May 25, 1997 |
Corinthian columns, classical pediments, a sculptural charioteer, flaming caldrons--the opening scenes of "American Visions," Time magazine art critic Robert Hughes' eight-hour television series on the history of American art, which has its debut Wednesday on PBS, are filled with triumphal images. He is not, however, touring the monuments of ancient Greece, fountainhead of the Western democratic ideal with which the United States first imagined itself into being.
January 16, 1993 |
The Los Angeles County Museum of Art has laid off three employees in a move to cope with a countywide fiscal crisis. Additionally, Michael Quick, senior curator of American art, has resigned, reportedly in an effort to avoid being laid off. The museum on Thursday morning notified the employees of their termination, effective immediately. Their museum declined to reveal their names.
July 6, 2003 |
American Expressionism Art and Social Change 1920-1950 Bram Dijkstra Harry N. Abrams/Columbus Museum of Art: 272 pp., $60 * This is a marvelous, passionate and irritating book that proposes to retrieve a once-powerful movement in American painting from the rubbish heap of art history. That lost Depression-era movement has been sloppily labeled Social Realism by the clerks of academic art criticism, with their iron need for categories.
November 24, 2002 |
What the father-and-son team of John and Alan Lomax -- white guys -- did for American music in the 1930s when the two went around the backwoods of the South recording black musicians and authentic blues, another father-and-son team of white guys, William and Paul Arnett, has done for contemporary American art, identifying and collecting since the 1970s vernacular art made by black artists in the South.
CALIFORNIA | LOCAL
September 7, 2013 |
Somewhere in Newport Beach is a two-story warehouse with no sign on the door or any other clue as to what it holds. But inside is the core of a vast art collection that has been seen by only a few select people in the art world. It includes original works by numerous contemporary artists who are world-famous - such as Richard Diebenkorn , Robert Irwin , Helen Lundeberg , Carlos Almaraz and Edward Kienholz - as well as lesser-known figures. But the artists all have one thing in common: They all worked in California.
CALIFORNIA | LOCAL
September 15, 2013 |
David Gilhooly, a prominent Northern California sculptor of fanciful frogs who was a founder of the Bay Area funk art movement at UC Davis in the early 1960s, has died. He was 70. He died Aug. 21 after collapsing at his home in Newport, Ore., said his wife, Camille Chang. He had recently been diagnosed with cancer. Whimsical and irreverent, Gilhooly was internationally acclaimed for his imaginative ceramic works of animals, food and other subjects. He started his career in 1962 as an assistant to sculptor Robert Arneson, who ran the freewheeling TB-9 ceramics studio at UC Davis.
December 20, 2013 |
This was the year that George W. Bush, five years after his calamitous presidency, came in from the wilderness and went on "The Tonight Show With Jay Leno" to say, "I think I'm a painter. " He presented his host with a grinning portrait, and the audience clapped. The statement was not uttered with the surety of "I'm the decider, and I decide what's best," the much-mocked 2006 message delivered to reporters as a vote of confidence for Donald Rumsfeld, embattled secretary of Defense.
June 19, 1989 |
Detroit industrialist Richard Manoogian has collected a number of companies under his corporate banner, and it seems he collects American art the same way--with an enthusiasm and appetite for the best. An exhibit drawn from his vast holdings, "American Paintings from the Manoogian Collection," is on view for the first time at the National Gallery of Art, capturing what Gallery Director J. Carter Brown calls the essence of "a true collector." "He is more than a lender, more than an owner of art," said Brown.
HOME & GARDEN
February 17, 2005 |
Some of the gritty realism in the new CBS drama "Numb3rs" comes not from the crime and death but the shadow-filled California Craftsman that the main characters call home. Alan Eppes (Judd Hirsch) lives in the stately house with Charlie (David Krumholtz), his math-genius son who never moved out. The other son, FBI agent Don (Rob Morrow), has his own apartment but seems to spend all of his angst-filled off time at his father's.
September 20, 1987 |
Since the late '60s, Latino art in the United States has gone from the street and public art muralist movements into the mainstream of contemporary American art. As a response to the American political scene of that period and of the decade that followed, the Latino murals of Chicago, San Antonio, San Diego and Los Angeles were didactic and strongly ideological, often depicting the realities of recent political struggles and the need for social justice.