November 20, 2012 |
MEXICO CITY -- As a small-town mayor in the drug-trafficking western state of Michoacan, she survived two assassination attempts. One claimed the life of her husband; another three months later left her badly wounded. That was in 2009 and 2010. Her mayoral term ended in 2011. And over the weekend, Maria de los Santos Gorrostieta Salazar was slain, apparently tortured and beaten to death, her body dumped in a ravine. Gorrostieta had been mayor of Tiquicheo, a remote town in the so-called hotlands of Michoacan, farmland firmly under the thumb of drug-trafficking cartels.
October 25, 2013 |
On the afternoon of Friday, Nov. 22, 1963, the turgid melodrama of "As the World Turns" was suddenly interrupted by grave news from the real world. In Dallas, three shots had been fired at President John F. Kennedy's motorcade. Fifty-eight minutes later, a visibly moved Walter Cronkite would confirm the unthinkable: The president was dead. For the ensuing three days, Americans gathered around their televisions in a rite of collective mourning as the three broadcast networks abandoned their regularly scheduled programming to provide uninterrupted news coverage.
June 5, 2013 |
The spring and summer of 1968 were an agony for the United States, especially for young Americans and black Americans. In April, Martin Luther King Jr. was assassinated in Memphis. In June, Robert F. Kennedy was assassinated, here in Los Angeles, in the pantry of the Ambassador Hotel kitchen on Wilshire Boulevard. And in August, police in Chicago beat and gassed young people protesting the Vietnam War and the political system at the Democratic National Convention. Wednesday -- tonight -- is the 45th anniversary of Kennedy's assassination.
June 25, 2013 |
In “The Assassination of Leon Trotsky,” a world premiere at the Odyssey, Peter Lefcourt, a playwright and Emmy-winning television writer-producer, slips his chain. The play has been subtitled “A Comedy,” but it's clear that Lefcourt intends an out-and-out farce. But in farce, catastrophe gallops through a slammed boudoir door or five, catching its characters hilariously unawares. In “Trotsky,” the characters embrace chaos deliberately and without motivation, a soggy approach that considerably dampens the humor.
October 25, 2013 |
DALLAS - I hadn't been standing in Dealey Plaza more than five minutes when I watched a man dash out into the street to pose for a picture. He was heading straight for a white X in the pavement that marks the location of John F. Kennedy's limousine when the 35th president was fatally shot on the afternoon of Nov. 22, 1963. The man stopped on the X, adjusted his feet and smiled. Then he looked nervously in the direction of oncoming traffic before running back to the safety of the sidewalk.
CALIFORNIA | LOCAL
April 17, 1992
I agree that the classified files on the J.F.K. assassination will probably not contain any blockbuster revelations or a "smoking gun," but it might indirectly answer some questions and pose new ones. To read the Warren Report is to see the heart of the lie, a well-thought-out, well-directed and masterfully choreographed lie. We the people, not just lawyers and politicians, have read the Warren Report and see it for what it truly is--a verbose fabrication and myopic view of what some individuals would have us believe is history.
CALIFORNIA | LOCAL
May 30, 1991
If we were able to bring Rajiv Gandhi back to life, we would do so. So would we, if we could, turn back the clock to before his assassination to prevent it. Since we cannot, we must look beyond this tragedy to what it symbolizes and ask ourselves if such human behavior must continue to be accepted? Is this not the time when we must assume the responsibility to avoid such occurrences in the future? Given all of the diversity in the human realm, including the diversity in perspective and will, we must now focus our attention on means for peaceful reconciliation of the natural differences that exist among us which sometimes lead to destructive human conflict.
October 3, 2013 |
"Parkland" hangs on a split second on Nov. 22, 1963, when a president was shot, a country was wounded and a city was brought to its knees. This unsettling film zeros in on the initial impact - just four days - for those closest to the president, for the many ordinary people of Dallas who became involved, and for a city that would begin to wear the assassination of John F. Kennedy like a shroud. It is the way in which ordinary acts began to define an extraordinary moment in history, and the residue of regret that would stay with the city, that Peter Landesman's new film seeks to mine.