Four mornings a week, an SUV with darkened windows bears Michael Jackson through the gates outside a nondescript building near the Burbank airport. He spends the next six hours on a soundstage in the company of 10 dancers and pop music's best-known choreographer.
The details of rehearsals for Jackson's upcoming concerts in London are closely held secrets, but what's at stake for him is not. The ambitious schedule of 50 sold-out shows could turn out to be the final, sad chapter of Jackson's storied career -- or one of pop music's all-time greatest comeback stories.
For The Record
Los Angeles Times Thursday, May 14, 2009 Home Edition Main News Part A Page 4 National Desk 1 inches; 37 words Type of Material: Correction
Michael Jackson: An article in Tuesday's Calendar about Michael Jackson's upcoming London concerts said choreographer Todd Sams was collaborating on the shows. The promoter of the shows, AEG Live, says Sams has no role in the concerts.
When -- or if, in the view of many industry skeptics -- Jackson takes the stage at the O2 Arena July 8, it will be his first extended concert run in 12 years. Doubters cite his long hiatus from performing, health problems, a onetime prescription pill addiction, age -- he is 50 -- and his reputation for flaking out on performances and business deals.
But the concert promoter, Los Angeles-based AEG Live, insists that Jackson is prepared mentally and physically and that the show, called "This Is It," will break new ground in both artistry and sheer cost. The production budget is "north of $20 million," a price tag that will include as many as 22 different sets, said Randy Phillips, the company's chief executive.
"It's going to be the biggest, most technologically advanced arena show -- and the most expensive -- ever mounted," Phillips said.
On Monday, the company announced that choreographer and director Kenny Ortega, the force behind the movie "Dirty Dancing" and the "High School Musical" series, as well as Jackson's Dangerous and HIStory tours, has signed on to direct and design the shows. Ortega agreed to work around his schedule as director of the planned remake of the 1984 movie "Footloose" to take on Jackson's shows, according to AEG.
In a statement, Ortega called Jackson "the greatest entertainer of our generation" and said he was eager to collaborate with him again. "My answer without a beat was nothing could keep me away," he said.
In Ortega, Jackson chose someone who has achieved what he could not -- continuous cultural relevance after great success in the 1980s. He tapped as the show's choreographer and associate director Travis Payne, who worked with Jackson in the mid-1990s. Payne's recent work includes routines for Beyonce and Madonna, as well as a "Dancing With the Stars" tribute to Jackson.
