CALIFORNIA | LOCAL
December 22, 1990
I was in the process of writing a letter to you when the paper with the Shaw article was delivered. I wanted to tell you how irresponsible your paper is in regard to the black community. Any newspaper that exercised an un-American policy of censorship in totally ignoring the Louis Farrakhan speech, which attracted 30,000-35,000 people, and then spent many editorial lines on a trite story about black reparations needs to examine its editorial policy and its lack of journalistic fairness.
CALIFORNIA | LOCAL
September 18, 1990
You raised serious questions regarding the issue of discrimination against Latinos in public employment. A cursory review of most employment statistics in local governments and particularly Los Angeles County government, will reveal many discriminatory practices against the Latino community. However, it is totally wrong to attempt to take away hard-earned jobs from the black community, which has its own share of burdens and troubles and which should not become the victim of more injustice during the quest by the Latino community to achieve fundamental fairness in public employment.
August 30, 1987 |
Los Angeles' small black contracting firms and developers want a bigger slice of the real estate pie. If they accomplish that, they could attain a greater leadership role in the black community and create better harmony between blacks and the real estate industry. "It's disheartening. Even in South-Central Los Angeles we're a minor factor," said Bill Carlisle, owner of AA Builders and Developers of Los Angeles and president of the Minority Development Assn.
June 28, 1992
What is wrong with you, Los Angeles? Why are you trying to rebuild the city without using residents of the riot area? My father is a general contractor. He is also an African-American. He has faced racism for 40 years in his profession and has survived. No one in the black community wants to hear that after 40 years he is unqualified to do work in his community. We are tired of excuses. We want results. Face it Los Angeles, if you want peace, if you want to rebuild, then you must incorporate some brown faces into the program.
CALIFORNIA | LOCAL
May 1, 1999 |
Come on a Saturday, says Freddie Carter, the man who has owned Styles Ville for four decades. That's when you'll find a row of eight barbers, buzzing, snipping and shaping heads. That's when you'll breathe in the musky spice of peppery oils, hair tonic, after-shave and an incense called Black Love. That's when you'll hear the clamor of loud talk and quiet whispers, of dominoes slapped down by men playing in the back, and the slice and whir of clippers. Bzzzzz, slash, slash, slash. Bzzzzz.
April 15, 2000
The article "Attuned to Rap's Power to Provoke" (by Eric Harrison, April 10) mentions how white filmmakers increasingly are embracing rap music. It seems, though, that instead of being innovative, this trend is a slight variation of how blacks have been depicted since the beginning of film. Portrayals of blacks have either shown them as dangerous, oversexed felons or as hapless buffoons. The trend of some white filmmakers to depict rap culture as synonymous with the range of the black human experience is ultimately just as harmful to the development of good role models in the black community as was any Stepin Fetchit caricature in the era of black-and-white movies.
July 22, 1987
In an attempt to alert Southern California's black community to the increasing threat of AIDS among blacks, state and city leaders Tuesday announced creation of the Black Los Angeles AIDS Coordinating Commission. The commission will coordinate the efforts of Los Angeles' black elected officials, religious leaders, educators and health care professionals, Mayor Tom Bradley said at a City Hall news conference with Assemblywomen Maxine Waters and Teresa Hughes.
June 18, 1989
As a medical professional and African-American resident of Los Angeles, I could not help but be demoralized after reading the two articles concerning cocaine and the black community. In the first article, "Adventures in the Drug Trade," by William Overend (May 7), the transformation of the cocaine scene is portrayed simply as the result of collusion between blacks and Colombians. If one sincerely wants to understand what has happened, one must examine the economic deterioration of the black community.