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January 27, 2011 | By Jori Finkel, Los Angeles Times
When Art Los Angeles Contemporary opens at Santa Monica's Barker Hangar on Thursday night, hundreds of visitors are expected to make the rounds at more than 65 gallery booths. Also planning to attend are some executives from Merchandise Mart Properties Inc., which is organizing a new art fair to debut here Sept. 30. Depending on whom you ask, the MMPI group will either be quietly observing the competition or actively working to win over disgruntled galleries for its new venture, which it hopes will be a game-changer in the city.
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ENTERTAINMENT
May 29, 2012 | By Christopher Knight, Los Angeles Times Art Critic
CHICAGO - For art museums interested in contemporary American art, the 1980s have been a bit of a blind spot. Individual artists who emerged in those rambunctious years have not been in short supply in their galleries, through retrospectives and theme shows. But the period as a whole has remained elusive. Incisive surveys have been almost nonexistent. Perhaps it has something to do with wounded pride. With the roaring return of new European art, felled from prominence a generation earlier by the brutal devastation of war, a 30-year run that saw American artists at the top of the international heap came to a definitive end. Add New York's loss of national dominance after 1980 with the unequivocal emergence of Los Angeles art, and the cultural alterations were apparently too much to wrap one's head around.
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NEWS
November 28, 1985 | Benjamin Epstein
Since leaving his heart in San Francisco more than 20 years ago, Tony Bennett has made a career of tugging at those of other lovers young and old. Saturday night at the Irvine Marriott, on the occasion of the fourth annual Ambassadors Ball, a slight change in lyrics might have been in order: I--left--my--aaaaaaaaart--i-in--Chi-ca-go . . .
ENTERTAINMENT
January 27, 2011 | By Jori Finkel, Los Angeles Times
When Art Los Angeles Contemporary opens at Santa Monica's Barker Hangar on Thursday night, hundreds of visitors are expected to make the rounds at more than 65 gallery booths. Also planning to attend are some executives from Merchandise Mart Properties Inc., which is organizing a new art fair to debut here Sept. 30. Depending on whom you ask, the MMPI group will either be quietly observing the competition or actively working to win over disgruntled galleries for its new venture, which it hopes will be a game-changer in the city.
ENTERTAINMENT
May 29, 2012 | By Christopher Knight, Los Angeles Times Art Critic
CHICAGO - For art museums interested in contemporary American art, the 1980s have been a bit of a blind spot. Individual artists who emerged in those rambunctious years have not been in short supply in their galleries, through retrospectives and theme shows. But the period as a whole has remained elusive. Incisive surveys have been almost nonexistent. Perhaps it has something to do with wounded pride. With the roaring return of new European art, felled from prominence a generation earlier by the brutal devastation of war, a 30-year run that saw American artists at the top of the international heap came to a definitive end. Add New York's loss of national dominance after 1980 with the unequivocal emergence of Los Angeles art, and the cultural alterations were apparently too much to wrap one's head around.
CALIFORNIA | LOCAL
February 25, 2012 | By Christopher Knight, Los Angeles Times Art Critic
Kenneth Price, a prolific Los Angeles artist whose work with glazed and painted clay transformed traditional ceramics while also expanding orthodox definitions of American and European sculpture, died early Friday at his home and studio in Taos, N.M. He was 77. Price had struggled with tongue and throat cancer for several years, his food intake restricted to liquids supplied through a feeding tube. Despite his infirmity, he continued to produce challenging new work and to mount critically acclaimed exhibitions at galleries in Los Angeles, New York and Europe.
ENTERTAINMENT
March 8, 2014 | By Reed Johnson, Los Angeles Times
Beautiful and terrifying, the painting hangs in the foyer of Cheech Marin's oceanside home. It depicts a car crash on the upper deck of an L.A. freeway, an appallingly seductive vision of maimed metal erupting into fauvist-tinted fireballs. "That's the fascination, that fear-attraction simultaneously," says Marin, best known as the more antichalf of the comic duo Cheech and Chong. Three years from now, "Sunset Crash" will be among the big draws of the most comprehensive exhibition devoted to Carlos Almaraz, at the Los Angeles County Museum of Art. Titled "Playing With Fire," it will be part of "Pacific Standard Time: L.A./L.A.," a Getty-funded, multi-venue initiative that will explore artistic connections between Los Angeles and Latin America.
CALIFORNIA | LOCAL
April 11, 2005 | Myrna Oliver, Times Staff Writer
Marilyn Levine, who specialized in trompe l'oeil art with her ceramic jackets, boots and handbags that looked like comfortably worn leather, has died. She was 69. Levine died of cancer April 2 at her home in Oakland, according to Sam Jornlin, who had been cataloging her work. Although many artists refine, vary or shift styles throughout their careers, Levine stuck to the realistic sculpture she devised 35 years ago as a graduate student at UC Berkeley.
ENTERTAINMENT
January 29, 1991 | CLAUDIA PUIG, Arts and entertainment reports from The Times, national and international news services and the nation's press
Building a Museum: The Santa Monica-based architecture firm Morphosis is one of six finalists chosen by the Museum of Contemporary Art in Chicago to design a new building and sculpture garden, the museum announced Monday. The other firms are Emilio Ambasz (New York), Tadao Ando (Osaka), Josef Paul Kleihues (Berlin), Fumihiko Maki (Tokyo) and Christian de Portzamparc (Paris). The building will open in 1995.
NEWS
November 28, 1985 | Benjamin Epstein
Since leaving his heart in San Francisco more than 20 years ago, Tony Bennett has made a career of tugging at those of other lovers young and old. Saturday night at the Irvine Marriott, on the occasion of the fourth annual Ambassadors Ball, a slight change in lyrics might have been in order: I--left--my--aaaaaaaaart--i-in--Chi-ca-go . . .
NATIONAL
June 22, 2003 | From Times Wire Reports
After more than two years of controversy and legal infighting, the board of the Terra Museum of American Art in Chicago has decided to close the museum next year. The art collection assembled by the late Daniel Terra will remain in Chicago, but the museum itself will be closed in late October 2004, the board decided.
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