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July 21, 2012 | By Reed Johnson, Los Angeles Times
Along with millions of idealistic young men who were cut to pieces by machine guns and obliterated by artillery shells, there was another major casualty of World War I: traditional ideas about Western art. The Great War of 1914-18 tilted culture on its axis, particularly in Europe and the United States. Nearly 100 years later, that legacy is being wrestled with in film, visual art, music, television shows like the gauzily nostalgic PBS soaper "Downton Abbey" and plays including the Tony Award-winning"War Horse," concluding its run at the Ahmanson Theatre.
April 4, 2014 | By Irene Lechowitzky
SAN DIEGO  - SeaWorld? Check. Balboa Park? Check. The zoo? Check. Most folks heading here for a vacation visit the usual tourist spots. Those are great, but there's more to the self-styled America's Finest City than a famous theme park, museums, and lions and tigers and bears, oh my. Why not add the city's outdoor art to the checklist? San Diego has a treasure-trove of dynamic, free outdoor art installations that the casual visitor might easily overlook. These pieces, by big-name artists as well as lesser-known talents, are easily reachable and, in some cases, just steps from tourist spots.
March 3, 2005 | Liane Bonin, Special to The Times
Green eggs and ham, a cat in the hat and ... "unorthodox" taxidermy? If that last entry in the Dr. Seuss pantheon seems a tad "Silence of the Lambs" for your taste, take heart: Though "The Art of Dr. Seuss: A Retrospective and National Touring Exhibition" at the Sarah Bain Gallery in Brea promises to reveal the "secret" art of the famed children's book author, what's on display is simply grown-up stuff, not nightmare material. Not surprisingly, Dr. Seuss, a.k.a.
March 28, 2014 | By Ryan Ritchie
You might know Claremont as that town with five liberal arts colleges and two graduate schools within its city limits. What you might not know is that it boasts a vibrant downtown, called Claremont Village, where more than 150 mom-and-pop restaurants, boutiques, art galleries and music venues create a relaxed atmosphere for all ages. If that weren't enticing enough, the Metrolink/Transit Center drops off passengers just a baseball toss away. The tab: A king bed at Casa 425 begins at $195.
March 10, 2014 | By Christopher Knight
Myths die hard. Especially creation myths. Messing with the symbolic origins of a world isn't something to be undertaken lightly. Jackson Pollock's mammoth 1943 painting "Mural" - nearly 8 feet high, 20 feet wide and covered edge-to-edge with rhythmic, Matisse-like linear arabesques, muscular abstract shapes and piercing voids, all of which he likened to a frenzied mustang stampede - was something entirely new for American art. The great painting represents...
March 14, 2014 | By Christopher Knight, Los Angeles Times Art Critic
MARCH 28-AUG. 25 'In the Land of Snow: Buddhist Art of the Himalayas' Pasadena's Norton Simon Museum is well-known for having the most impressive collection of European Old Master and early Modern paintings in Los Angeles. Less familiar is the museum's exceptional Indian, Nepalese and Tibetan art. This show will chronicle the movement of Buddhism from India to the Himalayas more than a thousand years ago, bringing numerous important loans together with superlative examples of painting, sculpture, ritual and decorative arts from the Simon's own collection.
June 4, 1998
* "Michael Lardizabal: Picturing a Lost Era"--A display of landscape photographs of the Northeast, including "Delaware Canal, Pennsylvania," above, opens Saturday at Jan Kesner Gallery. * "Matthew Brown: On Earth as It Is in Heaven"--New paintings that explore the spiritial in art go on view Saturday at Kohn Turner Gallery. The exhibition continues though July 2. "Culture y Cultura: How the U.S.-Mexican War Shaped the West--The historical exhibition continues through Sept.
October 18, 2012
Get your art on at the biannual Brewery Art Walk, which is held in what is being dubbed the "world's largest art complex. " With more than 100 artists in residence, this massive former beer brewing company complex offers something for every genre of art enthusiast, as well as plenty of entertainment and refreshments. The Brewery, 2100 N. Main St., L.A. Free. 11 a.m. to 6 p.m. Sat. and Sun.
July 30, 2000
"Eames in Name and in Spirit" (by Susan Freudenheim, July 16) was a well-written and informative article about Charles and Ray Eames and their heirs. However, I beg to differ regarding your placing it under the heading "art." The story is about design and designers. Giving it the heading of "art" further confuses those who can't tell the difference between design and art, and misleads the young who are trying to decide on or developing a career. Art is subjective, whimsical and answers to no one but the artist.
March 26, 2014
John Corrigan is the assistant managing editor for Arts and Entertainment, leading one of the Los Angeles Times' largest editorial departments in its coverage of film, television, culture, music, media and the fine arts. Corrigan has worked at The Times since 1999, serving as Business editor from 2009 to June 2012. He greatly expanded the Business section's online presence, adding daily video reports and building up its Tech Now and Money & Co. blogs. Corrigan directed several of The Times' most ambitious projects, including stories that won Loeb Awards in 2010 and 2012.
March 22, 2014 | By Lauren Beale
Steppingstones cross a reflecting pool at the entrance to this contemporary home, which evokes a travertine-encased museum. Designed with expanses of walls for art display and an open floor plan for entertaining, the house centers on a 34-foot-high window-topped gallery that runs the length of the roof and brings in natural light. Location: 2251 Linda Flora Drive, Bel-Air 90077 Asking price: $12.5 million Year built: 2013 House size: Four bedrooms, four bathrooms, 9,372 square feet including guesthouse, breezeways and patios Lot size: 3.2 acres Features: Fourteen-foot-tall ceilings, glass walls, glass-floor library looks down on wine room, upstairs office, deck, guesthouse with kitchen, swimming pool, loggia with fireplace, gated driveway, motor court, three-car garage, canyon views About the area: Last year, 157 single-family homes sold in the 90077 ZIP Code at a median price of $1.945 million, according to DataQuick.
March 19, 2014 | By Mike Boehm and Deborah Vankin, Los Angeles Times
Capping 12 months that moved from a potential loss of independence to a chance at a fresh start under new museum director Philippe Vergne, L.A.'s Museum of Contemporary Art announced the return Tuesday of trustees John Baldessari, Barbara Kruger and Catherine Opie, prominent Los Angeles artists who had resigned from its board in 2012 as MOCA fell into upheaval, uncertainty and financial drift. Kathi Cypres and Steven F. Roth, who left the board more quietly in 2012, are also back as trustees, MOCA announced.
March 19, 2014 | By Emily Alpert Reyes and Corina Knoll
The Los Angeles City Council voted Wednesday to pay a $500,000 settlement in a case centering on the 2011 death of a 2-month-old boy who was killed when a driver overran the curb and plowed into pedestrians during the Downtown Art Walk. In a 2012 legal complaint, Jimmy and Natasha Vasquez, of Montebello, alleged that their son's death was the result of the city's “failure to properly design and create safe walking areas for pedestrians and/or place sufficient barriers and protections for pedestrians from vehicles” at the downtown event.
March 19, 2014 | By Mike Boehm, Los Angeles Times
Philippe Vergne says his first task as the new director of L.A.'s Museum of Contemporary Art is not to act quickly but to think and plan deeply. On the job less than two weeks after extensive past experience as director of New York's Dia Art Foundation and top curator and deputy director of the Walker Art Center in Minneapolis, Vergne spelled out no immediate changes Wednesday and said he'll look to MOCA's past achievements for guidance. GRAPHIC: MOCA's ups and downs with Jeffrey Deitch "The most important priority is to look at the programming and reimagine the program" of exhibitions and events, he said as he joined Lilly Tartikoff Karatz and Maurice Marciano, MOCA's new board co-chairs, and Maria Seferian, the museum's interim director before his arrival, for a discussion with Los Angeles Times reporters and editors.
March 19, 2014 | By Deborah Vankin
The idea seemed crazy at first: More than 500 knitters from 25 countries, hunkered down in their far-flung corners of the world, feverishly crafting granny squares - 14,000 of them altogether. Then, on a bright morning last May, knitters here affixed metal grids of these cushy yarn squares to the exterior of the Craft & Folk Art Museum on Wilshire Boulevard, turning the building into a giant, multicolored tea cozy. The 2013 project, "CAFAM Granny Squared," was an urban installation from the knit graffiti collective Yarn Bombing Los Angeles.
March 17, 2014 | By David Ng
The Museum of Contemporary Art San Diego has chosen the firm of architect Annabelle Selldorf to head a multimillion-dollar expansion that is expected to triple the size of the museum's location in La Jolla.  Selldorf, based in New York, has worked for art-related clients including the Neue Galerie and the Acquavella Galleries on the Upper East Side. The San Diego museum will be the firm's first contemporary art museum project and its first project on the West Coast. A representative of the firm said it plans to have an initial concept design by early fall, with a more detailed schedule to be established at that time.
March 17, 2014 | By Carren Jao
 A sliver of a yard can be a powerful thing. Materials & Applications has proved this time and again by collaborating with architects to put up fantastical creations on a 25-by-40-foot gravel yard fronting Silver Lake Boulevard. Past double-take-worthy installations include a golden-leafed Mylar canopy in the shape of a black hole by Ball-Nogues Studio, a motorized vegetative cover that opens and refolds like origami by Eddie Sykes and a sinuous, fire-shaped gazebo made of pressure-laminated panels by Edmund Ming-Yip Kwong.
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