ENTERTAINMENT
January 2, 1999 | MARK SWED, TIMES MUSIC CRITIC
We should, I suppose, be grateful to the British. They've just given us a new highly touted feature film about one of the most astonishing musicians of the last 40 years, and it is a film that promises to do for Elgar's Cello Concerto what "Elvira Madigan" did for Mozart's 21st Piano Concerto, and what "Shine" did for Rachmaninoff's Third.