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May 10, 2012 | By David C. Nichols
It's doubtful that locals will see anything quite like “Copy” at Theatre of NOTE anytime soon. Padraic Duffy's precocious absurdist exercise is, for much of its length, strangely hilarious. On Naomi Kasahara's copier-dominated set, secretary Betty (fearless Gabby Sanalitro) and Boss (Troy Blendell, edgy yet sensitive) discuss his lunchtime dismay. Tuna isn't what he ordered, so he leaves Betty, who buries her face in the offending sandwich with orgasmic gusto. Only Boss changes his mind, tuna's fine, and hints of pathos appear.
June 1, 1989 | From Associated Press
Here are excerpts of House Speaker Jim Wright's statement Wednesday: For 34 years I have had the great privilege to be a member of this institution, the people's House, and I shall forever be grateful for that wondrous privilege. . . . And I love this institution. And I want to assure each of you that under no circumstances, having spent more than half of my life here, this House being my home, would I ever knowingly or intentionally do or say anything to violate its rules or detract from its standards.
November 2, 2008
Thank you for your excellent and informative critique of "Mad Men" ["Kindred Spirits in the Shadows" by Margaret Wappler, Oct. 26]. It provided me with an extra dimension to my viewing. I have been completely immersed in this program. It is an accurate depiction of the era, especially the analysis of self-repression and secrecy. I am 76; my husband served in the Air Force during the Korean conflict. We raised three children in the '60s and '70s. Two scenarios among so many really hit the mark: the dinner party given by Betty and Don, and the picnic.
August 31, 1987 | NANCY MILLS
In 1954, Elinor Donahue became a role model for a whole generation of young women. As the 17-year-old daughter Betty on "Father Knows Best," the 1950s equivalent of "The Cosby Show," Donahue was, in a way, a forerunner of the feminist movement. When Betty went off to college instead of getting married and settling down, parents everywhere began to think of sending their own daughters to college too. Three decades later, Donahue has become a TV mom herself.
Ana Kokkinos' "Head On" plunges straight into the eye of the storm that is the life of Ari (Alex Dimitriades), a handsome, ultra-masculine gay 19-year-old Greek Australian youth who finds himself in rapidly escalating conflict with his claustrophobic ethnic community, with its strong machismo and allegiance to rigid family values. Anyone of any generation who has ever felt at odds with his or her environment can identify with the characters in "Head On."
April 14, 2005 | Howard Leff, Special to The Times
The best part about writing these columns? Attractive women all over L.A. stop me on the street to ask fun little relationship questions. Things like, "Why are you staring at me?" and "What made you think I wanted to date you?" Once those awkward moments pass, they do seem curious about one other thing: "Why are so many men attracted to volatile women?" Good question.
June 6, 1985 | HERB HAIN
Lucille Walker of Beverly Hills has been wearing out a lot of shoe leather in her search for Half-Peds (toe protectors), because they are so great for wearing with open-toe shoes and under panty hose, but she's had no luck at all. Surely, she wonders, somebody must be selling this item or something similar. And she hopes they have a little padding on the sole.
June 3, 1990 | Amy Wallace, Amy Wallace is a reporter for the San Diego edition of The Times.
EVERYBODY IN LA JOLLA knew the Brodericks. Daniel T. Broderick III and his wife, Betty, seemed to have a classic society-page marriage. Dan was a celebrity in local legal circles. Armed with degrees from both Harvard Law School and Cornell School of Medicine, the prominent malpractice attorney was aggressive, persuasive and cunning--a $1-million-a-year lawyer at the top of his game.
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