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Barnes Foundation

ENTERTAINMENT
May 18, 2012 | By David C. Nichols
“To mortal man, how great a scourge is love,” is one of countless ingenious lines that adorn “The Children” at the Theatre @ Boston Court. Michael Elyanow's stunning riff on the Medea myth rips Euripides into current-day context, and rams its meanings into our brainpans. Beginning before a Stygian drape that masks designer François-Pierre Couture's jagged-wood set, an aptly named Man-In-Slacks and Woman-In-Sundress (Sonny Valicenti and Paige Lindsey White, both beyond praise)
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ENTERTAINMENT
January 30, 2004 | Suzanne Muchnic, Times Staff Writer
Trustees of the cash-strapped Barnes Foundation who requested court approval to move the foundation's multibillion-dollar art collection from an affluent suburb of Philadelphia to the center of the city have been sent back to the drawing board.
ENTERTAINMENT
March 11, 2010 | By Chris Lee
Call it art appreciation as battle royal. The emotionally charged new documentary "The Art of the Steal: The Untold Story of the Barnes Collection" takes what might otherwise have remained a local matter of consequence only to art aficionados and blue bloods -- the decision to move a valuable art collection from an affluent Philadelphia suburb into the city's downtown area -- and presents the legal tussle and decades-spanning tug of war surrounding the...
ENTERTAINMENT
May 24, 2001 | Shauna Snow
THE ARTS Less-Seen Barnes Works Will Tour The Barnes Foundation has won a court order allowing it to have seldom-seen paintings, many in storage for up to 50 years, displayed at other museums. The tour, the first since a mid-1990s traveling show of better-known Barnes paintings that drew record crowds worldwide, will be limited to works kept in storage and hung in the cash-strapped educational foundation's administrative offices.
ENTERTAINMENT
March 13, 2011 | By Tom Freudenheim and Robert Zaller, Special to the Los Angeles Times
Is the new Barnes Museum headed for disaster? Designed to house the art collection of the Barnes Foundation, with its hundreds of Cezannes, Renoirs, Matisses, Picassos and other early modern masters, a new building is under construction in downtown Philadelphia where the collection is scheduled to move from its current home in Merion, Pa. Yet serious questions remain about the rationale for the move and the museum's long-term sustainability. The direct and indirect costs of the move downtown, including site clearance and construction, the provision of a new endowment and a substantial inducement to the Barnes' previous administrator, Lincoln University, to relinquish majority control of its board of trustees, is $300 million to $400 million.
ENTERTAINMENT
December 12, 2003 | Suzanne Muchnic, Times Staff Writer
Albert C. Barnes always had very specific ideas about his art collection. He amassed an astonishing cache of paintings, including 181 Renoirs, 69 Cezannes, 60 Matisses, 44 Picassos, 18 Rousseaus and 14 Modiglianis, and had a bridge constructed to connect his house to the building that contained them. According to Barnes lore, when he couldn't sleep he padded across it in his robe and slippers and tweaked the arrangement of his treasures.
ENTERTAINMENT
May 4, 2007 | Christopher Hawthorne, Times Staff Writer
As a profession, architecture has never included many refuseniks, those who decline to work for a particular client out of principle. Architects by nature believe in the power of the new to improve upon the old or even redeem it. Often they think that a building, if completed with enough skill, can make irrelevant the question of whom it was designed for or what it replaces.
NATIONAL
September 3, 2002 | DAVID ZUCCHINO, TIMES STAFF WRITER
Inside the Barnes Foundation, a French Renaissance chateau set in a fenced arboretum on Philadelphia's western shoulder, hangs one of the world's most spectacular art collections. Masterpieces are displayed literally from floor to ceiling: Cezanne's "Bathers" and "The Card Players," Seurat's "Models," Van Gogh's signed "Postman." The gallery is so crammed with priceless works that Matisse's "Joy of Life" is confined to a stairwell. The Musee d'Orsay in Paris owns 94 works by Renoir.
ENTERTAINMENT
September 10, 2007 | Christopher Knight, Times Staff Writer
Conspiracy theory or hostile corporate takeover? Those two options come to mind when reading the lengthy court petition filed recently in the dispiriting case of the Barnes Foundation. Nearly three years ago, the court approved moving the unique Pennsylvania school with the drop-dead $6-billion Modern art collection from suburban Lower Merion Township to downtown Philadelphia.
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