The Big Picture

When it comes to cult classics, few movies can hold a candle to "Oldboy," the deliriously strange and unsettling 2003 Korean thriller directed by Chan-wook Park that is beloved by critics and fanboys alike, having won the Grand Prix at the 2004 Cannes Film Festival. The second installment in Park's "Vengeance Trilogy," the film chronicles the saga of a man who, after being imprisoned for 15 years, sets out on a methodical search hoping to explain the secret of his captivity.

It's a violent, oddly soulful film that essentially defies description. Being captivated myself, I can understand why it has so many passionate fans. Martin Scorsese, who knows a good movie when he sees one, was so impressed by the film that he immediately set up a meeting in New York with Park.

Hollywood has been attempting to mount an English-language remake of the film for some years, an effort that has just hit another speed bump, with news surfacing online that prolonged negotiations between DreamWorks and Mandate Pictures to produce the film together have fallen apart. DreamWorks was interested in acquiring the film for Steven Spielberg to direct, a deal that could have involved Will Smith stepping up to star in the remake. But the proposed deal has collapsed, just days after "I Am Legend" screenwriter Mark Protosevich turned in a 25-page outline with a proposed story line for the new film.

As always in these kinds of matters, no one agrees on exactly what happened. The DreamWorks camp says it walked away from the deal, frustrated by the slow pace of negotiations. But other sources say that Mandate, which optioned the remake rights last year, pulled the plug after DreamWorks insisted on having sole ownership of the remake even if Spielberg didn't end up directing the project. Mandate wanted to retain ownership if someone other than Spielberg ended up directing the film.

The "Oldboy" remake has something of a tortured history. In January 2004, even before Park's film debuted at Cannes, Roy Lee's Vertigo Entertainment, a company that specializes in packaging Hollywood remakes of Asian films, having been involved with remakes of "The Ring" and "Infernal Affairs," brought the remake rights for "Oldboy" to Universal Pictures. The studio brass loved the film, especially Chairman Stacey Snider and Vice Chairman Mary Parent. But its development progress was slow, especially after Parent took a producing gig and Snider left to run DreamWorks.