BUSINESS
May 20, 2012 | By William D'Urso, Los Angeles Times
The gig: As a kid Jamon Hicks spent many afternoons in courtrooms where his mother was a clerk. He still spends a lot of his time in courtrooms, but now Hicks, 32, is a trial attorney with the Cochran Firm in Los Angeles. Also, last month Hicks became president of the California Assn. of Black Lawyers, an organization founded in 1977 that now has more than 6,000 members, including lawyers, judges, law professors and students. Growing up in court: Hicks was raised in Inglewood and Baldwin Hills, and after day care or school he was often whisked to courtrooms where his mother was finishing her workday.
ENTERTAINMENT
May 18, 2012 | By Sheri Linden
The misbegotten "Virginia" wants to be many things: small-town satire, coming-of-age story, teen romance, portrait of an eccentric and damaged soul, with dabs of crime caper and road trip for good measure. Nothing adds up, though, in this directorial effort from screenwriter Dustin Lance Black ("Milk"). Set among the hangdog hicks and arcade attractions of a fictional Southern beach town, the loosely autobiographical movie aims for roller-coaster passion but only flatlines. In a committed performance that can't overcome the material's shortcomings, Jennifer Connelly plays the title character, an unreliable bottle blond with a history of schizophrenia who's meant to have the poignancy of Blanche DuBois.
SPORTS
May 18, 2012 | By Bill Shaikin
SAN DIEGO -- Bud Black was a member of Mike Scioscia's original coaching staff with the Angels. Three of those coaches ascended to managerial jobs - Black with the San Diego Padres, Joe Maddon with the Tampa Bay Rays and Ron Roenicke with the Milwaukee Brewers. Never in Scioscia's 13 years had one of his coaches left involuntarily - until this week, that is. Hitting instructor Mickey Hatcher , another of Scioscia's original coaches, was fired by General Manager Jerry Dipoto . "Your initial reaction is surprise," Black said.
CALIFORNIA | LOCAL
May 17, 2012 | By Louis Sahagun, Los Angeles Times
The Angels Gate lighthouse, graced by its distinctive vertical black stripes, gleams brighter at the entrance to Los Angeles Harbor today after an extensive restoration project. "Ain't she pretty?" asked Allan Johnson of the Cabrillo Beach Boosters Club, brushing his fingers across the octagonal base of the structure that has shined a reassuring beacon for coastal skippers entering the harbor for 99 years. On the eve of Thursday's unveiling forU.S. Coast Guardbrass and other dignitaries, San Pedro civic leaders made a final inspection of the cast-iron, wood and stucco tower that rears 73 feet into the air above the end of the breakwater, two miles offshore.
ENTERTAINMENT
May 14, 2012 | By Ben Fritz and Steven Zeitchik, Los Angeles Times
Often film sequels are slam dunks at the box office, a seamless continuation from where a previous hit left off. But as the new installment of the 15-year-old franchise "Men in Black" proves, getting to the big screen isn't always a cakewalk. One of the most troubled productions in recent Hollywood memory, Sony Pictures' latest movie in the Will Smith-Tommy Lee Jones sci-fi-comedy franchise encountered multiple script rewrites, a discontented star and a three-month production shutdown as writers and studio executives scrambled to fix a project that nearly fell apart . By the time it was over, the studio had run up a tab of nearly $250 million - making "Men in Black 3" one of the most expensive releases of the summer.
ENTERTAINMENT
May 14, 2012
Men in Black (1997): $251 million domestic, $339 million international Men in Black II (2002): $190 million domestic, $251 million international