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Critic's Notebook: L.A.'s landscape architects labor in anonymity

How to explain, much less minimize, the relative obscurity of L.A.'s landscape architects? There's no easy answer but our open spaces and preservation efforts give the issue added urgency.

April 20, 2011|By Christopher Hawthorne, Los Angeles Times Architecture Critic

A larger question is how much that rising prominence will boost the cause of landscape preservation, which is at the heart of the Washington, D.C.-based Cultural Landscape Foundation's mission. Can it help slow the demise of Lockwood de Forest's garden at Val Verde, the Montecito estate, or bring renewed attention to the career of a figure like Garrett Eckbo, the landscape architect whose 1950 book "Landscape for Living" lent the title to last week's gathering?

It's hard to be entirely optimistic on that score. The emergence of celebrity architects over the last decade hasn't exactly helped the preservation of significant buildings. Frank Gehry's status as the best-known architect in the world didn't keep U.C. Irvine from knocking down one of his buildings four years ago. Nor, in far broader terms, has a Pritzker Prize for Santa Monica's Thom Mayne done much for aging landmarks in Southern California by John Lautner or Myron Hunt.

A similarly painful contradiction may begin to afflict landscape architecture in and around Los Angeles, with a growing gap between the attention the public pays to new parks and gardens and older ones. The only reliable answer is for organizations like the CLF — and the Los Angeles Conservancy, which is increasingly working to protect landscapes as well as buildings — to keep plugging away, grabbing every chance to educate the public about the design of spaces that they may have driven past, or walked across, dozens of times without paying them a shred of attention.

christopher.hawthorne@latimes.com

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