YOU ARE HERE: LAT HomeCollectionsArt School

Art School

May 1, 2011 | By Scarlet Cheng, Special to the Los Angeles Times
When Charlotte Salomon died in Auschwitz at age 26, she left behind an unperformed opera: "Life? Or Theatre?" It was in the form of 1,300 paintings — initially accompanied by overlays with words, and then, when she felt increasingly rushed, the words were written directly on the images. Sometimes they conveyed dialogue, sometimes a running narrative of a dramatic and tragic life — Charlotte's life, the names changed ever so slightly. In 1940 she had shut herself up in a hotel in the south of France, a Jewish refugee from Nazi Germany, and had produced these works in a feverish pitch of 18 months.
March 10, 2013 | By L.J. Williamson
Despite the chicken-in-every-pot hype over consumer-level 3-D printers, the technology still has a long way to go to be usable, or useful, for the average Joe. Designing three-dimensional objects on a two-dimensional computer screen is no simple task, especially for those unskilled in computer-assisted design or software. And for most people, there's no compelling reason to make a unique object from scratch when mass-produced equivalents are cheaper and simpler. But for some artists, 3-D printing has been a revelation.
June 4, 2012 | By Esmeralda Bermudez, Los Angeles Times
Their faces are vague, the color of coffee beans, but before Ramiro Gomez heads out with pliers and wire to install them, he gives each one a name. There was Guillermina, named for his Aunt Guille, a housekeeper at a casino hotel; Maria Elena, after his mom, a janitor at an elementary school; and Luis, like Uncle Luis, who delivers meat for a carniceria . For the last eight months, Gomez, an artist from West Hollywood, has made the invisible visible by installing life-size cardboard cutouts of nannies, gardeners, valet workers and housekeepers in Beverly Hills, the Hollywood Hills and other wealthy areas.
March 19, 1988
I was sorry to read of Michael Rissi's current plight with USC's School of Cinema-Television. It doesn't, however, surprise me. As I understand it, after I left the cinema school and took "Dark Star" with me, USC instituted a policy of complete and total ownership of all films made there. I really don't understand how anyone can take Rissi's script away from him and give it to someone else to direct. USC is a school , not a studio. Although this sort of behavior is good training for the real world of Hollywood, I fail to see any circumstances that would excuse this exploitation of talent by a university.
August 7, 2012 | By Chris Barton
The story of the internment of more than 100,000 Japanese Americans during World War II hasn't always gotten widespread attention in the United States. But with construction beginning on the new Topaz Museum and Education Center in Utah, another step is being taken to keep the memory alive. In a groundbreaking ceremony on Sunday that featured Taiko drumming and a book signing by former Japanese internment camp resident turned Disney animator Willie Ito, the museum began work on a location some 16 miles away from the original Topaz camp.
January 31, 1987 | BOB POOL, Times Staff Writer
Capturing the soul of Woodland Hills is quite a feat. And capturing the soles of Woodland Hills means quite a few feet. Jill Ann Field is doing both as she paints a mural on a quarter-mile-long wooden safety wall around a high-rise construction site. Field is letting Warner Center office workers and neighborhood joggers step into her illustration by painting images of their feet as they pass the building site at 21550 Oxnard St.
May 4, 2012 | By Amy Hubbard
Keith Haring, recipient Friday of a Google Doodle , was among a group of art school students who considered themselves Pop Art heirs to Andy Warhol. But although Haring was dead by age 31, the artist made his own imprint, and it wasn't on a soup can. Perhaps as remarkable as Haring's art was the man himself -- his energy and personality. In a 2008 review of a Haring documentary, Los Angeles Times' movie critic Kenneth Turan says Haring's lively pop sensibility, "owlish looks" and exuberant personality combined to make him, as one of his friends said, "a true phenomenon.
Los Angeles Times Articles