"Number fourteen, home" is an elaborate video requiem for the dead -- specifically for the great Romantic composer Frédéric Chopin but, by implication, for the entire network of cultural relations that made his work possible.
Dutch artist and composer Guido van der Werve enacts a metaphoric lament for an era that has passed into history. At Marc Foxx Gallery, the 54-minute video screens every hour on the hour.
In three movements and 12 acts, the artist performs a trans-European triathlon of swimming, bicycling and running from Warsaw, where Chopin grew up, to Paris, where he died of respiratory disease at 39. Chopin was buried at Père Lachaise cemetery, but legend has it that his heart was smuggled out of France and interred at Warsaw's Holy Cross Church. The video starts at one and ends at the other.
In between, the rigor of a modern athletic endurance test couldn't be more different from the theatrical soap opera that was Chopin's life, from his days as a child prodigy through chronic illnesses, including deep despair over unrequited love and tragic early death. Van Der Werve, who also composed the music, evokes the grandiosity and epic trauma in numerous ways: He sets himself on fire, explodes a house, drags a stringed orchestra and choir along with him on the journey and more.