“Being newly single in middle age.... It’s like opening one of those child’s toys where the snake pops out of the can.” So goes “The Snake Can” at the Odyssey Theatre. Kathryn Graf’s wry, insightful dramedy about three longtime girlfriends and their internecine midlife crises surmounts some post-larval structural blips with pertinence, humor and heart.
Meet fetching, successful Meg (Sharon Sharth, funny and convincing), a twice-divorced New Yorker unable to sustain even casual relationships, and her party posse. Nina (Diane Cary, atop her game), left a famous actor spouse to be an artist, using her body instead of paintbrushes. And acne-prone Harriet (the invaluable Jane Kaczmarek), though ambivalent after seven years of widowhood, has joined the Matchmaker.luv website.
With this revelation, “Snake Can” leaves female bonding to explore fairly universal themes of loyalty and loneliness. Enervated Brad (Joel Polis, expert as ever) balks at Meg’s sexual advances, to avoid sullying what they supposedly have. Sensitive Paul (an assured Gregory Harrison), Nina’s not-quite-ex, wants to give what women profess to desire, so where are they? Stephen (James Lancaster, droll and unpredictable), Harriet’s dating match-up, is attentive, courtly -- and bisexual, which creates edgy hilarity when flamboyant Jake (Polis) arrives.
Director Steven Robman oversees a smart physical production, particularly designer Hana S. Kin’s witty projections, although pacing meanders, with some choppy transitions. Graf hasn’t fully achieved seamless cohesion between storylines, and Paul could use a counterpart role akin to Stephen’s fantasy personas and the Brad/Jake duality.