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Graphic novels; reading, but in a different way

COMMENTARY

A comic-panel version of Ray Bradbury's 'Fahrenheit 451' is but one particularly choice example of the medium's power.

September 04, 2009|Julia Keller, Julia Keller is cultural critic for the Chicago Tribune.

The reader was outraged. The thrust of her question: How dare you?

Her contempt arose in response to a column I wrote praising certain graphic novels. And she was not alone in her seething censure. I heard from several other readers as well, wondering why I had allowed myself to be seduced by the easy enchantments of comic books. Frankly, they expected better of me -- given my doctoral degree in English literature and my well-known and oft-alluded-to affinity for dense, difficult, high-minded novels by the likes of Virginia Woolf and Joseph Conrad.


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How had I allowed myself to be plucked from the stately, dignified ivory tower and lured down into the publishing world's damp basement, a place of shag carpet, flea-market furniture and flea-bitten ideas, X-Men posters on the wall, empty pop cans underfoot and stacks upon stacks of comic books? Just what did I have to say for myself?

I understood the umbrage. Still do, in fact, even though I'm about to compound my sin and error by praising a graphic novel published last month by Hill & Wang. A new adaptation of Ray Bradbury's classic work "Fahrenheit 451" (1953), with a fascinating and challenging new introduction by the author, is a vivid reminder of the special power of a graphic novel, of the genre's ability to do things that words alone can't.

Believe me, I often question my affection for graphic novels. I loved Superman as a kid, but when it comes to comics, we're not in Kansas anymore. Graphic novels have become terrifically popular, thanks to fiercely imaginative practitioners such as Neil Gaiman, as well as to a growing body of sophisticated theoretical work on the genre by astute writers such as Scott McCloud and Douglas Wolk.

Indeed, I find myself wishing graphic novels weren't so hip; their popularity has made me question my own motives. Am I just trying to sound cool? Is an affection for graphic novels by anyone over 25 simply the literary equivalent of buying a sports car or getting a face-lift?

The new graphic version of "Fahrenheit 451" has helped sort out the contents of my soul. And I'm happy to report that I'm in the clear. I am quite certain that I'd be trumpeting the virtues of this work even if graphic novels weren't on everybody's hot list, even if a graphic novel weren't as trendy an accessory as an Obama campaign button.

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