March 19, 1988
I was sorry to read of Michael Rissi's current plight with USC's School of Cinema-Television. It doesn't, however, surprise me. As I understand it, after I left the cinema school and took "Dark Star" with me, USC instituted a policy of complete and total ownership of all films made there. I really don't understand how anyone can take Rissi's script away from him and give it to someone else to direct. USC is a school , not a studio. Although this sort of behavior is good training for the real world of Hollywood, I fail to see any circumstances that would excuse this exploitation of talent by a university.
November 28, 2012 |
I first encountered Julia Wertz with her 2010 graphic memoir “Drinking at the Movies,” a relentless and, at times, lacerating self-portrait of the artist as a young woman wrestling with alcohol. “Drinking at the Movies” was not Wertz's first autobiographical comic - her earlier work is gathered in two collections, “The Fart Party Vol. 1” and “The Fart Party Vol. 2” - but it represents a bridge between the narrow form of the comic strip (many of its chapters are a single page)
CALIFORNIA | LOCAL
January 31, 1987 |
Capturing the soul of Woodland Hills is quite a feat. And capturing the soles of Woodland Hills means quite a few feet. Jill Ann Field is doing both as she paints a mural on a quarter-mile-long wooden safety wall around a high-rise construction site. Field is letting Warner Center office workers and neighborhood joggers step into her illustration by painting images of their feet as they pass the building site at 21550 Oxnard St.
May 9, 2010 |
Brad Eberhard's studio, in the garage of the Lincoln Heights house he shares with two friends, sits at the top of a narrow, perilously steep street, with a spacious view across what is, with all the winter rain, a vividly green hillside. A spare and comfortably tidy space, with a worktable, several shelves of books, a pair of vintage armchairs and an upturned milk crate coffee table, it is a congenial setting for an abstract painter with a taste for color and a propensity for philosophical inquiry.
CALIFORNIA | LOCAL
May 3, 1992
Publicizing Chaka's hopes for financial aid to attend Cal State Northridge baffled my mind. Has this man considered the amount of money he has cost state and local government to continue to process him through the legal system? Add the cost to undo the damage he inflicted. We enjoyed a temporary respite from his "tagging" sprees while he was incarcerated (yet another considerable expense) and now he wants financial aid for art school. Ha! However, there may be a solution to satisfy all of us staunch, tax-paying, law-abiding citizens: Calculate the amount of money Daniel (Chaka)
June 7, 2012 |
When it comes to home decorating on a budget, art options get generic pretty fast. Between mass-produced images of Marilyn Monroe or New York City's taxicabs sold at big box retail stores, the works covering the walls of people's homes aren't chosen because they're particularly fresh or unique but because they are affordable and accessible. In the hopes of providing a more interesting alternative, recent University of Michigan graduates and 24-year-old L.A. natives Chelsea Neman and Jordan Klein co-founded the Tappan Collective, an online gallery selling original work by emerging artists.
July 15, 2001
I read Christopher Knight's article about the plight of art schools with some amusement ("Art for School's Sake," July 8). I was one of those who would have loved the chance to learn technique. Instead, I paid hundreds of dollars a unit at a "Good" (by his definition) art school, where students "are encouraged from the first day to stop thinking of themselves as students and to start thinking of themselves as working artists." In this atmosphere of self-indulgence and self-importance, we "learned" to paint using house paint on butcher paper and other such useless exercises.