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Allan Miller

September 18, 1995 | SCOTT COLLINS and * "Are You Now or Have You Ever Been . . . ," Odyssey Theatre , 2055 S. Sepulveda Blvd., West Los Angeles. Wednesdays-Saturdays, 8 p.m., Sundays, 7 p.m. Ends Oct. 29. $17.50-$21.50. (310) 477-2055. Running time: 2 hours, 25 minutes.
The Soviet Union is just a memory; likewise Richard Nixon and most of the other Cold Warriors. Recently released documents have even zapped the mystique of the Rosenberg espionage case. Given the times, Eric Bentley's "Are You Now or Have You Ever Been . . . ," the 1975 retelling of the House anti-Communist hearings that led to Hollywood blacklisting, may not seem quite as harrowing as it once did.
May 15, 2003 | Don Shirley, Times Staff Writer
They could rename this year's Pacific Playwrights Festival at South Coast Repertory the Pulitzer Playwrights Festival. And the Pulitzer cachet appears to be enhanced by some notable Hollywood names participating in the readings at the Costa Mesa theater. This year's Pulitzer winner for drama, "Anna in the Tropics" by Nilo Cruz, will receive a staged reading, with Jimmy Smits and Tony Plana. South Coast will produce the West Coast premiere in October.
December 18, 1988 | JANICE ARKATOV
The second time around might just be lovelier for Gretchen Corbett. Seven years ago, the actress played Jill in the Back Alley's production of D. H. Lawrence's "The Fox." On Thursday, Corbett repeats her role at the Van Nuys theater. "This is a great role," Corbett said with emphasis. "You don't expect them to come around very often, and you don't know if what you did will ever work again. When this closed before, I definitely felt finished with it. It's a heavy piece, a heavy role--and you can't help but carry some of the chaff home with you. It's like when you've had a terrible fight with a friend and you're sobbing.
August 25, 1987 | DAN SULLIVAN, Times Theater Critic
"The Early Girl," in Caroline Kava's play at the Back Alley Theatre, is the girl who takes care of the pre-5 p.m. trade at Lana's Cathouse somewhere in the desert. Lana (Morgan Lofting), a dainty woman who favors designer blouses, runs a tight ship. As she tells her girls, there is no room for "surprises" in the sex business. "He decides what he wants and pays for it, in the parlor, before you take him to your room."
August 29, 1989 | DAN SULLIVAN, Times Theater Critic
Except that the title has already been taken, Matthew Witten's "The Deal" at the Back Alley Theatre could have been called "The Sting." It traces a small-town FBI set-up that goes awry, and it doesn't end with 19 rounds of gunfire. This is theater, not TV. Good theater, too. Witten writes tight and sticks to the evidence, rather like his hero, an FBI agent named Peter, not Pete (John M. Jackson). Peter is trying to get the goods on Jimmy, a two-bit ward boss (Michael Cavanaugh).
August 12, 1994 | PHILIP BRANDES
If evil could take human form today, it would probably look a lot like Calvin Rhodes, the ex-priest turned pornographer who taunts two disabled Vietnam vets with their own grandiose aspirations in the West Coast premiere of Mark Medoff's intense psychological drama "Stumps."
August 8, 1997 | PHILIP BRANDES
When a downtrodden, alcoholic New Age counselor encounters a rich but virtually tone-deaf client obsessed with learning to sing like a famous tenor, it's hard to say who needs the most help. But then, intriguing uncertainty fuels the quirky charm of acclaimed Irish playwright Tom Murphy's "The Gigli Concert."
October 18, 1985 | MARC SHULGOLD
"Aaron Copland: A Self-Portrait" (KCET Channel 28, tonight at 9) is more than an important document of the man and his contributions to American music--it is, thank goodness, also immensely enjoyable to watch. From the opening, as Copland jokes with a young ensemble reading through one of his early quartets, we are drawn in by the irrepressible charm of the man, who turns 85 next month.
September 17, 1992 | PSYCHE PASCUAL
Thousand Oaks council members have agreed to enter into exclusive talks with a biotechnology firm that wants to buy 18 acres of municipal property, including a building that houses City Hall. "The naysayers have always said we couldn't sell this building," Councilman Frank Schillo said before the unanimous vote Tuesday night to negotiate with Amgen. "I think we're about to do that." If the deal is successful, Thousand Oaks would have to move out of the City Hall building at 2150 W.
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