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With 'Innocence of Muslims' ruling, 9th Circuit opens a copyright can of worms

March 01, 2014|By Jon Healey
  • This Sept. 20, 2012, photo shows Cindy Lee Garcia, right, one of the actresses in the film "Innocence of Muslims," and attorney M. Cris Armenta at a news conference before a Superior Court hearing in Los Angeles. A federal appeals court ordered YouTube on Wednesday to take down an anti-Muslimfilm that sparked violence in many parts of the Middle East.
This Sept. 20, 2012, photo shows Cindy Lee Garcia, right, one of the actresses… (Jason Redmond / Associated…)

This post has been updated.

While Hollywood executives and film stars chatter about who's going to win Oscars, the buzz in geekier circles is focused on a low-budget film that, despite being at the other end of the quality scale from "Gravity" and "12 Years a Slave," could set a worrisome legal precedent.

The 13-minute trailer for "Innocence of Muslims," a crude piece of anti-Islamic agit-prop, is best known for triggering outraged protests across the Middle East and northern Africa. One Egyptian cleric issued a fatwa calling for the death of every actor in it, giving a whole new meaning to the idea of shooting a movie.

An actress in the trailer, Cindy Lee Garcia, persuaded the U.S. 9th Circuit Court of Appeals to do something the Muslim protesters could not: force YouTube to take down all copies of the film from its site, and bar any duplicates from being uploaded. Google (which owns YouTube) is appealing, but in the meantime the "Innocence of Muslims" trailer has vanished from the site.

In a ruling released this week, Chief Judge Alex Kozinski declared for a split three-judge panel that Garcia held a copyright in her performance despite appearing in only five seconds of the trailer, writing none of her own lines and even having part of her dialog overdubbed by someone else. The copyright Garcia holds, which is in addition to the producers' copyrights over the recorded film, gives her the right to limit where her work will be publicly performed.

Garcia's right also trumps any 1st Amendment argument in favor of leaving the trailer online, despite the well-documented public interest, Kozinski held.

Although the U.S. government, among others, has argued that actors' performances are eligible for copyright protection, it's not exactly a consensus position. In fact, the dissenting judge in the case, N. Randy Smith, accused the panel's majority of writing new law so Garcia could win the case.

"We have never held that an actress' performance could be copyrightable," Smith wrote. Citing research by film copyright scholar F. Jay Dougherty, he added that there is little support in earlier rulings or U.S. statutes for the notion that performers are "authors of an audiovisual work" entitled to copyright protection.

Kozinski, however, set a low bar for deciding whether a bit of acting could be protected.

"An actor's performance, when fixed, is copyrightable if it evinces 'some minimal degree of creativity ... no matter how crude, humble or obvious it might be,' " Kozinski wrote, quoting a 1991 Supreme Court decision on telephone white pages (hint: they're not entitled to copyrights). "That is true whether the actor speaks, is dubbed over or, like Buster Keaton, performs without any words at all."

The chief judge made it clear in his ruling that most actors won't have the kind of power that he granted Garcia. That's because actors implicitly give filmmakers a license to use their performance when they agree to join the cast. That license is a broad one, Kozinski wrote, and ordinarily, an actor doesn't have the power to force a filmmaker to tailor a movie to his or her liking.

What makes Garcia unusual, in Kozinski's view, is that Mark Basseley Youssef, the film's writer and producer, hired her under false pretenses. He lied about the film he was making, saying it was a desert adventure. That deception voided that license, giving Garcia the power to halt the film's display.

One other unusual feature of the ruling: Kozinski ordered YouTube to block the entire work, not just Garcia's few seconds. In other words, he gave an actress with a bit part leverage over the whole film. 

[Updated, March 1, 8:10 a.m.: The three-judge panel quietly eliminated that quirk late Friday afternoon. It issued a modified take-down-and-stay-down order that "does not preclude the posting or display of any version of 'Innocence of Muslims' that does not include Cindy Lee Garcia’s performance." Kozinski evidently recognized that Garcia's copyrights do not extend to portions of the film she's not in.]

Hollywood studio executives say they're not worried about the implications of the ruling. That's because their contracts stipulate that actors are working for hire, which means they have no copyrights, and that even if they weren't working for hire, they assigned their copyrights to the production company.

Tech advocates were not so sanguine.

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