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Nicholas Sparks is a master of romance

His stories about lovers and their wondrous deeds are hard to resist. Hollywood knows it -- so does he.

February 04, 2010|By Amy Kaufman >>>
  • "Dear John" is the fifth movie made based on a book by Nicholas Sparks. A sixth, "The Last Song," is due in April.
"Dear John" is the fifth movie made based on a book by Nicholas… (Mel Melcon / Los Angeles…)

Hours before the Hollywood premiere of "Dear John" earlier this week, bestselling author Nicholas Sparks was sitting in the expensive hotel room he'd been put up in, continually glimpsing at his iPhone as it lighted up with phone calls and text messages.

"That's my literary agent," he said. "And now here's a producer from the film." Sparks, 44, had flown in earlier that day from his home in North Carolina for the opening of the fifth movie adaptation of one of his books. The sixth, "The Last Song," starring Miley Cyrus, is due out in April, and an adaptation of his novel "The Lucky One," already in the works, will potentially make seven.

Sparks, the author of 15 books with more than 50 million copies in print worldwide, writes love stories that he insists are about Joe Average -- guys who build furniture, high school students, soldiers. But the things that happen to his characters are far from standard: They pen fanciful love letters and scale Ferris wheels to ask girls out on dates. Those idyllic moments translate exceptionally well on screen -- which has made Sparks one of the most desired brand names in Hollywood today.

A 2004 movie adaptation of his novel "The Notebook," starring Ryan Gosling and Rachel McAdams as star-crossed lovers, was made -- like most of his adaptations -- for $20 million to $30 million, but grossed around $115 worldwide at the box office, while DVD sales of the film top 11 million to date.

"Everybody talks about 'The Notebook' -- it's the standard by which all romance films are judged in popular America since it was released," said Marty Bowen, who served as a producer on "Dear John." "In the world of romance and Hollywood, Nicholas Sparks is the Good Housekeeping seal of approval."

Sparks, not one for false humility, made it clear he also believes this to be true.

"There's a really big difference between having one novel made into a film and having seven. Alice Sebold had 'The Lovely Bones.' Is her life changed now?" Sparks asked. "But when you start getting over six, seven, we're moving into territory where not a lot of people go."

Instant success

While racing through recollections of his earlier years, he spoke of his upbringing as if he has already mapped out its plot points. Example: While on spring break in Florida he met a young woman named Cathy, and instantly told her that they were going to get married one day. After writing her 150 love letters to convince her he was the right guy, she finally agreed (cue the wedding bells).

Years later, he took six months to write a novel inspired by the love story of Cathy's parents and called it "The Notebook." He bought a book on how to get a literary agent. Then he got one. The first publisher the manuscript was sent to purchased it for $1 million.

" 'The Notebook' is a good novel. There are no flaws with that novel," he said. "That's a novel that will stay around for a long, long time. That's a novel that is taught in schools -- that is out in CliffsNotes. Classics just choose themselves."

Although Sparks' stories have resonated widely with audiences, he's hardly been a critical darling. His most recent movie adaptation, "Nights in Rodanthe" -- which was Warner Bros.' second highest-grossing film of 2008 -- was skewered by film critics. "Even those with a high tolerance for melodramatic drivel . . . will find 'Rodanthe' insulting, an assault on their already perilously weakened romantic hearts," said the New York Times.

And though most literary critics would cringe at calling Sparks' books classics, the author did find a fan in Mandy Moore.

The pop singer turned actress made her feature film debut as a young girl falling in love while battling terminal cancer in 2002's "A Walk to Remember," and fought for the part after Sparks' book resonated so strongly with her.

"I had such a visceral reaction to it that I remember not being able to read because I was almost hyperventilating while I was crying," she said, laughing. "It was my first movie and I know people say it may be cliche and it's a tearjerker or it's cheesy, but for me, it's the thing I'm most proud of."

That film became a favorite of teen star Miley Cyrus, and she told Disney she wanted to do a movie like it.

"She wanted to do a romance. I know that she loves Nicholas Sparks and her family is also religious, and he's sort of a faith-based author so it spoke to her on that level," said Jennifer Gibgot, the sister of Adam Shankman and partner at his production company, Offspring Entertainment, which produced "The Last Song."

Sparks met with Cyrus and asked her a few basic questions before sitting down to write the screenplay for the film, which also became his next novel. "I said, 'Do you want to sing or not?' " Sparks said. "And she said no. Then I asked, 'Do you have anything you really like?' She said, 'I like animals.' Every teenage girl likes animals," he said, laughing. "I said I'd see if I could work those in -- other than that, the story was 100% mine."

A rebel in love

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