Review: 'Nip/Tuck' at the beginning of its final season on FX

As "Nip/Tuck" enters its final season, an elegiac air hangs over a show once known more for sex, blood and outrage than airs of any sort. It's not so much nostalgia, which would be understandable as the show will end on its 100th episode, as it is a sense of defeat. There is simply no joy in Mudville, no, nor in the hearts and offices of Troy/McNamara.

Part of this is due to the economy. There are many ways a television show can handle the ongoing national financial crisis. It can sink ("Dirty Sexy Money"), it can swim ("Hank"), it can simply ignore it ("Cougar Town") or it can try to Say Something Important.

This last one is a dangerous exercise, but it seems to be the one "Nip/Tuck" creator Ryan Murphy has chosen. The FX show's final season opens with Linda Hunt giving us a brief history of the luxury market, best symbolized by the rise in cosmetic surgery. We are reminded that our two favorite plastic surgeons, Sean McNamara (Dylan Walsh) and Christian Troy (Julian McMahon), rose to fame and wealth during a bacchanal of wretched and, it turns out, unsustainable excess.

Now, of course, the economy is tanking. Now the moneyed mommies TV writers so love to despise must forgo the breast implants for just the plain tummy tuck. Likewise, McNamara and Troy each face a personal comeuppance. Sean is still dating anesthesiologist Teddy (Rose McGowan, who replaced Katee Sackhoff), and between her big-spending ways and his child support payments, he is peering into the abyss.

Christian may have gotten a reprieve from fatal breast cancer, but Liz (Roma Maffia), whom he married last season when he thought he was dying, is not taking the whoopee-I'm-in-remission divorce very well. Meanwhile, his son Matt (John Hensley) reacts to having his expenses trimmed by becoming a mime.

So the rich are getting poorer, Sean is up all night fretting, Christian is in divorce court, Matt is a mime, Linda Hunt is narrating and I greatly fear we are supposed to be learning something here. About the perils of debauchery and the empty promise of wealth.

Over the years, "Nip/Tuck" has been many things, but Dickens it ain't. Murphy and his writers attempt to inject a little levity here and there -- Barry Bostwick plays Liz's blind (and, it turns out, perverse) divorce lawyer; Kimber (Kelly Carlson) is back, having given up adult-film stardom for a career in electrolysis; and there's a super-hot new doc played by Mario López, whom McNamara and Troy bring onboard to rev up the practice via vaginal rejuvenation. (Which is supposed to be funny. I think.)