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January 27, 2011 | By Jori Finkel, Los Angeles Times
When Art Los Angeles Contemporary opens at Santa Monica's Barker Hangar on Thursday night, hundreds of visitors are expected to make the rounds at more than 65 gallery booths. Also planning to attend are some executives from Merchandise Mart Properties Inc., which is organizing a new art fair to debut here Sept. 30. Depending on whom you ask, the MMPI group will either be quietly observing the competition or actively working to win over disgruntled galleries for its new venture, which it hopes will be a game-changer in the city.
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ENTERTAINMENT
May 29, 2012 | By Christopher Knight, Los Angeles Times Art Critic
CHICAGO - For art museums interested in contemporary American art, the 1980s have been a bit of a blind spot. Individual artists who emerged in those rambunctious years have not been in short supply in their galleries, through retrospectives and theme shows. But the period as a whole has remained elusive. Incisive surveys have been almost nonexistent. Perhaps it has something to do with wounded pride. With the roaring return of new European art, felled from prominence a generation earlier by the brutal devastation of war, a 30-year run that saw American artists at the top of the international heap came to a definitive end. Add New York's loss of national dominance after 1980 with the unequivocal emergence of Los Angeles art, and the cultural alterations were apparently too much to wrap one's head around.
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NEWS
July 17, 1994
Take a scruffy downtown block left vacant by the recession. Add hundreds of restless young people who need jobs and outlets for their creativity. And put them in contact with thousands of nearby office workers and shoppers in the summer heat. Sound like a recipe for urban disaster? Not in Chicago, where that very mixture has created a dream come true.
ENTERTAINMENT
January 27, 2011 | By Jori Finkel, Los Angeles Times
When Art Los Angeles Contemporary opens at Santa Monica's Barker Hangar on Thursday night, hundreds of visitors are expected to make the rounds at more than 65 gallery booths. Also planning to attend are some executives from Merchandise Mart Properties Inc., which is organizing a new art fair to debut here Sept. 30. Depending on whom you ask, the MMPI group will either be quietly observing the competition or actively working to win over disgruntled galleries for its new venture, which it hopes will be a game-changer in the city.
NEWS
November 28, 1985 | Benjamin Epstein
Since leaving his heart in San Francisco more than 20 years ago, Tony Bennett has made a career of tugging at those of other lovers young and old. Saturday night at the Irvine Marriott, on the occasion of the fourth annual Ambassadors Ball, a slight change in lyrics might have been in order: I--left--my--aaaaaaaaart--i-in--Chi-ca-go . . .
ENTERTAINMENT
May 29, 2012 | By Christopher Knight, Los Angeles Times Art Critic
CHICAGO - For art museums interested in contemporary American art, the 1980s have been a bit of a blind spot. Individual artists who emerged in those rambunctious years have not been in short supply in their galleries, through retrospectives and theme shows. But the period as a whole has remained elusive. Incisive surveys have been almost nonexistent. Perhaps it has something to do with wounded pride. With the roaring return of new European art, felled from prominence a generation earlier by the brutal devastation of war, a 30-year run that saw American artists at the top of the international heap came to a definitive end. Add New York's loss of national dominance after 1980 with the unequivocal emergence of Los Angeles art, and the cultural alterations were apparently too much to wrap one's head around.
ENTERTAINMENT
March 8, 2014 | By Reed Johnson, Los Angeles Times
Beautiful and terrifying, the painting hangs in the foyer of Cheech Marin's oceanside home. It depicts a car crash on the upper deck of an L.A. freeway, an appallingly seductive vision of maimed metal erupting into fauvist-tinted fireballs. "That's the fascination, that fear-attraction simultaneously," says Marin, best known as the more antichalf of the comic duo Cheech and Chong. Three years from now, "Sunset Crash" will be among the big draws of the most comprehensive exhibition devoted to Carlos Almaraz, at the Los Angeles County Museum of Art. Titled "Playing With Fire," it will be part of "Pacific Standard Time: L.A./L.A.," a Getty-funded, multi-venue initiative that will explore artistic connections between Los Angeles and Latin America.
CALIFORNIA | LOCAL
February 25, 2012 | By Christopher Knight, Los Angeles Times Art Critic
Kenneth Price, a prolific Los Angeles artist whose work with glazed and painted clay transformed traditional ceramics while also expanding orthodox definitions of American and European sculpture, died early Friday at his home and studio in Taos, N.M. He was 77. Price had struggled with tongue and throat cancer for several years, his food intake restricted to liquids supplied through a feeding tube. Despite his infirmity, he continued to produce challenging new work and to mount critically acclaimed exhibitions at galleries in Los Angeles, New York and Europe.
ENTERTAINMENT
January 26, 2013 | By Cristy Lytal
The artist and graphic designer known as Dickcherry doesn't sport any real tattoos, but he makes temporary ones for characters in the supernatural thriller "Mama," the action movie "The Last Stand," and "Hansel & Gretel: Witch Hunters. " "I can't even keep a painting that I've created on the wall long enough to even imagine having something on my body for the rest of my life," he said. "But I like the idea and the challenge of creating an image that will look good on human skin and will be a complement to the art form.
ENTERTAINMENT
January 29, 1991 | CLAUDIA PUIG, Arts and entertainment reports from The Times, national and international news services and the nation's press
Building a Museum: The Santa Monica-based architecture firm Morphosis is one of six finalists chosen by the Museum of Contemporary Art in Chicago to design a new building and sculpture garden, the museum announced Monday. The other firms are Emilio Ambasz (New York), Tadao Ando (Osaka), Josef Paul Kleihues (Berlin), Fumihiko Maki (Tokyo) and Christian de Portzamparc (Paris). The building will open in 1995.
NEWS
July 17, 1994
Take a scruffy downtown block left vacant by the recession. Add hundreds of restless young people who need jobs and outlets for their creativity. And put them in contact with thousands of nearby office workers and shoppers in the summer heat. Sound like a recipe for urban disaster? Not in Chicago, where that very mixture has created a dream come true.
NEWS
November 28, 1985 | Benjamin Epstein
Since leaving his heart in San Francisco more than 20 years ago, Tony Bennett has made a career of tugging at those of other lovers young and old. Saturday night at the Irvine Marriott, on the occasion of the fourth annual Ambassadors Ball, a slight change in lyrics might have been in order: I--left--my--aaaaaaaaart--i-in--Chi-ca-go . . .
ENTERTAINMENT
October 4, 2003 | Allan M. Jalon, Special to The Times
A bitter controversy has erupted behind the scenes of a much-anticipated retrospective of artist Lee Bontecou at the UCLA Hammer Museum, pitting the artist and her husband against a prominent New York art critic and curator who wrote one of the catalog's five essays -- a dispute over nothing less than the basic meaning and sources of the art that Bontecou has been making in rural seclusion for the last 30 years.
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