February 19, 1989 |
Everything seems to be coming together for Terri Lyne Carrington. She has played with the giants of the jazz and contemporary music worlds. Some of them--Wayne Shorter, Grover Washington, Patrice Rushen, John Scofield, Gerald Albright--are guests on her debut album for Verve/Forecast Records, "Real Life Story," due out this week. She has a steady job five nights a week in the Hollywood-based band on Arsenio Hall's TV talk show.
May 14, 2007 |
Facing fierce criticism of sexist and depraved rap lyrics, top music industry executives planned a private meeting. They would discuss the issue, they said, and "announce initiatives" at a news conference afterward. That was three weeks ago. The session with the media was canceled without explanation, and ever since, music's gatekeepers have been silent. Leaders of the four major record companies, which control nearly 90% of the market, may fear cracking the door to censorship.
June 12, 2005 |
Melissa Muik Music editor Current projects: "Madagascar," the upcoming "The Weather Man" Previous credits: "Spanglish," "Shark Tale" Hitting the high note: "A music editor's primary relationship is with the composer. I have had the fortunate opportunity to work with Hans Zimmer on the last few projects, and I am based at his studio [in Santa Monica]. I got involved in ["Madagascar"] when Hans got involved, which was the last few months of the project.
May 3, 1998 |
Some days, trombonist Mark McGrain was so far down he couldn't get himself to crawl out of bed, let alone make his gigs. Then he injured his ankle and was afraid it might be broken. It had been several years since he left the faculty of Boston's Berklee College of Music and, with it, his health insurance. He couldn't pay a doctor. "You're very lucky if you can even eke out a hand-to-mouth existence in music these days," he said.
CALIFORNIA | LOCAL
August 18, 2000 |
The Romanian pan flute is an instrument most often heard in folkloric settings, rarely outside its element. In the hands of Romanian expatriate Damian Draghici, it becomes something else again. One of the world's virtuosos on his instrument, Draghici has pushed the envelope of technical aplomb, using a complex triple-tonguing method that led to his nickname, Speed of Light.
March 4, 1991 |
The CalArts Contemporary Music Festival this year may be only a faint echo of past glories, but its collective ear is clearly on the future. There was more artifice than art in the opening programs, but the technologies surveyed dazzled in their own right and hold much promise. Interactive was the word in trendy neighborhoods Friday and Saturday.
July 3, 1992 |
Wynton and Branford Marsalis are two of the most influential young musicians anywhere. But you might not have heard of Delfeayo Marsalis, unless you're a habitual reader of the fine print in CD booklets. Until now, Delfeayo Marsalis has been mainly known as a record producer who's overseen about 20 projects by such notables as his brother Branford, pianists Marcus Roberts and Kenny Kirkland and pianist-singer Harry Connick Jr.
June 14, 1988 |
The career of Mike Metheny has closely paralleled that of his brother, Pat. Like Pat, he started out on trumpet (but, unlike him, he stayed with the horn while Pat, to quote Mike, "got smart and switched to guitar, an instrument that doesn't require lips"). Like Pat, Mike was raised in Lees Summit, Mo., but wound up in Boston, playing and teaching at the Berklee College of Music.
February 20, 1988 |
"Our mission," says Dr. William J. Coffey, "is to preserve and perpetuate jazz--and what better way is there than to teach jazz appreciation to school children?" Coffey's current Jazz Goes to School project is among more than 100 local events timed to coincide with Black History month. Aided by funding from the Musician's Union, the Berklee College of Music and other sources, Coffey, as the president of the Los Angeles-based International Assn.
July 31, 1992 |
A few years ago, guitarist Juan Carlos Quintero would be popping up at jazz clubs all over the Los Angeles area, earning himself a nice following but hardly a hefty bank balance. "I saturated the town, met a lot of people, and that was great," he said on the phone this week from his home in Redondo Beach. "But I also found that a lot of club owners plain didn't want to pay the band, and I couldn't accept that."