November 20, 1994 |
"Take 2" at USC's Fisher Gallery and the California Afro-American Museum showcases the multimedia artwork of 13 Los Angeles women. Depictions of homelessness, riots, fires, floods and earthquakes are juxtaposed with those showing human triumph and peaceful rhythms of life.
CALIFORNIA | LOCAL
August 1, 2010 |
Max Lawrence, a successful meatpacker whose appreciation of midcentury modern design led him to co-found Architectural Pottery, an influential Los Angeles company that produced sculptural planters and urns coveted by collectors today, died of natural causes July 25 at his Los Angeles home, said his son, Damon. He was 98. Lawrence founded Architectural Pottery in 1950 with his wife, Rita, whose business and aesthetic savvy helped the company thrive for more than three decades. Showcasing the talents of potters such as David Cressey, John Follis and Rex Goode, they sold their creations to the vanguard of the modernist architecture movement that took root in Southern California in the post- World War II era. "Their role in establishing the unique look of midcentury California design can't be overstated.
April 9, 2002 |
The 11th annual Lester Horton Dance Awards honored a wide range of styles and companies at ceremonies Sunday at the Japan America Theatre. Presented by the Dance Resource Center of Greater Los Angeles and named after a locally based modern dance pioneer, this edition of the awards was hosted by choreographer-impresario Deborah Brockus and dance company administrator Erwin Washington.
February 27, 1992
The Pasadena-Foothill Valley YWCA will honor six women for volunteerism and other achievements at the 19th annual Second Century Awards Luncheon on March 25. Former San Francisco Mayor Dianne Feinstein, a candidate for the U.S. Senate, will be the keynote speaker. Honorees are Anne Beall, Jaylene L. Moseley, Katherine Padilla, Peggy Phelps, Lois B. Richard and Norma Sandusky Coombs.
January 31, 1995 |
Just before the Southwest Chamber Music Society's concert Friday at the Armory Center for the Arts in Pasadena, musicians Stephen Mosko, Leonard Stein and Mel Powell told the audience that what we were about to hear was great music indeed, and its composer, Milton Babbitt, one of the two or three greatest composers in America. What's more, the trio went on to demonize listeners and critics who take a disliking to Babbitt's difficult music.
December 9, 1997 |
Music in art-designated spaces can either suffer or benefit from the surroundings. The latter was, fortunately, the case when guitarist Stuart Fox and flutist Dorothy Stone gave a recital in the Armory Center for the Arts in Pasadena Sunday evening, part of the Southwest Chamber Music's Soliloquy Recital series.
November 27, 1996 |
As program concepts go, "new music from California" is not a tie that binds very tightly. The second of the Southwest Chamber Music Society's Soliloquy Recitals, Sunday afternoon at the Armory Center for the Arts in Pasadena, did prove stylistically diverse, though hardly suggestive of any regional identity. Joan Huang has a distinctive flair for musical imagery and it was much evident in her "Settings for Twelve Chinese Symbols."
March 15, 1999 |
In the post-minimalist age, we tend to incorrectly think of the meditative strain in new music as a domain lorded over by minimalist thinking. But other possibilities, more radical conceptions of meditative music, have also been presented by 20th century icons, such as Karlheinz Stockhausen's bracing work "Mantra," the centerpiece of a Southwest Chamber Music concert Saturday night at the Armory Center for the Arts in Pasadena.
December 7, 1998 |
Lively programming has long been one of the stocks-in-trade of Southwest Chamber Music, which continued its 12th season Saturday night at the Armory Center for the Arts in Pasadena with an engrossing agenda of music by Milhaud, Wadada Leo Smith and Beethoven, splendidly played. The focus of interest was the world premiere performance of Smith's String Quartet No. 3, subtitled "Black Church: A First World Gathering of the Spirit." The work is dense, tense, often grim, atonal to a fault.
June 25, 1989 |
ALTHOUGH all children's art schools agree that art instruction should be a positive experience, individual instructors vary widely in their philosophies about art. Some view art primarily as a medium for self-expression; others emphasize the hand-eye coordination skills that art practice develops. Still others use art as a means of sharpening the mind, stressing learning to see rather than learning to draw. The Westside Arts Center and Armory Center for the Arts prefer a laissez-faire approach, showing children how to use the materials, then letting each child create his or her own masterpiece.