Moviegoers line up at the AMC Universal Citywalk Stadium 19 theaters in… (Brian van der Brug, Los Angeles…)
U.S. theater owners aren't in a festive mood.
They were counting on a slew of high-profile holiday films to end an erratic moviegoing year on a high note. After a strong rally at the box office this summer — when ticket sales soared to record levels — the U.S. exhibition industry looked as if it had reversed a slump earlier in the year.
But those hopes have been dampened by unexpectedly weak ticket sales in recent weeks from sequels "Alvin and the Chipmunks: Chipwrecked" and "Sherlock Holmes: A Game of Shadows," as well as new films like the Aardman Animations holiday-themed "Arthur Christmas" and Martin Scorsese's critically acclaimed "Hugo."
As of Monday, year-to-date box-office revenue in the U.S. and Canada dropped 4% to $10 billion compared with a year earlier, while the number of tickets sold was off 5%, according to Hollywood.com. The box-office tracking firm is forecasting admissions for the entire year will be down 5% to 1.27 billion, the lowest level since the mid-1990s.
"I would characterize this as a schizophrenic year," said Gerry Lopez, chief executive of AMC Entertainment of Kansas City, Mo., the nation's second-largest theater chain. "We went from the depths of despair right back to historic trends in the second and third quarters. We anticipated the fourth quarter would be much stronger than it was."
In response to the anemic box-office results, stock prices of most of the nation's top circuits took a hit. Shares in the largest chain, Regal Entertainment of Knoxville, Tenn., dropped 14% in the last month, while those in Columbus, Ga.-based Carmike Cinemas, the fourth-largest chain, declined 7%. Shares in the third-biggest cinema circuit, Cinemark Holdings of Plano, Texas, were virtually flat during the period, although the stock price has fallen 3% in the last five days.
Analysts also have lowered their earnings estimates for the theater circuits, which are especially vulnerable to box-office performance because, unlike studios, they aren't part of larger media conglomerates that can offset declines through DVDs, video on demand, television sales or other entertainment revenue. With the exception of Cinemark, most U.S. theater companies haven't been able to cash in on the rapid growth in international box office because their business is mainly limited to the U.S. and Canada.
"To end the year on a whimper is disappointing because we made so much progress," said James Marsh, a media industry analyst with Piper Jaffray & Co.
Regal's revenue declined 4% to $2.1 billion in the nine months ended Sept. 29, while net income dropped 43% to $36.1 million (mainly because of an after-tax gain last year on the sale of stock in another company).
Carmike reported a 3% drop in revenue to $362.1 million during the period, while losses totaled $9.4 million, about the same as a year earlier, primarily because of tax charges.
AMC Holdings is privately held and reports only limited financial results. But the company reported a loss from continuing operations of $3.4 million during the 26-week period ended Sept. 29.
Cinemark, which has been expanding in Latin America, had the strongest results during the nine-month period. Its revenue rose 8% to $1.7 billion, while net income rose 4% to $112.3 million, largely because of international growth.
Industry observers cite various reasons for this year's decline in admissions, from waning consumer interest in 3-D movies to higher ticket prices at a time when people have been cutting back on discretionary spending. Fueled by 3-D surcharges, average ticket prices in the U.S. reached a record $8.06 in the second quarter of the year, according to the National Assn. of Theatre Owners. (The average ticket price dropped to $7.94 in the third quarter but is still higher than last year's average.)
Industry executives dispute the notion that higher ticket prices are a factor in lower admissions. Instead, they point to saturation of the family-movie genre. There were 16 animated releases this year alone, up from 12 in 2010. Fourteen are due out next year, according to Holllywood.com.
"What we may have had here is an overabundance of riches in the family genre," said Lopez. "There have been a lot of family movies to pick from."
Others blame more systemic changes.
Theater admissions dropped 5% in 2010 and have been stagnant over much of the last decade, reflecting long-term challenges, such as the growth of the video game industry and the increased popularity of streaming services like Netflix, prompting some consumers to spend more leisure time at home and less at theaters.
"We're seeing a cultural shift occurring where people are consuming their entertainment from Netflix, the iPad, Hulu," said Paul Dergarabedian, president of Hollywood.com's box-office division. "There's more competition for the eyeballs of consumers."
Theater executives are more optimistic about the film slate in 2012.