, in response to a car bombing, closed off the sidewalk outside the Interior Ministry, where they had set up their cameras. Other photographers went out of business after the sidewalks were dug up for a street-widening project.

At the same time, the cost of developer chemicals and photo paper rose, cementing the box cameras' doom.

"It's a very sad thing, because we are artists and we produce beautiful art," Habib said. "Soon no one will know what we can do."

A few years ago, Habib said, he was crowned the unofficial king of street photographers by a visiting New Zealand photographer who was impressed by his work. The man shot Habib's photo beside his box camera and gave him a print labeled "champion."

The New Zealander encouraged Habib to continue his profession, he said, saying his photos were superior to digital shots. The man paid $150 each for more than a dozen box cameras that Habib located through fellow photographers. At the time, he said, he counted 469 street cameras in downtown Kabul alone.

The photographer offered to set him up in a street photography business in New Zealand, Habib said. He said he gave his passport to the man's Afghan interpreter, who promised to secure a visa. But he never saw either man again.

Habib still owns the gold-painted box camera he built as a gift for the New Zealander. He has faith that the man will return and fulfill his promises.

Although he said he has been offered $500 for the gold camera, he will keep it until he dies -- "and then they can bury it with me," he said.

Habib still takes occasional family photos with his four box cameras and has also taught two of his sons to shoot and develop photos using them.

He has also taught them something else. It pains him to even say the words, and they slide from his mouth in a low whisper.

"I taught them," he said, "to take digital photos too."

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david.zucchino@latimes.com

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