May 29, 2012 |
CHICAGO - For art museums interested in contemporary American art, the 1980s have been a bit of a blind spot. Individual artists who emerged in those rambunctious years have not been in short supply in their galleries, through retrospectives and theme shows. But the period as a whole has remained elusive. Incisive surveys have been almost nonexistent. Perhaps it has something to do with wounded pride. With the roaring return of new European art, felled from prominence a generation earlier by the brutal devastation of war, a 30-year run that saw American artists at the top of the international heap came to a definitive end. Add New York's loss of national dominance after 1980 with the unequivocal emergence of Los Angeles art, and the cultural alterations were apparently too much to wrap one's head around.
CALIFORNIA | LOCAL
February 25, 2012 |
Kenneth Price, a prolific Los Angeles artist whose work with glazed and painted clay transformed traditional ceramics while also expanding orthodox definitions of American and European sculpture, died early Friday at his home and studio in Taos, N.M. He was 77. Price had struggled with tongue and throat cancer for several years, his food intake restricted to liquids supplied through a feeding tube. Despite his infirmity, he continued to produce challenging new work and to mount critically acclaimed exhibitions at galleries in Los Angeles, New York and Europe.
January 29, 1991 |
Building a Museum: The Santa Monica-based architecture firm Morphosis is one of six finalists chosen by the Museum of Contemporary Art in Chicago to design a new building and sculpture garden, the museum announced Monday. The other firms are Emilio Ambasz (New York), Tadao Ando (Osaka), Josef Paul Kleihues (Berlin), Fumihiko Maki (Tokyo) and Christian de Portzamparc (Paris). The building will open in 1995.
October 4, 2003 |
A bitter controversy has erupted behind the scenes of a much-anticipated retrospective of artist Lee Bontecou at the UCLA Hammer Museum, pitting the artist and her husband against a prominent New York art critic and curator who wrote one of the catalog's five essays -- a dispute over nothing less than the basic meaning and sources of the art that Bontecou has been making in rural seclusion for the last 30 years.
April 28, 2010 |
Bellhops with luggage carts walked right by. So did teenage girls in tank tops. But a stylish thirtysomething businessman in the lobby of the Standard Hotel downtown couldn't take his eyes off the words. While talking on his cellphone, he stared at a 25-foot-tall, stainless steel LED tower that delivered from floor to ceiling a stream of one-liners, such as "Symbols are more meaningful than things themselves" and "Survival of the fittest applies to men and animals." The businessman might have recognized the LED tower as one of Jenny Holzer's signature artworks, featuring the "truisms" and other sayings that have made her famous.
March 8, 2014 |
Beautiful and terrifying, the painting hangs in the foyer of Cheech Marin's oceanside home. It depicts a car crash on the upper deck of an L.A. freeway, an appallingly seductive vision of maimed metal erupting into fauvist-tinted fireballs. "That's the fascination, that fear-attraction simultaneously," says Marin, best known as the more antichalf of the comic duo Cheech and Chong. Three years from now, "Sunset Crash" will be among the big draws of the most comprehensive exhibition devoted to Carlos Almaraz, at the Los Angeles County Museum of Art. Titled "Playing With Fire," it will be part of "Pacific Standard Time: L.A./L.A.," a Getty-funded, multi-venue initiative that will explore artistic connections between Los Angeles and Latin America.