May 25, 1997 |
Corinthian columns, classical pediments, a sculptural charioteer, flaming caldrons--the opening scenes of "American Visions," Time magazine art critic Robert Hughes' eight-hour television series on the history of American art, which has its debut Wednesday on PBS, are filled with triumphal images. He is not, however, touring the monuments of ancient Greece, fountainhead of the Western democratic ideal with which the United States first imagined itself into being.
January 16, 1993 |
The Los Angeles County Museum of Art has laid off three employees in a move to cope with a countywide fiscal crisis. Additionally, Michael Quick, senior curator of American art, has resigned, reportedly in an effort to avoid being laid off. The museum on Thursday morning notified the employees of their termination, effective immediately. Their museum declined to reveal their names.
July 6, 2003 |
American Expressionism Art and Social Change 1920-1950 Bram Dijkstra Harry N. Abrams/Columbus Museum of Art: 272 pp., $60 * This is a marvelous, passionate and irritating book that proposes to retrieve a once-powerful movement in American painting from the rubbish heap of art history. That lost Depression-era movement has been sloppily labeled Social Realism by the clerks of academic art criticism, with their iron need for categories.
November 24, 2002 |
What the father-and-son team of John and Alan Lomax -- white guys -- did for American music in the 1930s when the two went around the backwoods of the South recording black musicians and authentic blues, another father-and-son team of white guys, William and Paul Arnett, has done for contemporary American art, identifying and collecting since the 1970s vernacular art made by black artists in the South.
HOME & GARDEN
February 17, 2005 |
Some of the gritty realism in the new CBS drama "Numb3rs" comes not from the crime and death but the shadow-filled California Craftsman that the main characters call home. Alan Eppes (Judd Hirsch) lives in the stately house with Charlie (David Krumholtz), his math-genius son who never moved out. The other son, FBI agent Don (Rob Morrow), has his own apartment but seems to spend all of his angst-filled off time at his father's.
CALIFORNIA | LOCAL
September 15, 2013 |
David Gilhooly, a prominent Northern California sculptor of fanciful frogs who was a founder of the Bay Area funk art movement at UC Davis in the early 1960s, has died. He was 70. He died Aug. 21 after collapsing at his home in Newport, Ore., said his wife, Camille Chang. He had recently been diagnosed with cancer. Whimsical and irreverent, Gilhooly was internationally acclaimed for his imaginative ceramic works of animals, food and other subjects. He started his career in 1962 as an assistant to sculptor Robert Arneson, who ran the freewheeling TB-9 ceramics studio at UC Davis.
June 19, 1989 |
Detroit industrialist Richard Manoogian has collected a number of companies under his corporate banner, and it seems he collects American art the same way--with an enthusiasm and appetite for the best. An exhibit drawn from his vast holdings, "American Paintings from the Manoogian Collection," is on view for the first time at the National Gallery of Art, capturing what Gallery Director J. Carter Brown calls the essence of "a true collector." "He is more than a lender, more than an owner of art," said Brown.
February 22, 1987 |
This is at once a book of essays and a catalogue accompanying the exhibition of the same title at the Los Angeles County Museum of Art (through March 8), the inaugural exhibition of the museum's Robert O. Anderson Building. The exhibition has deservedly received major attention in the art world, both for its visual achievement and for the interesting questions it raises with respect to the spiritual, mystical and occult origins of abstract art.
CALIFORNIA | LOCAL
April 25, 2010 |
Count Giuseppe Panza di Biumo, an Italian collector of American art whose cache of paintings and sculptures by Mark Rothko, Robert Rauschenberg, Roy Lichtenstein and others legitimized the fledgling Museum of Contemporary Art in Los Angeles, has died. He was 87. Panza died Friday night in Milan, said MOCA spokeswoman Lyn Winter. No cause was announced. Panza became the first European collector of postwar American art. He was able to connect the dots in a new American aesthetic, playing a large role in promoting Abstract Expressionism, Pop, Minimalism and Conceptual art, as well as catapulting Los Angeles artists to international credibility.
April 22, 2007 |
CONTRIBUTING to the Los Angeles County Museum of Art's acquisitions fund is one thing. Throwing thousands of dollars into a pot and helping to decide how to spend it is something else again. But that's what goes on once a year when members of the museum's Collectors Committee gather for a weekend gala and ponder tough choices offered by curators. Listen to Robert T.