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Abstract Art

ENTERTAINMENT
February 20, 2013 | By Christopher Knight, Los Angeles Times Art Critic
If you like paint, you'll like "Richard Jackson: Ain't Painting a Pain," the artist's 40-year retrospective exhibition at the Orange County Museum of Art in Newport Beach. It's awash in the stuff. Thick, brightly colored paint oozes like mortar from between thousands of canvases stacked like bricks into a kind of room-size temple, and it's smeared in rainbows that unfurl across white walls. It's shot from a pellet gun at a big drawing and out of the rear ends of carousel animals toward spinning canvases and sculptures on surrounding walls.
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NEWS
March 2, 1993 | KATHRYN BOLD
Lovers of abstract art and gourmet food were in their element Thursday night when the Newport Harbor Art Museum held a Founders Preview of "American Abstraction From the Addison Gallery of American Art." About 130 guests gathered at the Newport Beach museum for an after-hours reception staged by Cartier and museum trustees to ponder the abstract art, sip champagne and sample exotic hors d'oeuvres from the kitchen of Patina restaurant in Los Angeles.
BOOKS
October 11, 1992 | Saul Ostrow, Ostrow is an artist, critic and an organizer of exhibitions, living and working in New York City
Nineteen-fifty, for April Kingsley, marked a pivotal point in the development of Abstract Expressionism (AbEx). It was the year that many of the painters associated with AbEx (Arshile Gorky and Hans Hoffman), designated as AbEx (Newman, Rothko, Reinhardt, Brooks, Baziotes, etc.) or identified with AbEx (Pollack, De Kooning, Guston and Kline) all had found galleries and had exhibitions.
BOOKS
February 22, 1987 | John Dillenberger, Dillenberger, with his wife Jane, was responsible for the 1977 exhibition and catalogue "Perceptions of the Spirit in Twentieth Century American Art." His most recent book is "A Theology of Artistic Sensibilities: The Visual Arts and the Church" (Crossroad).
This is at once a book of essays and a catalogue accompanying the exhibition of the same title at the Los Angeles County Museum of Art (through March 8), the inaugural exhibition of the museum's Robert O. Anderson Building. The exhibition has deservedly received major attention in the art world, both for its visual achievement and for the interesting questions it raises with respect to the spiritual, mystical and occult origins of abstract art.
ENTERTAINMENT
October 6, 1989 | CATHY CURTIS
Saturday is Family Day at Newport Harbor Art Museum and Newport Beach Public Library, with a series of free activities from 11 a.m. to 4 p.m. for children and their parents. There will be performances by the Opera Pacific Overture Company ("America Sings and Works"); Daion Taiko, a Japanese percussion ensemble; and Steve Mellow's Children's Readers' Theatre Workshop.
ENTERTAINMENT
July 15, 2007 | Randy Lewis
THE artistry of '60s rock icons Jimi Hendrix and Janis Joplin wasn't limited to their Rock and Roll Hall of Fame music. As it happens, both were deeply interested in visual art before their music careers took off, and several of their drawings and paintings will be on display in Hollywood in conjunction with this year's Mods & Rockers Film Festival put on by American Cinematheque.
ENTERTAINMENT
February 27, 2014 | By Christopher Knight, Los Angeles Times art critic
Inevitably, the recent paintings of multicolored dots by B. Wurtz put a viewer in mind of Damien Hirst, he of the thousands of paintings with grids of multicolored circles on a white background. Hirst was neither the first nor only artist to harness the visual theme; but the sheer volume of his parodies of abstract painting colonized the territory, like white cells overwhelming the art-world bloodstream, giving him the dull equivalent of a brand. All the more reason that Wurtz's dot paintings at Richard Telles Fine Arts, seven of which are in the New York-based artist's first solo show at the gallery in several years, are so captivating.
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