Ken Howard scored his second big win this week.
Screen Actors Guild members elected the veteran character actor, who on Sunday won an Emmy for his role in HBO's "Grey Gardens," as the group's new president, capping a bitter election campaign that divided Hollywood's largest union.
Howard soundly defeated "In the Heat of the Night" actress Anne-Marie Johnson, SAG's first vice president, who was backed by the faction that swept outgoing president Alan Rosenberg into office four years ago. A coalition led by Howard consolidated its power on the national board, winning a majority of the 22 seats up for grabs on the 69-member board.
That further tilts the balance of power inside the 125,000-member union toward a group of moderate actors endorsed by Tom Hanks and George Clooney who led a revolt against the union's leadership. The group triggered the firing of the union's former union executive director, Doug Allen, and appointed former general counsel David White as interim executive director.
A similar shift at the top recently occurred at the Writers Guild of America, West, where members tapped "Southland" executive producer John Wells over "MASH" writer Elias Davis, who had been strongly supported by former President Patric Verrone. Verrone led the union during last year's three-month strike by screenwriters.
The election results could portend less combative relations with the major studios, although anxieties that have fueled labor unrest -- how talent is paid in the Internet era, for example -- remain. Compared with 2007, when the last round of elections were held, actors and writers are facing a substantially depressed Hollywood economy. Jobs for guild members have been vanishing as studios cut back the number of movies and TV shows they produce, and low-cost reality shows have displaced scripted dramas and comedies, which are key employers of talent.
Howard, who starred in the 1970s TV show "The White Shadow," advocated having SAG merge with the smaller actors union, the American Federation of Television and Radio Artists, to strengthen their leverage in negotiations.
AFTRA suspended its longtime bargaining partnership with SAG last year after a dispute over turf, and then cut its cut own prime-time TV contract with the studios. AFTRA, which had played second fiddle to the larger actors union, has emerged as the go-to union for new prime-time TV shows, weakening SAG's grip in an area it traditionally dominated.
