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BUSINESS
April 23, 2011 | By Shan Li, Los Angeles Times
The big problem with 3-D TV, which has been a flop so far despite huge hype, is the glasses. Making sure everyone in the room has a pair to view a show can be expensive and impractical, not to mention socially awkward. But 3-D could be on the verge of a revolution that leaves the eyewear behind. A new generation of glasses-free 3-D gadgets have begun to roll out: •A Nintendo video game console that shows 3-D without glasses arrived in the U.S. last month and is already a hit. •Two smart phones — from LG and HTC — with non-glasses, 3-D screens are due out by the end of the year.
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BUSINESS
January 9, 2013 | By Tiffany Hsu
LAS VEGAS -- It was as if Charles Xavier himself held court on the CES showroom floor, sending drones flying with just his mind. Except that the X-Man in question was a middle-aged Asian convention attendee wearing a brain-wave-reading headset from NeuroSky. The 8-year-old San Jose company hopes to turn electrical impulses produced by customers' gray matter into a mainstream consumer brand by pairing its headset with gadgets and games dreamed up by outside developers.   Those include Steve Castellotti, the young chief executive of Puzzlebox, who put his mind-controlled spherical helicopter Orbit on Kickstarter in November hoping to raise $10,000.
NEWS
February 14, 2014 | By Mary Forgione, Daily Deal and Travel Blogger
What's expected to be a growing number of Asian air travelers over the next few decades means these up-and-coming fliers will have more say over the future of economy-class travel. What do they want? The most comfortable seats possible with mood lighting and quiet zones so they can sleep and relax. Asia will account for 45% of global air passengers by 2032, and these passengers will be young (18 to 34) and affluent, according to an Airbus study released Thursday. "The voice of the Asian passenger is fast becoming the dominant voice in the aviation industry and will dictate the future of flight," Kevin Keniston, described as Airbus' head of passenger comfort, said in a statement.
BUSINESS
November 23, 2011 | By Meg James, Los Angeles Times
ESPN has a new skipper. Walt Disney Co. Chief Executive Robert Iger on Tuesday announced he was elevating John Skipper to lead the company's sports programming juggernaut. For the last six years, the former Rolling Stone and Spin magazine executive has been in charge of programming and production across ESPN's phalanx of media platforms, including its TV channels, radio network and the Internet. Skipper, 55, will become ESPN president and co-chairman of the Disney Media Networks, replacing George Bodenheimer, who has been running Disney's most profitable division for 13 years.
ENTERTAINMENT
May 17, 2010 | By Mary McNamara, Los Angeles Times Television Critic
When "House" debuted on Fox in the fall of 2004, coverage quickly evolved into two basic story lines: Sherlock Holmes and Hugh Laurie. That the character of medical detective/misanthrope Gregory House was based on the world's most famous detective was an instant source of rousing geek-joy among those who write about television because, among other things, it allowed us to establish some smarty-pants literary credibility. The same was true with Laurie, who, at the time, was known in the States mostly for playing Bertie Wooster to Stephen Fry's Jeeves in the British series "Jeeves and Wooster."
ENTERTAINMENT
March 4, 2013 | By Daniel Miller
Walt Disney Studios has agreed to a content license agreement with Sensio Technologies Inc. for the distribution of 3-D films via a new video-on-demand television service, the companies announced Monday. Sensio's on-demand rental service, called 3DGo, is to go live this month, though initially it will be limited to 22 Vizio television models that have both 3-D and Internet capabilities. Disney titles that will be available on 3DGo include the animated films "Brave" and "Frankenweenie.
BUSINESS
October 13, 2012 | By Salvador Rodriguez
The Vizio CinemaWide is a big-screen TV set with a simple mission: to remove the annoying black bars that come with watching, as its name suggests, widescreen cinema movies. The CinemaWide is a 58-inch HD 3-D TV that stands out because its ultra-wide screen was specifically designed for watching movies, theater style. It removes black bars by displaying content at a stretched 21:9 ratio, unlike most HD TV sets, which have a 16:9 ratio. The CinemaWide also has higher resolution, -- 2,560 by 1,080 -- than the typical HD TV. The screen isn't the only big thing about this TV. The set weighs 66 pounds and is more than 4 1/2 feet wide.
NEWS
June 23, 1991 | DANIEL CERONE, TIMES STAFF WRITER
When John Wayne gallops off the TV screen into your living room Wednesday night, in KTLA's 3-D telecast of "Hondo," you can thank the technology he rode in on for your chance to see the rare 1953 Western. For years, Michael Wayne, the Duke's son, has been holding back four of his father's vintage films--"Hondo," "Island in the Sky," "The High and the Mighty" and "McLintock!"--allowing them to age like fine wine. They have never been released on video and only rarely shown on television.
BUSINESS
September 4, 2012 | By Salvador Rodriguez
A hacker group known as AntiSec claims it stole the identification numbers for 12 million Apple devices and has posted information on a million of them on a website. AntiSec, which is short for anti-security, alleges it gained access to a file containing the list of the Apple IDs after hacking into the computer of an FBI agent. It did not identify the agent or who the ID numbers belonged to. AntiSec said it chose to release a portion of the Apple IDs list to get people's attention to its claims that the FBI is gathering people's Apple device details.
ENTERTAINMENT
January 29, 2012 | By Lewis Segal, Special to the Los Angeles Times
3-D or not 3-D: That is the question. Or at least it's one question ricocheting through the dance community in the aftermath of "Pina," Wim Wenders' recent 3-D film tribute to the late innovative German choreographer and Tanztheater Wuppertal company leader Pina Bausch. In one sense, it's a nonissue: Every classic dance film ever made would have infinitely more power with real dimensional space around, behind, above and in front of the dancers. Think about Fred Astaire gunning down the corps in "Top Hat" or the fantastic colors and shapes in "The Red Shoes" ballet or Baryshnikov defining male classicism for the whole century in "The Turning Point" or Patrick Swayze having the time of his life in "Dirty Dancing" or the Merce Cunningham company making modernism irresistibly seductive in "Points in Space.
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