CALIFORNIA | LOCAL
June 4, 2012 |
Their faces are vague, the color of coffee beans, but before Ramiro Gomez heads out with pliers and wire to install them, he gives each one a name. There was Guillermina, named for his Aunt Guille, a housekeeper at a casino hotel; Maria Elena, after his mom, a janitor at an elementary school; and Luis, like Uncle Luis, who delivers meat for a carniceria . For the last eight months, Gomez, an artist from West Hollywood, has made the invisible visible by installing life-size cardboard cutouts of nannies, gardeners, valet workers and housekeepers in Beverly Hills, the Hollywood Hills and other wealthy areas.
March 19, 1988
I was sorry to read of Michael Rissi's current plight with USC's School of Cinema-Television. It doesn't, however, surprise me. As I understand it, after I left the cinema school and took "Dark Star" with me, USC instituted a policy of complete and total ownership of all films made there. I really don't understand how anyone can take Rissi's script away from him and give it to someone else to direct. USC is a school , not a studio. Although this sort of behavior is good training for the real world of Hollywood, I fail to see any circumstances that would excuse this exploitation of talent by a university.
March 10, 2013 |
Despite the chicken-in-every-pot hype over consumer-level 3-D printers, the technology still has a long way to go to be usable, or useful, for the average Joe. Designing three-dimensional objects on a two-dimensional computer screen is no simple task, especially for those unskilled in computer-assisted design or software. And for most people, there's no compelling reason to make a unique object from scratch when mass-produced equivalents are cheaper and simpler. But for some artists, 3-D printing has been a revelation.
CALIFORNIA | LOCAL
January 31, 1987 |
Capturing the soul of Woodland Hills is quite a feat. And capturing the soles of Woodland Hills means quite a few feet. Jill Ann Field is doing both as she paints a mural on a quarter-mile-long wooden safety wall around a high-rise construction site. Field is letting Warner Center office workers and neighborhood joggers step into her illustration by painting images of their feet as they pass the building site at 21550 Oxnard St.
February 19, 2012 |
Analia Saban went to art school at the height of the recent market boom, when it was not uncommon for students, particularly in UCLA's prestigious painting program, to be fielding offers from galleries and selling work directly out of their studios. It had a significant impact on the direction of her career, though not because she profited by it at the time. Indeed, she had a rough go of it. Raised in Buenos Aires, she came to Los Angeles in 2002 by way of a small college in New Orleans, where she studied video art primarily.
CALIFORNIA | LOCAL
May 3, 1992
Publicizing Chaka's hopes for financial aid to attend Cal State Northridge baffled my mind. Has this man considered the amount of money he has cost state and local government to continue to process him through the legal system? Add the cost to undo the damage he inflicted. We enjoyed a temporary respite from his "tagging" sprees while he was incarcerated (yet another considerable expense) and now he wants financial aid for art school. Ha! However, there may be a solution to satisfy all of us staunch, tax-paying, law-abiding citizens: Calculate the amount of money Daniel (Chaka)
July 15, 2001
I read Christopher Knight's article about the plight of art schools with some amusement ("Art for School's Sake," July 8). I was one of those who would have loved the chance to learn technique. Instead, I paid hundreds of dollars a unit at a "Good" (by his definition) art school, where students "are encouraged from the first day to stop thinking of themselves as students and to start thinking of themselves as working artists." In this atmosphere of self-indulgence and self-importance, we "learned" to paint using house paint on butcher paper and other such useless exercises.