Advertisement
YOU ARE HERE: LAT HomeCollectionsAlice
IN THE NEWS

Alice

NEWS
December 29, 1985
Natalie Gregory was great in "Alice in Wonderland." Roddy McDowall was the best supporting actor though he had very few lines. Carolyn J. Ranslem, Los Angeles
Advertisement
ENTERTAINMENT
August 21, 2011 | By Jodie Burke, Special to the Los Angeles Times
The Todds "When we were trying to sell 'Austin Powers,' we got a lot of pushback," Suzanne Todd recalls. "A studio head at the time [took] the point to call himself to say to me, 'Passing on this project, and I also want to tell you as your friend that I think this material is disgusting and you're a nice girl and you shouldn't sully you career by taking on this kind of material.' And I remember thinking, not only was that a pretty aggressive pass, but I was sort of insulted by the idea that he needed to look out for me. " The Todd sisters have produced some big hits, including all three of the "Austin Powers" movies, "Memento" and "Alice in Wonderland.
FOOD
March 4, 1998
Today was a very happy day for me after reading Ruth Reichl's personal story, "Go Ask Alice" (Feb. 25). I was swept into someone else's life. It felt magical. Ms. Reichl's family history shows us how very much we need each other through the good times and the bad times. I only wish that I, too, could have dined with Aunt Birdie and Alice. NANCY TORRECILLAS Beverly Hills Ruth Reichl's article, "Go Ask Alice," was wonderful. The storytelling reminded me of M.F.K. Fisher (one of my favorite authors)
ENTERTAINMENT
April 11, 2013 | By Sheri Linden
All dressed up with cool places to go, the pretty young things of "Lotus Eaters" are very rich and extravagantly bored. Alexandra McGuinness' first feature isn't quite as aimless as the millennial jet-setters it portrays, but it's at least as good-looking and stylish. And even though the handsome black-and-white lensing is no substitute for a compelling story, it helps, infusing the skin-deep sketches of emotional enervation with aesthetic energy - for a while. The movie's London clique partake of the usual sex, drugs and clubbing, the bathtubs full of bubbly, and, of course, accouter their pet lemurs with jeweled collars.
ENTERTAINMENT
September 15, 2008 | Bob Baker, Special to The Times
Memo to: Tyler Perry Re: "The Family That Preys" Dude, what made you refuse to screen your film for critics before it opened Friday? I'm betting you would have received an earful of praise for your writing and directing. Praise for the sweet relationship between Alfre Woodard and Kathy Bates as mothers occasionally shamed by their children. Praise for making venality your dominant theme without falling into the ditch of soap opera. Praise for constructing characters whose yearning for more rings true.
ENTERTAINMENT
May 2, 2013 | By Sheri Linden
To say that Sophie Lellouche, writer-director of the French rom-com "Paris-Manhattan," was inspired by the films of Woody Allen is not to suggest that her movie is inspired. A wan homage to l'oeuvre de Woody , the feature siphons off bits of "Play It Again, Sam," "Hannah and Her Sisters" and "Manhattan Murder Mystery" in its underwhelming tale of a thirtysomething Parisian's search for Mr. Right. For pharmacist Alice (Alice Taglioni), the search is far from urgent; why bother when she's already found the perfect guy in Allen?
ENTERTAINMENT
September 11, 1987 | LYNNE HEFFLEY
"In my book, it's called 'Alice in Wonderland,' " a young audience member announced as Robin Scott's new play "Alice in Numberland" began at the California Museum of Science and Industry. Faithful to Carroll's classic and to his interest in numbers (he taught mathematics), Scott's play is a clever take-off aimed at demystifying math for elementary school-age children.
ENTERTAINMENT
April 4, 2013 | By Robert Abele
The beauty of a well-told fable is typically in its airy brevity, with a moral sharp and bittersweet. Ramaa Mosley's feature debut, "The Brass Teapot," has Aesopian pretensions with its supernatural-themed story about the titular vessel's darkly magical effect on the lives of a young, financially strapped married couple, played by Juno Temple and Michael Angarano. But the conceit - the teapot fills with money when harm is inflicted in its presence - is treated less like a starting-off point for something wise to say about societal masochism than an opportunity to indulge in weakly cynical jokes and aggressively ouch-y humor.
Los Angeles Times Articles
|