That victory was perhaps a more significant moment in the cultural history of Los Angeles than in Legorreta's own career. His scheme, a collaboration with the landscape architect Laurie Olin anchored by a 10-story purple bell tower, has been harshly criticized over the years, largely because it exacerbates the plaza's detachment from the city around it.
At the same time, Legorreta's design, according to the author William Alexander McClung, emerged "as a hopeful symbol of Mexican-Anglo cultural interdependence, thus explicitly conceding the end of Anglo hegemony" in Los Angeles.

