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Bob Rafelson

November 25, 1993 | DOUG LIST
"The King of Marvin Gardens" opens dramatically with David Stabler (Jack Nicholson), host of a late-night radio show, telling his audience a story from his youth in which he and his brother sit wordlessly at the dinner table while their grandfather chokes to death. The story turns out to be a fabrication, yet it deftly illustrates the uncomfortable bond between the brothers that is the heart of the film.
March 4, 1990
I am writing in response to Spero Kessaris' Feb. 25 letter, in which he condemns director Bob Rafelson for suggesting that Sir Richard Burton, the hero of Rafelson's film "Mountains of the Moon," might have had a homosexual relationship with John Hanning Speke. Like Kessaris, I am a "Burtonophile," one of the secretive company who believes this great man of the 19th Century represents everything lacking from our world: an insatiable curiosity for the unknown, unbounded intellectual and physical courage, a swashbuckling style.
Two decades ago, star Jack Nicholson, writer Carole Eastman, and director Bob Rafelson joined up on "Five Easy Pieces," a low-budget odyssey into the country's tormented Vietnam-era psyche, and it's no hype to say it helped change the face of American film--for the better. But the trio's newest collaboration, a little man-woman-and-dog Mulholland Drive romantic comedy called "Man Trouble" (citywide), isn't going to change any faces or key any eras.
February 21, 1997 | JOHN ANDERSON, FOR THE TIMES
Since their initial, countercultural collaboration--writing The Monkees' movie "Head"--Jack Nicholson and Bob Rafelson have certainly gone down different paths. But their occasional associations have composed a mini-ouevre all its own: "Five Easy Pieces" with its complex characterizations; "The King of Marvin Gardens" with its contrarian casting; "The Postman Always Rings Twice," with its deglamorized take on murder and adultery.
February 6, 1987 | SHEILA BENSON, Times Film Critic
"Black Widow" (citywide) sounds intriguing from the moment you hear the cast and the pitch-perfect premise: the obsession of one young woman (Debra Winger) with the life and crimes of another--an irresistible young seductress (Theresa Russell) who marries, then buries a succession of extremely rich men.
December 14, 2011 | By Elaine Woo, Los Angeles Times
Bert Schneider, the iconoclastic producer behind a trio of influential movies — "Easy Rider," "Five Easy Pieces" and "The Last Picture Show" — that captured the rootlessness and discontent of the late 1960s and '70s and became symbols of a new era in Hollywood, has died. He was 78. Schneider had been in failing health and died of natural causes Monday at Olympia Medical Center in Los Angeles, said his daughter, Audrey Simon. The son of a Hollywood power broker — his father, Abraham, ran Columbia Pictures in the late 1960s — Schneider helped revitalize moviemaking in the "New Hollywood" movement in which directors, not studios, held the creative reins and made movies that embraced the sensibilities of the emerging counterculture.
It's quite literally a weekend of mystery as both HBO and A&E present new TV thrillers. James Caan follows in the footsteps of Humphrey Bogart, Dick Powell, Robert Mitchum and Robert Montgomery as Raymond Chandler's famous detective Philip Marlowe in HBO's movie "Poodle Springs," Saturday at 9 p.m. In this outing, it's 1963, and though Marlowe is a lot older, he certainly isn't wiser. He's up to his neck in murders, mayhem and corpses. Dina Meyer plays the new Mrs.
July 26, 1992 | ANDY MARX
It looks like Universal Studios is bringing "Easy" Rawlins, the black gumshoe working South-Central Los Angeles in the 1940s, to the screen. Rawlins, who made his first appearance in Walter Mosley's Edgar Award-nominated novel "Devil in a Blue Dress," has since been the subject of two more atmospheric detective novels by Mosley, "Red Death" and, most recently, "White Butterfly."
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