February 20, 2013 |
If you like paint, you'll like "Richard Jackson: Ain't Painting a Pain," the artist's 40-year retrospective exhibition at the Orange County Museum of Art in Newport Beach. It's awash in the stuff. Thick, brightly colored paint oozes like mortar from between thousands of canvases stacked like bricks into a kind of room-size temple, and it's smeared in rainbows that unfurl across white walls. It's shot from a pellet gun at a big drawing and out of the rear ends of carousel animals toward spinning canvases and sculptures on surrounding walls.
March 2, 1993 |
Lovers of abstract art and gourmet food were in their element Thursday night when the Newport Harbor Art Museum held a Founders Preview of "American Abstraction From the Addison Gallery of American Art." About 130 guests gathered at the Newport Beach museum for an after-hours reception staged by Cartier and museum trustees to ponder the abstract art, sip champagne and sample exotic hors d'oeuvres from the kitchen of Patina restaurant in Los Angeles.
October 11, 1992 |
Nineteen-fifty, for April Kingsley, marked a pivotal point in the development of Abstract Expressionism (AbEx). It was the year that many of the painters associated with AbEx (Arshile Gorky and Hans Hoffman), designated as AbEx (Newman, Rothko, Reinhardt, Brooks, Baziotes, etc.) or identified with AbEx (Pollack, De Kooning, Guston and Kline) all had found galleries and had exhibitions.
January 1, 2012 |
It's hard to imagine now. But one fact about the early years of the post-World War II art scene in Los Angeles that has been brought into focus by the Pacific Standard Time initiative is that there was no real art museum in what was becoming the nation's second largest city. The Los Angeles County Museum of Art did not exist as a separate entity until it opened on Wilshire Boulevard in 1965. The Museum of Contemporary Art's Grand Avenue location was years away. Much of the energy, then, in the city's art scene in the 1945 to 1980 stretch came from private collectors, artists' collectives, print shops, art schools and especially from commercial galleries.
March 30, 1995 |
Keith Boadwee's body pops up in each body of work he makes. In the past, it has served as a canvas for his juicy, pseudo-Expressionist paintings; as a stage on which finger-puppets frolic; and as a prop in do-it-yourself photographs of modern masterpieces. This time around, Boadwee turns himself into a human spray-gun, squirting colorful streams of paint out of his derriere.
October 6, 1989 |
Saturday is Family Day at Newport Harbor Art Museum and Newport Beach Public Library, with a series of free activities from 11 a.m. to 4 p.m. for children and their parents. There will be performances by the Opera Pacific Overture Company ("America Sings and Works"); Daion Taiko, a Japanese percussion ensemble; and Steve Mellow's Children's Readers' Theatre Workshop.