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Bill Haley

August 31, 1992 | JONATHAN GOLD
When grindcore records popped up a few years ago in the darker reaches of the import-metal bins, the genre was seen as rock 'n' roll pushed to its logical conclusion: 15-second bursts of sound, "songs," that sounded like nothing more than illegible death howls underpinned with throbbing white-noise. Grindcore was more or less the cultural equivalent of that tiny blip of blue light that lingers at the center of the screen after you flick off an old TV.
Don't misjudge an album by its cover. Because of the Guitar Player magazine logo, the new "Legends of Guitar" series may look like an instructional guide that is of interest only to guitarists. In fact, the series offers an imaginatively designed collection of some of the finest guitar performances of the modern pop era.
May 17, 2004 | Susan King
A whole new movie genre began with Bill Haley & the Comets' pulsating song "Rock Around the Clock." Released 50 years ago, the infectious dance tune initially played second fiddle to the Haley hit "Shake, Rattle and Roll." Not until "Rock" was featured during the title sequence of "The Blackboard Jungle," the classic 1955 film about misguided youth, did the song take off with a bullet on the charts.
February 13, 1994 | ROBERT HILBURN
BIG JOE TURNER "The Big Joe Turner Anthology" Rhino * * * * There's something heartwarming about this finely crafted, three-disc retrospective set that extends beyond the music itself. It's an encouraging sign that rock 'n' roll truly doesn't forget. For much of his life, Turner--variously known as a blues, jazz and R&B singer--appeared destined to remain one of the overlooked greats of rock's pioneer class. The Kansas City, Mo.
July 26, 1996 | CHEO HODARI COKER
The Sugarhill Gang is the Bill Haley & the Comets of hip-hop music. Like the rock pioneer, whose "Rock Around the Clock" was a pivotal step in renegade rock 'n' roll's transformation into lighter, sock-hop fare, the Gang is best known for a single record and has been accused of watering down a vital musical form. Haley, the critics say, built his music around the creative ideas of a host of R&B musicians and sold it to an audience that hadn't heard the real thing.
Yasmine Bleeth, Ryan Fenelli on ABC's defunct daytime drama "Ryan's Hope," has joined the cast of that network's "One Life to Live." Bleeth is playing Lee Ann, a young, naive daughter of the manipulative midwife, Du Ann Demerest. Lisa Howard, who plays April Ramirez-Corelli, and Antony Alda, also known as Johnny Corelli, will be departing NBC's daytime series "Days of Our Lives" this month. Official word on their departure is that there isn't any story line left for their characters.
July 3, 2005 | Susan King, Times Staff Writer
Rarely do film festivals celebrate the good, the bad and even the ugly all at once. But the American Cinematheque's "Mods & Rockers" film festival, which begins Tuesday at the Egyptian Theatre in Hollywood, joyfully embraces both the classic and the truly dreadful.
September 5, 2006 | Robert Hilburn, Special to The Times
"One, two, three o'clock, four o'clock rock.... " Those are the famous opening words of Bill Haley's "(We're Gonna) Rock Around the Clock," the first "true" rock 'n' roll single to go to No. 1 on the U.S. pop charts. Other rock-tinged hits, including "Hearts of Stone" and "Sincerely," reached No. 1 a few months earlier, but via pop cover versions by the Fontane Sisters and the McGuire Sisters, respectively, rather than the original R&B recordings.
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