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Art Japan

ENTERTAINMENT
November 15, 2012 | By Holly Myers
In a welcome follow-up to "Requiem for the Sun, " Blum & Poe's superb survey earlier this year of the art of Japan's Mono-ha movement, the gallery has assembled another, similarly museum-grade survey exploring the work of one of its leading figures, Kishio Suga. With 86 works spanning more than 40 years, it is a substantial undertaking - Suga's first solo exhibition in North America, and the first single-artist show to occupy both floors of the gallery's prodigious space. It feels light and fresh, almost spontaneously generative.
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BUSINESS
August 22, 1991 | CRISTINA LEE, TIMES STAFF WRITER
Companies thinking about entering the Japanese market should think of the process as a never-ending courtship, according to two Orange County executives whose companies entered the Japanese market in recent years. "No matter how well I felt I knew the market, there were a lot of surprises in their business practices that delayed our business plans," said Steven M. Kishi, a vice president for international operations at Anaheim-based Carl Karcher Enterprises Inc., owner of the Carl's Jr.
NEWS
November 14, 1998 | From Associated Press
From perhaps the world's smallest kite to acrobatics by Tokyo firefighters, a once-in-a-lifetime view of Japan goes on display Sunday, back to the age before Americans opened the country to the outside world nearly 150 years ago. It is an exhibit called "Edo--Art in Japan 1615-1868." Tokyo was known as Edo in the 17th century, when it had a million inhabitants and was the world's largest city, said Earl A. Powell III, director of the National Gallery of Art.
ENTERTAINMENT
April 1, 1991 | WILLIAM WILSON, TIMES ART CRITIC
There is really nothing new about the current Western fascination with Japan. It has been thus ever since the French Impressionists discovered Japanese prints in the curio shops of Paris. Neither is there much novelty in the fact that our fascination focuses on Japanese art. Japan and its art have become synonymous in the Western mind. Germany can be conceived without thinking art, not so Japan. The latest round of beguilement seems to have a new twist.
ENTERTAINMENT
February 20, 2005 | Bruce Wallace, Times Staff Writer
Optimistic old guy, that Hayao Miyazaki. Japan's most famous animator is forever dropping his characters into a world of hurt, a place where potions turn girls into crones and mothers betray their daughters, where war blackens the landscape and cynical adults "forget they ever knew how to cry." Yet by the time he gets to the credits, Miyazaki always finds a way to leave his heroes and his audience caressed by hope.
CALIFORNIA | LOCAL
October 22, 1986 | DOUG SMITH
Every other Saturday morning, the Fuji Bonsai Nursery in Sylmar surrenders its usual serenity to become a laboratory for people taking the fast track to an ancient art form. It is do-it-yourself day in the world of bonsai. Bonsai, for those who may not know, is the practice of growing an ordinarily large tree in a small pot.
MAGAZINE
August 24, 1986 | ANDREW HORVAT, Andrew Horvat is a Times staff writer based in Tokyo
Japan's most popular practitioner of the 700-year-old craft of woodblock printing sweeps the wide sleeves of his kimono to one side and gently pushes the blade of a curved chisel into a slab of linden. With the tool, which he made by hand, the artist slowly begins carving the mirror image of an old gate in Kyoto, Japan's former capital. A 25-year resident of the ancient city, he is renowned for his defense of Japanese traditions.
ENTERTAINMENT
November 22, 1998 | STANLEY MEISLER, Stanley Meisler is a Times staff writer
In 1615, Tokugawa Ieyasu, the Japanese shogun, or military feudal overlord, defeated his remaining rivals to emerge as unchallenged ruler of Japan, bringing on 2 1/2 centuries of unprecedented peace and prosperity under army rule. The calm and the riches during the reign of 15 successive Tokugawa shoguns fostered an incredible outburst of art--on screens and scrolls and kimonos and textiles and porcelain and lacquer and helmets and woodblocks--in an era that is known as the Edo period in Japan.
ENTERTAINMENT
May 17, 1994 | Cathy Curtis
On those rare occasions in the 1920s and early '30s when August Gay could be persuaded to pick up his paintbrush, he built slabs of color into strong, rhythmic compositions with a forcefulness that belied the small size of his canvases. Nobody else had his knack for remaking the familiar, even banal, sights of Monterey and environs into seductive images. Little wonder, though, that Gay is not a household word, even in California.
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