May 25, 1997 |
Corinthian columns, classical pediments, a sculptural charioteer, flaming caldrons--the opening scenes of "American Visions," Time magazine art critic Robert Hughes' eight-hour television series on the history of American art, which has its debut Wednesday on PBS, are filled with triumphal images. He is not, however, touring the monuments of ancient Greece, fountainhead of the Western democratic ideal with which the United States first imagined itself into being.
January 16, 1993 |
The Los Angeles County Museum of Art has laid off three employees in a move to cope with a countywide fiscal crisis. Additionally, Michael Quick, senior curator of American art, has resigned, reportedly in an effort to avoid being laid off. The museum on Thursday morning notified the employees of their termination, effective immediately. Their museum declined to reveal their names.
July 6, 2003 |
American Expressionism Art and Social Change 1920-1950 Bram Dijkstra Harry N. Abrams/Columbus Museum of Art: 272 pp., $60 * This is a marvelous, passionate and irritating book that proposes to retrieve a once-powerful movement in American painting from the rubbish heap of art history. That lost Depression-era movement has been sloppily labeled Social Realism by the clerks of academic art criticism, with their iron need for categories.
November 24, 2002 |
What the father-and-son team of John and Alan Lomax -- white guys -- did for American music in the 1930s when the two went around the backwoods of the South recording black musicians and authentic blues, another father-and-son team of white guys, William and Paul Arnett, has done for contemporary American art, identifying and collecting since the 1970s vernacular art made by black artists in the South.
CALIFORNIA | LOCAL
August 7, 2013 |
Japanese American artist Ruth Asawa was interned during World War II, first at the Santa Anita racetrack in Arcadia, where she lived in a horse stall that reeked of manure, and then at a relocation center in Arkansas, where 8,000 detainees were surrounded by barbed wire fences and watch towers. It was a defining experience, but not a devastating one. Decades later, when Asawa had achieved fame in the art world and admiration in San Francisco as an educator and arts advocate, she told an interviewer that she felt no hostility about the painful period in her youth and blamed no one for her hardship.
February 22, 1987 |
This is at once a book of essays and a catalogue accompanying the exhibition of the same title at the Los Angeles County Museum of Art (through March 8), the inaugural exhibition of the museum's Robert O. Anderson Building. The exhibition has deservedly received major attention in the art world, both for its visual achievement and for the interesting questions it raises with respect to the spiritual, mystical and occult origins of abstract art.
CALIFORNIA | LOCAL
September 15, 2013 |
David Gilhooly, a prominent Northern California sculptor of fanciful frogs who was a founder of the Bay Area funk art movement at UC Davis in the early 1960s, has died. He was 70. He died Aug. 21 after collapsing at his home in Newport, Ore., said his wife, Camille Chang. He had recently been diagnosed with cancer. Whimsical and irreverent, Gilhooly was internationally acclaimed for his imaginative ceramic works of animals, food and other subjects. He started his career in 1962 as an assistant to sculptor Robert Arneson, who ran the freewheeling TB-9 ceramics studio at UC Davis.
HOME & GARDEN
February 17, 2005 |
Some of the gritty realism in the new CBS drama "Numb3rs" comes not from the crime and death but the shadow-filled California Craftsman that the main characters call home. Alan Eppes (Judd Hirsch) lives in the stately house with Charlie (David Krumholtz), his math-genius son who never moved out. The other son, FBI agent Don (Rob Morrow), has his own apartment but seems to spend all of his angst-filled off time at his father's.
June 19, 1989 |
Detroit industrialist Richard Manoogian has collected a number of companies under his corporate banner, and it seems he collects American art the same way--with an enthusiasm and appetite for the best. An exhibit drawn from his vast holdings, "American Paintings from the Manoogian Collection," is on view for the first time at the National Gallery of Art, capturing what Gallery Director J. Carter Brown calls the essence of "a true collector." "He is more than a lender, more than an owner of art," said Brown.
March 21, 2014 |
By 1991, Mike Kelley had emerged as a crucial artist in Los Angeles, at the head of a pack that had pushed into prominence in the previous decade. His riveting sculptures reassembled from ratty stuffed animals, crocheted dolls and other tattered children's playthings that he scavenged from thrift shops were also generating considerable critical attention far beyond the city. Then 36, Kelley was invited to participate in the Carnegie International exhibition in Pittsburgh, one of the oldest and most respected surveys of its kind.