May 3, 1998 |
Some days, trombonist Mark McGrain was so far down he couldn't get himself to crawl out of bed, let alone make his gigs. Then he injured his ankle and was afraid it might be broken. It had been several years since he left the faculty of Boston's Berklee College of Music and, with it, his health insurance. He couldn't pay a doctor. "You're very lucky if you can even eke out a hand-to-mouth existence in music these days," he said.
CALIFORNIA | LOCAL
August 18, 2000 |
The Romanian pan flute is an instrument most often heard in folkloric settings, rarely outside its element. In the hands of Romanian expatriate Damian Draghici, it becomes something else again. One of the world's virtuosos on his instrument, Draghici has pushed the envelope of technical aplomb, using a complex triple-tonguing method that led to his nickname, Speed of Light.
March 4, 1991 |
The CalArts Contemporary Music Festival this year may be only a faint echo of past glories, but its collective ear is clearly on the future. There was more artifice than art in the opening programs, but the technologies surveyed dazzled in their own right and hold much promise. Interactive was the word in trendy neighborhoods Friday and Saturday.
June 19, 2013 |
It takes a nation of millions … to make Public Enemy's next remix. The political hip-hop group, best known for such songs as "Bring the Noise" and "Fight the Power," is letting fans remix its new single, “Get Up Stand Up,” featuring Brother Ali, for a contest. Peer-to-peer file-sharing service BitTorrent Inc. is providing the raw materials through a “bundle” for fans to download for free. The Public Enemy package gives fans access to the 37-stem multi-track for the song, allowing them to make their own remixes and submit their work.
May 3, 2009 |
Times might be tough for the record industry, but they're good for Stevie Blacke. The multi-instrumentalist has appeared on such hit songs as Pink's "Sober," Rihanna's "Rehab" and Hinder's "Without You" -- and tracks from Madonna, Beck and Snoop Dogg -- playing violin, cello, mandolin, lap steel, Dobro or more than a dozen other instruments, including the two-stringed Chinese Erhu.
July 16, 2013 |
Here's a small but significant development for your Tuesday morning: Karmin's "Acapella" -- the amazingly irritating lead single from this electro-pop duo's upcoming album -- has somehow gotten worse. You remember Karmin, don't you? Two years ago, Amy Heidemann and Nick Noonan -- both alums of Boston's prestigious Berklee College of Music -- zoomed into the pop-cultural consciousness with a remarkable cover of Chris Brown's "Look at Me Now" that's since been viewed on YouTube nearly 85 million times.
July 3, 1992 |
Wynton and Branford Marsalis are two of the most influential young musicians anywhere. But you might not have heard of Delfeayo Marsalis, unless you're a habitual reader of the fine print in CD booklets. Until now, Delfeayo Marsalis has been mainly known as a record producer who's overseen about 20 projects by such notables as his brother Branford, pianists Marcus Roberts and Kenny Kirkland and pianist-singer Harry Connick Jr.
June 14, 1988 |
The career of Mike Metheny has closely paralleled that of his brother, Pat. Like Pat, he started out on trumpet (but, unlike him, he stayed with the horn while Pat, to quote Mike, "got smart and switched to guitar, an instrument that doesn't require lips"). Like Pat, Mike was raised in Lees Summit, Mo., but wound up in Boston, playing and teaching at the Berklee College of Music.
February 20, 1988 |
"Our mission," says Dr. William J. Coffey, "is to preserve and perpetuate jazz--and what better way is there than to teach jazz appreciation to school children?" Coffey's current Jazz Goes to School project is among more than 100 local events timed to coincide with Black History month. Aided by funding from the Musician's Union, the Berklee College of Music and other sources, Coffey, as the president of the Los Angeles-based International Assn.
July 31, 1992 |
A few years ago, guitarist Juan Carlos Quintero would be popping up at jazz clubs all over the Los Angeles area, earning himself a nice following but hardly a hefty bank balance. "I saturated the town, met a lot of people, and that was great," he said on the phone this week from his home in Redondo Beach. "But I also found that a lot of club owners plain didn't want to pay the band, and I couldn't accept that."