Edward Schmieder conducts as Luiza Borac plays piano during a rehearsal… (Anne Cusack, Los Angeles…)
To the uninitiated, the name "iPalpiti" might conjure up a new line of Apple products. For those most familiar with the artist foundation and two-week music festival of the same name based in Los Angeles, iPalpiti is about spotlighting international talent (mostly string musicians from their late teens to early 30s) and presenting those players in a broad and creative range of musical combinations and repertoire.
Now in its 13th year, iPalpiti has also become a respected fixture in L.A.'s summer musical calendar with public performances throughout the city and in Beverly Hills. On Saturday, the festival culminates with its annual showcase concert at Walt Disney Concert Hall, featuring the iPalpiti Orchestra and guest soloists.
"The level of performance is extremely high," Los Angeles Philharmonic principal concertmaster Martin Chalifour says of the festival. Chalifour, an artistic advisor to iPalpiti, held a master class with some of the 26 professionals in this year's program. He believes that iPalpiti's musical excellence arises in no small part from the dedication and distinctive background of the festival's founder, music director and conductor Eduard Schmieder.
"Eduard is on the juries of multiple competitions and he is one of the people best placed to find world talent, for he does this for weeks every year," says Chalifour. In describing Schmieder's teaching style and conducting, Chalifour says, "It is not an autocratic approach. He encourages his musicians to listen to one another."
iPalpiti is an idiosyncratic spelling of the Italian word for "heartbeats." And, according to a few of the participants in this summer's festival, the name is fitting, due to the infectious emotional energy that the music-making aims to create and — unique to this year — the festival's celebration of the birth bicentennials of Romantic composers Frédéric Chopin and Robert Schumann.
Schmieder, a noted violin pedagogue born and trained in Russia, came to this country with his wife, Laura, in 1979. Both self-described refuseniks (Jews living in the then-Soviet Union prohibited from emigrating), the Schmieders finally were able to settle in Beaumont, Texas. Eventually he obtained successive teaching positions at Rice University in Houston, USC, Southern Methodist University in Dallas and Temple University in Philadelphia, where he has instructed since 2006.
In spite of the itinerant teaching, Los Angeles has remained the Schmieders' permanent home for 20 years. Their comfortable house in the Hollywood Hills is in strong contrast to when they first came to this country, penniless and isolated. Much of what Schmieder, 62, says he is trying to achieve with iPalpiti is making it easier for young musicians to establish a career.
"I understand how incredibly difficult it is for young musicians to get recognition," says Schmieder. "That always has been the case from the days of Buxtehude and Mozart. But composers can live after their deaths, performers cannot."
Unfortunately, he says, "talented musicians don't always find their way."
Inspired by the bighearted generosity of violinist Yehudi Menuhin, who lent his name and support to iPalpiti, Schmieder began the foundation (formerly known as Young Artists International) in 1997 with help from his wife, also a violinist. Since then, iPalpiti has awarded more than 200 scholarships to gifted young musicians from 42 countries, based largely on recommendations from colleagues and an advisory board that includes pianists Vladimir Ashkenazy and Yefim Bronfman, violinist Gidon Kremer and cellist Lynn Harrell, among others. For its annual summer festival here in L.A., iPalpiti covers all participants' travel expenses, room and board.
Schmieder is happy to count the many alumni who have moved on to substantial careers and play in the world's top orchestras.
Romanian-born pianist Luiza Borac, who participated in one of the first iPalpiti festivals, is one such alum. Widely praised for her recent recordings of the piano music of Georges Enescu on the Avie label, Borac returns to iPalpiti as the featured soloist in Chopin's First Piano Concerto on Saturday's Disney Hall program.
"I think the secret of this festival is that Eduard encourages you to be yourself and allows you to move into this musical world to find your own language," says Borac. It's an intense and concentrated period of rehearsals and performances over two weeks. But she adds, "It becomes pure joy because it is so interesting to see these pieces in a new light and to bring them to new life with new people."