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Anne Teresa De Keersmaeker

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ENTERTAINMENT
August 3, 2005 | Chris Pasles
Richard Foreman and Michael Gordon's opera "What to Wear?," which was to open the REDCAT fall season in September, has been postponed. Director-librettist Gordon recently had triple-bypass surgery and asked for the delay. In its place will be the U.S. premiere of "Erase-E(x)," a dance-theater piece by Belgian choreographer Anne Teresa De Keersmaeker, dancer Johanne Saunier and scenic designer Jim Clayburgh. Charles Francois will be a guest performer.
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ENTERTAINMENT
August 3, 2005 | Chris Pasles
Richard Foreman and Michael Gordon's opera "What to Wear?," which was to open the REDCAT fall season in September, has been postponed. Director-librettist Gordon recently had triple-bypass surgery and asked for the delay. In its place will be the U.S. premiere of "Erase-E(x)," a dance-theater piece by Belgian choreographer Anne Teresa De Keersmaeker, dancer Johanne Saunier and scenic designer Jim Clayburgh. Charles Francois will be a guest performer.
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ENTERTAINMENT
October 13, 1997 | CHRIS PASLES, TIMES STAFF WRITER
There is a common but not obvious thread in the music of Schoenberg, Berg and Wagner that choreographer Anne Teresa de Keersmaeker uses in her full-length "Woud" (The Woods), which receives its Southern California premiere on Tuesday at the Irvine Barclay Theatre. "All the music is based on triangular relationships," she said in a recent phone interview from Brussels.
ENTERTAINMENT
October 13, 1997 | CHRIS PASLES, TIMES STAFF WRITER
There is a common but not obvious thread in the music of Schoenberg, Berg and Wagner that choreographer Anne Teresa de Keersmaeker uses in her full-length "Woud" (The Woods), which receives its Southern California premiere on Tuesday at the Irvine Barclay Theatre. "All the music is based on triangular relationships," she said in a recent phone interview from Brussels.
NEWS
May 24, 2007 | Lewis Segal
NO venue or series offers a more exciting array of major international choreographers this summer than the Dance Camera West Film Festival, running throughout June in eight Southland locations. Works by or documentaries about such contemporary titans as Pina Bausch, William Forsythe, Anne Teresa De Keersmaeker and Angelin Preljocaj set the seal on a schedule filled with new adventures, even as the festival enters its sixth year.
ENTERTAINMENT
March 21, 1997 | CHRIS PASLES, TIMES STAFF WRITER
An exclusive Southern California appearance by Rosas, a company based in Belgium, will begin the Irvine Barclay Theatre's 1997-98 contemporary dance series Oct. 14. Rosas has been the company-in-residence at the Thea^tre de la Monnaie, Belgium's national opera house in Brussels, since 1992. Founded by Anne Teresa De Keersmaeker in 1983, the company succeeded the Mark Morris Dance Group after its three-year residency at the theater. The Morris company will close the Irvine series.
ENTERTAINMENT
October 19, 1985 | LEWIS SEGAL, Times Dance Writer
Remarkable for its fusion of European Tanztheater intensity and American post- modern formalism, Belgian choreographer Anne Teresa de Keersmaeker's "Rosas Danst Rosas" opened the "Explorations III" series at the Japan America Theatre Thursday with a rigorous commitment to a somber vision.
ENTERTAINMENT
October 16, 1997 | LEWIS SEGAL, TIMES DANCE CRITIC
What does it mean when a respected European choreographer fills the stage with images of tree trunks, fallen leaves and the death of love many months after Pina Bausch explored a strikingly similar landscape in her widely publicized "Nur Du"?
ENTERTAINMENT
October 6, 1987 | LEWIS SEGAL, Times Dance Writer
"The Arts for Television," a six-part, six-week series of programs organized by the Museum of Contemporary Art in Los Angeles and the Stedelijk Museum of Amsterdam begins in MOCA's Ahmanson Auditorium today at noon with nearly four hours of dance videotapes. Varied and provocative, the program generally addresses dance as a visual (rather than kinetic) art and emphasizes novel backgrounds or environments for dancing.
ENTERTAINMENT
September 23, 2005 | Lewis Segal, Times Staff Writer
Starting with its title, everything about "Erase-E(x)" seems intimidating, but at bottom this hourlong presentation by a Brussels-based company named Joji Inc is a whimsical fable: a story ballet for postmoderns based on an intriguing premise drawn from art history. In 1953, the brash young Robert Rauschenberg erased a drawing by Willem de Kooning, putting his own name on the result and raising all sorts of questions about creation, destruction and the impermanence of just about everything.
ENTERTAINMENT
October 23, 2006 | Lewis Segal, Times Staff Writer
Living women choreographers who challenge assumptions about the music of long-dead males -- that was the premise of the three-part program danced by the daring, accomplished Lyon Opera Ballet at UCLA's Royce Hall on Saturday.
ENTERTAINMENT
October 17, 1997 | LEWIS SEGAL, TIMES DANCE CRITIC
What does it mean when a respected European choreographer fills the stage with images of tree trunks, fallen leaves and the death of love many months after Pina Bausch explored a strikingly similar landscape in her widely publicized "Nur Du"?
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