November 28, 2012 |
I first encountered Julia Wertz with her 2010 graphic memoir “Drinking at the Movies,” a relentless and, at times, lacerating self-portrait of the artist as a young woman wrestling with alcohol. “Drinking at the Movies” was not Wertz's first autobiographical comic - her earlier work is gathered in two collections, “The Fart Party Vol. 1” and “The Fart Party Vol. 2” - but it represents a bridge between the narrow form of the comic strip (many of its chapters are a single page)
June 7, 2012 |
When it comes to home decorating on a budget, art options get generic pretty fast. Between mass-produced images of Marilyn Monroe or New York City's taxicabs sold at big box retail stores, the works covering the walls of people's homes aren't chosen because they're particularly fresh or unique but because they are affordable and accessible. In the hopes of providing a more interesting alternative, recent University of Michigan graduates and 24-year-old L.A. natives Chelsea Neman and Jordan Klein co-founded the Tappan Collective, an online gallery selling original work by emerging artists.
CALIFORNIA | LOCAL
October 17, 2012 |
Michael Asher, the pioneering conceptual artist who challenged expectations of what constitutes a work of art and what happens during an art critique, died in his sleep at his Los Angeles home early Monday after several years of poor health. He was 69. His death was confirmed by his assistant, Yoko Kanayama. A teacher at the California Institute of the Arts since 1973, Asher was famous for his wit and candor -- and marathon-style "crits," or critiques, that left vivid memories with generations of students.
March 19, 1988
I was sorry to read of Michael Rissi's current plight with USC's School of Cinema-Television. It doesn't, however, surprise me. As I understand it, after I left the cinema school and took "Dark Star" with me, USC instituted a policy of complete and total ownership of all films made there. I really don't understand how anyone can take Rissi's script away from him and give it to someone else to direct. USC is a school , not a studio. Although this sort of behavior is good training for the real world of Hollywood, I fail to see any circumstances that would excuse this exploitation of talent by a university.
CALIFORNIA | LOCAL
June 4, 2012 |
Their faces are vague, the color of coffee beans, but before Ramiro Gomez heads out with pliers and wire to install them, he gives each one a name. There was Guillermina, named for his Aunt Guille, a housekeeper at a casino hotel; Maria Elena, after his mom, a janitor at an elementary school; and Luis, like Uncle Luis, who delivers meat for a carniceria . For the last eight months, Gomez, an artist from West Hollywood, has made the invisible visible by installing life-size cardboard cutouts of nannies, gardeners, valet workers and housekeepers in Beverly Hills, the Hollywood Hills and other wealthy areas.
CALIFORNIA | LOCAL
January 31, 1987 |
Capturing the soul of Woodland Hills is quite a feat. And capturing the soles of Woodland Hills means quite a few feet. Jill Ann Field is doing both as she paints a mural on a quarter-mile-long wooden safety wall around a high-rise construction site. Field is letting Warner Center office workers and neighborhood joggers step into her illustration by painting images of their feet as they pass the building site at 21550 Oxnard St.
January 30, 2013 |
As one of the leading tight ends in the National Football League, the San Francisco 49ers' Vernon Davis will be one to watch during Sunday's Super Bowl game against the Baltimore Ravens. Last month, the 28-year-old Davis added another responsibility to his resume: art gallery owner. The football player opened a space called Gallery 85 in San Jose. The gallery is expected to show art by Davis as well as emerging artists. The gallery's opening in December served as a fundraiser for the Vernon Davis Foundation for the Arts, which helps fund arts education and art appreciation for at-risk youth.