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ENTERTAINMENT
March 10, 2013 | By L.J. Williamson
Despite the chicken-in-every-pot hype over consumer-level 3-D printers, the technology still has a long way to go to be usable, or useful, for the average Joe. Designing three-dimensional objects on a two-dimensional computer screen is no simple task, especially for those unskilled in computer-assisted design or software. And for most people, there's no compelling reason to make a unique object from scratch when mass-produced equivalents are cheaper and simpler. But for some artists, 3-D printing has been a revelation.
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ENTERTAINMENT
March 12, 2013 | By Todd Martens
AUSTIN, Texas -- Outspoken rock 'n' roll balladeer Nick Cave traced his beginnings from “rural Australia” to the more comforting confines of his own imagination in a sprawling, hour-long chat at the South by Southwest music conference here. The standing-room-only Tuesday conversation focused largely on Cave's biographical history. The facts of the real world, however, weren't of as much interest to Cave as the more abstract matters of art. Speaking of his relationship with spouse Susie Bick, Cave said, “I feel that I know her better in the songs that I write about her than I do in real life.” Speaking of wanting to leave rural Australia for Melbourne, and then later Melbourne for London and then London for New York, Cave said, “Culturally, life has been a series of disappointments.
CALIFORNIA | LOCAL
October 17, 2012 | Jori Finkel
Michael Asher, the pioneering conceptual artist who challenged expectations of what constitutes a work of art and what happens during an art critique, died in his sleep at his Los Angeles home early Monday after several years of poor health. He was 69. His death was confirmed by his assistant, Yoko Kanayama. A teacher at the California Institute of the Arts since 1973, Asher was famous for his wit and candor -- and marathon-style "crits," or critiques, that left vivid memories with generations of students.
ENTERTAINMENT
October 16, 2012 | By Jori Finkel
Michael Asher, the groundbreaking L.A. conceptual artist and veteran CalArts teacher, died Sunday night after a long illness. He was 69. A teacher at CalArts since the early 1970s, Asher was famous in the classroom for his wit and candor -- and also his endurance. His marathon "crit" (critique) sessions, designed to review student work, could by his own account run from 10 a.m. to midnight. "I throw away the clock," he once told me. His own artwork is often described as institutional critique or engagement -- work that grows out of the particular conditions of a museum or gallery environment.
ENTERTAINMENT
March 19, 1988
I was sorry to read of Michael Rissi's current plight with USC's School of Cinema-Television. It doesn't, however, surprise me. As I understand it, after I left the cinema school and took "Dark Star" with me, USC instituted a policy of complete and total ownership of all films made there. I really don't understand how anyone can take Rissi's script away from him and give it to someone else to direct. USC is a school , not a studio. Although this sort of behavior is good training for the real world of Hollywood, I fail to see any circumstances that would excuse this exploitation of talent by a university.
CALIFORNIA | LOCAL
January 31, 1987 | BOB POOL, Times Staff Writer
Capturing the soul of Woodland Hills is quite a feat. And capturing the soles of Woodland Hills means quite a few feet. Jill Ann Field is doing both as she paints a mural on a quarter-mile-long wooden safety wall around a high-rise construction site. Field is letting Warner Center office workers and neighborhood joggers step into her illustration by painting images of their feet as they pass the building site at 21550 Oxnard St.
ENTERTAINMENT
February 27, 2014 | By Rebecca Keegan
Oscar's animated feature race is a clash of the major Hollywood studios this year, with Disney, Fox/DreamWorks and Universal/Illumination all contending. But one movie in the mix -- a French-Belgian production about the unlikely friendship between a mouse and a bear -- is the sort that is alien to the high-stakes U.S. animation industry. Made with hand-painted watercolor backgrounds and a modest $12-million price tag, "Ernest & Celestine," which U.S. distributor GKIDS will release in Los Angeles on Friday, is based on a whimsical series of children's books by reclusive Brussels-born author Gabrielle Vincent.
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