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July 15, 2007
AND Stanley Meisler's point in his review of Sargent's works ["Portrait of an Artist on Vacation," July 8] is? The exhibition is not in Los Angeles, not even in California. If I wanted an art history lesson, I would go to the library or the museum. STEPHANY YABLOW North Hollywood
Before taking a class during her senior year at Rosemead High School, Lisa Chan thought art history was nothing more than learning the difference between a Monet and Manet, a Picasso and Pissarro. But while earning an art history degree at UCLA last spring and interning at museums in Los Angeles and Washington, D.C., Chan, 22, has discovered there's almost no end to where art history can lead. This summer, Chan was one of 12 undergraduates chosen for an internship with the J.
October 5, 2003 | Hilton Kramer, Hilton Kramer is the editor of the New Criterion and the author of numerous books, including "The Age of the Avant-Garde" and "The Twilight of the Intellectuals."
For newcomers to the voluminous and highly popular writings of Paul Johnson, the English historian, journalist and polymath, the first thing to be said about his latest outsize production is: Don't be dismayed by the immense length of "Art: A New History." Johnson is one of the most accomplished writers of nonfiction English prose on the current transatlantic literary scene, and art is a subject he knows and cares deeply about.
September 25, 2011 | By Peter Plagens, Special to the Los Angeles Times
So there's my name, on Page 1 of "Pacific Standard Time: Los Angeles Art, 1945-1980," the Getty's massive overview catalog for its monumental effort to get Southern California modern art into the heretofore New York-centric history of American modernism. The mention isn't so much about me as about my 1974 book, "Sunshine Muse: Contemporary Art on the West Coast" (which was reissued by the University of California Press as "Sunshine Muse: Art on the West Coast, 1945-1970" in 2000)
August 14, 1996 | Associated Press
A retired art history professor pleaded guilty Tuesday to possessing 14th century religious and historical documents stolen from libraries at the Vatican and in Spain. Anthony Melnikas did not admit taking the illustrated manuscript pages. But the 69-year-old former Ohio State professor gave no explanation of how he obtained them. He could get up to 64 years in prison and $2 million in fines. No sentencing date was set.
January 19, 1986
Jennifer Merin's detailed survey of Haitian art (Nov. 17) is a splendid guide to artists and galleries in Haiti. The author has done her homework about Haiti's art history, and she writes knowledgeably about specific artists and prices of their work. For those readers not able to travel to Haiti, my Spirit of Haiti Gallery opened Nov. 1 at 1583 Spinnaker Drive, Ventura Harbor Village, Ventura. The gallery offers many of the artists cited by Merin. LAURA PECK Ventura
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