November 7, 2009 |
Here are the ups and downs of being a teenage actress on a television show with strong adult themes: Your training at a prestigious ballet school has to be dropped, bad. But you get to spend your summers on the beach in California, good. You get to kiss the boy you've had a crush on because it gets written into the script, good. But this is your first kiss -- like, ever -- and so your first kiss will take place on camera, beneath a boom microphone and in front of the crew . . . along with your mom. Bad. You're on TV, cool.
CALIFORNIA | LOCAL
July 26, 2010
Carl Gordon, who despite a late start on an acting career became a well-known presence on stage and television, has died. He was 78. Gordon died July 20 at his home in Jetersville, Va., of non- Hodgkin's lymphoma, said his wife, Jacqueline Alston-Gordon. Gordon was best known for his role in "Roc," a situation comedy about an African American working-class family in Baltimore that ran on Fox from 1991-94. Gordon played Andrew Emerson, the father of sanitation worker Roc Emerson, who was played by Charles S. Dutton.
May 27, 1989
I was shocked to read in Jack Mathews' May 12 "Cannes Files" that Nick Nolte says drinking alcohol helps his acting. Personally I feel this is a dumb statement, if only because it made news. It is dangerous to the young actors coming into this biz and also to the ones now in it. Nick Nolte should keep his drinking problem to himself. HARRY COHN Silver Lake
June 17, 1989
Dan Sullivan's parenthetical statement that being a liar is the basis of acting ("Helmond as Sarah Bernhardt: The Legend Doesn't Translate") reveals an ignorance of the craft unacceptable in a professional theater critic. He should know that the basis of all good acting is the truthful recreation of the artist's own experience brought into the context of the scene through creative imagination. This process has no more to do with lying than it does with pretending as children do at play.
February 17, 2010 |
When Helen Mirren was a girl growing up in England, she'd often saunter out onto local sidewalks, idling, hoping to be discovered. "I stood around on street corners imagining that a film director had to drive by and say, 'There's the girl for me.' Hoping that someone's going to go, 'She's the one,' " she said. "I really wanted to be an actress, but I just didn't think that it was possible for someone like me." Looking at Mirren now, seated on a couch in a posh Los Angeles hotel room sipping a cappuccino, it's difficult to imagine her as a young, wide-eyed girl, yearning desperately for some type of impossible dream.
August 16, 2009 |
The scene takes place toward the end of Quentin Tarantino's rollicking World War II action-drama "Inglourious Basterds." As fire engulfs a Parisian movie theater packed with German military commanders, pandemonium ensues, diverting attention from the real action: a heart-pounding confrontation between a crack team of Nazi-terrorizing Jewish covert operatives (the so-called "Basterds") and the Third Reich's top brass. It's vintage Tarantino, hyper-real ultra-violence that arrives as a kind of catharsis after more than two hours of intricate plot twists and baroque dialogue as the Basterds, led by Lt. Aldo Raine (Brad Pitt)