The throaty guffaw you just heard emanating from the great beyond belongs to Mark Twain, who is no doubt getting a kick out of the posthumous success of his 1898 play "Is He Dead?" -- an exceedingly silly doodle of a comedy that he never saw produced in his lifetime.
Thankfully for us, "Is He Dead?" was recently resurrected from Twain's archives and has received a first-rate polish by playwright David Ives. A production opened on Broadway in 2007 to some critical praise, and now the comedy is receiving its West Coast premiere in a buoyant staging by International City Theatre in Long Beach.
"Is He Dead?" relies an overly familiar farcical device -- a man in a dress -- but finds ways to mine the premise for maximum laughs. The main character is Jean-Francois Millet, the real-life 19th century French painter of "The Gleaners" and other masterpieces depicting peasant life. As the play opens, the impoverished Millet (Perry Ojeda) is trying to figure out how to pay off his many debts. His paintings aren't selling and his mood is sinking faster than the Seine at low tide.
On the urging of friends, Millet agrees to fake his own demise to inflate the value of his art. "The deader he is, the better he is," explains one character. The ruse works magnificently, with Millet posing as his widowed sister, Daisy Tillou (pronounced "to you"), to collect the proceeds. Once Millet puts on an evening gown as Daisy, the play turns into anarchic slapstick, with characters entering and exiting at screwball speed.