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MOVIE REVIEW

'City Island'

Much shouting occurs when a Bronx family's secrets come home to roost comically.

March 19, 2010|By Glenn Whipp
  • Andy Garcia stars as corrections officer Vince Rizzo, a would-be actor.
Andy Garcia stars as corrections officer Vince Rizzo, a would-be actor. (Phil V. Caruso / Associated…)

Raymond De Felitta's screwball farce " City Island" introduces us to the Rizzos, a boisterous party of four living in the tradition-steeped, seaside spit of Bronx real estate of the movie's title. The Rizzos don't talk to each other much and when they do, the neighbors undoubtedly hear every word. But deep down, we're meant to understand, they shout because they care.

The Rizzos also harbor secrets. Corrections officer Vince ( Andy Garcia) tells wife Joyce ( Julianna Margulies) that he's out playing poker when he's really taking acting classes in Manhattan. Joyce smokes cigarettes on the sly and nurses a grudge about the extramarital affair she's sure Vince is having.

Daughter Vivian (Dominik Garcia-Lorido, Garcia's real-life daughter) strips to earn tuition money; teen son Vinnie (Ezra Miller) spies on an obese neighbor, admitting that his "thing" is needing to "feed a girl a wad of food."

When Vince discovers that an inmate at his prison is his long-lost son Tony (Steven Strait), he invites the soon-to-be ex-con to finish out his sentence by doing odd jobs around his house. This plot contrivance produces the expected howls of familial protest (and, really, the screamers do have a point) and topples the first domino for the rat-a-tat-tat revelation of all the hidden lies.

No, the movie's set-up would barely pass muster on "Three's Company," and there's little doubt that the whole thing is going to end in a group hug. But "City Island" scrapes by and delivers a smile or two because it does contain a fundamental understanding of the rot that sets in when people hide their true selves from the ones they love.

De Felitta ("Two Family House") gives all his actors plenty of room to roam. Garcia, afforded the chance to stretch his comic muscles and play a working stiff, comes off best, nailing Vince's good-natured vulnerability. When Vince catches a break and lands an audition for a Scorsese mob movie, Garcia delivers a nerve-jangling tour de force tryout that will be appreciated by out-of-work actors for years to come. And, yes, some shouting is involved.

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