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Stalking the D.C. novel

Op-Ed

The question isn't who wrote Washington's latest roman a clef, it's whether the book is worth reading.

January 23, 2011|By Craig Fehrman

If this seems like a stupidly obvious point, though, let's return to the uproar over "O." During most of its monthlong buildup, people had no idea whether this new novel was any good. And the early reviews suggest it wasn't worth the fuss.

Now that there's a precedent, though, the quality of "O" seems beside the point. And so does its novel-ness. Washington knows only one way to react to books, whether fiction or nonfiction, Bob Woodward's or George W. Bush's, and that's in the rummaging for details, the breaking of embargoes, the questing for something, anything, new. It works well when you're lining up a novel's possible authors but not when you're trying to draw a lesson — much less pleasure — from it.

As it happens, "Primary Colors" makes some incisive points about media narcissism. Indeed, the only real names that appear in Klein's novel are those of journalists, who make up Washington's most durable brands. On this count, though, the best moral of "Primary Colors" came from its reception — from how quickly everyone moved from talking about a book to talking about its buzz.

Maybe one reason Washington's never had a great novel is that it wouldn't know what to do with one.

Craig Fehrman is at work on a book about presidents and their books.

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