March 3, 1985 |
Poor, myopic, Webster--a generalist to a fault--didn't get it quite right. A ballerina, according to his New World Dictionary of the American Language, is just "a woman ballet dancer." If we accept that simplistic but popular definition, any female--good or bad, young or old, tall or short, thin or fat, amateur or professional--who can put on a tutu and point a toe must be a ballerina. Perish the ignoble thought.
May 13, 1995 |
Back to No. 45? Michael Jordan donned the forbidden No. 23 Friday night but, with the NBA's meter running, flamed out after a sensational first half. The Chicago Bulls plummeted with him and were upended, 110-101, by the Orlando Magic. The Magic, supposedly too young, too inexperienced and too jittery, thus recaptured the home-court advantage in this best-of-seven Eastern Conference semifinal series which it leads, 2-1. Jordan scored 18 points in the first quarter on nine of 11 shots.
October 30, 2004 |
In a tradition dating back to the royal courts of Europe, the National Ballet of Cuba opened its 19th biennial Ballet Festival on Thursday with a grand defile: a hierarchical parade of dancers beginning with 25 of the youngest children from the company school. Wearing costumes of black and/or white, waves of dancers crossed the stage of the antique Gran Teatro Sala Garcia Lorca, growing older, bigger, more familiar until the current stars appeared, one by one, to screams and bravos.
November 6, 2004 |
Alina Cojocaru and Johan Kobborg of England's Royal Ballet are not exactly unfamiliar with the starring roles in "Swan Lake." But the National Ballet of Cuba production is radically different in narrative, tempo and many, many choreographic passages from the version in which they've triumphed in London.
October 20, 2001 |
Beyond showcasing the current National Ballet of Cuba roster in excerpts from the most familiar 19th century classics, the seven-part program at the Orange County Performing Arts Center on Thursday offered an enlightened view of classicism itself--a view expressing the unique sensibility of the company's founder, 81-year-old ballet legend Alicia Alonso.
February 9, 1999 |
The last four decades of the 20th century have been a turbulent period for classical ballet, with all manner of staging fads reordering the traditional repertory to emphasize radical concepts of production design, psychosexual symbolism, interpolated bravura and more.
October 17, 2001 |
When the National Ballet of Cuba presents an excerpts program, it's not just "mixed repertory night." It's billed as "La Magia de Alonso (The Magic of Alonso)," a tribute to Alicia Alonso, the artistic director who founded the company in 1948. The ballet returns to the Orange County Performing Arts Center for the first time since its debut there in 1998, when it performed Cuban choreographer Pedro Consuegra's "Cinderella."
CALIFORNIA | LOCAL
January 11, 2008 |
Dancer and choreographer Alberto Alonso, one of the three founders of the influential modern school of Cuban ballet, died of heart failure Dec. 31 at his home in Gainesville, Fla., his family announced. He was 90. Together with his brother, dancer Fernando Alonso, and Fernando's wife, Alicia Alonso, Alberto Alonso founded what became the National Ballet of Cuba in 1948.