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Bob Rafelson

September 4, 2005 | Patricia Connell
Aspen, Colo. Sept. 28-Oct. 2: Between screenings of 20 feature-length independent films from around the world, Bob Rafelson, William H. Macy and Felicity Huffman will make appearances at the Aspen Filmfest. Rob Reiner is this year's recipient of the festival's Independent by Nature Award.
June 22, 2013 | By Randy Lewis
What's a Monkee doing on the lineup at a blues festival? Singing the blues, of course. That would be singer, guitarist, bassist and songwriter Peter Tork, who spends much of the time when he's not involved with latter-day Monkee business playing with his other band, Shoe Suede Blues, which is on the bill for this weekend's Long Beach Bayou & Blues Festival . “I'm having a great time,” Tork, 69, told Pop & Hiss recently. “The drummer we have, Sturgis Cunningham, has such a lovely shuffle with a slightly modern edge to it -- between an oily Chicago blues shuffle and just a little bit of a more well-bound, slightly hip-hopier feel -- just the right combination.
November 25, 1993 | DOUG LIST
"The King of Marvin Gardens" opens dramatically with David Stabler (Jack Nicholson), host of a late-night radio show, telling his audience a story from his youth in which he and his brother sit wordlessly at the dinner table while their grandfather chokes to death. The story turns out to be a fabrication, yet it deftly illustrates the uncomfortable bond between the brothers that is the heart of the film.
Two decades ago, star Jack Nicholson, writer Carole Eastman, and director Bob Rafelson joined up on "Five Easy Pieces," a low-budget odyssey into the country's tormented Vietnam-era psyche, and it's no hype to say it helped change the face of American film--for the better. But the trio's newest collaboration, a little man-woman-and-dog Mulholland Drive romantic comedy called "Man Trouble" (citywide), isn't going to change any faces or key any eras.
February 21, 1997 | JOHN ANDERSON, FOR THE TIMES
Since their initial, countercultural collaboration--writing The Monkees' movie "Head"--Jack Nicholson and Bob Rafelson have certainly gone down different paths. But their occasional associations have composed a mini-ouevre all its own: "Five Easy Pieces" with its complex characterizations; "The King of Marvin Gardens" with its contrarian casting; "The Postman Always Rings Twice," with its deglamorized take on murder and adultery.
February 6, 1987 | SHEILA BENSON, Times Film Critic
"Black Widow" (citywide) sounds intriguing from the moment you hear the cast and the pitch-perfect premise: the obsession of one young woman (Debra Winger) with the life and crimes of another--an irresistible young seductress (Theresa Russell) who marries, then buries a succession of extremely rich men.
Quick--what does Gidget stand for? Give up? It's a combination of "girl" and "midget." Think hard--what's Gidget's real name? Francine. What phrase did Gidget use to say goodby? "Toodles." "Gidget" is based on a real person--the daughter of Frederick Kohner, who wrote the 1957 novel. The perky Southern California surf bunny has been a part of American culture for more than 32 years, starting with a number of Gidget films. In 1959, Sandra Dee starred in the first, which was a box-office hit.
November 24, 2012 | By Dennis Lim
A lean, mean tale of adultery and murder, James M. Cain's bestselling, once-scandalous 1934 novel "The Postman Always Rings Twice" is often considered a central text of noir fiction. It also has proved an eternally popular and durable template for the movies: Its potent mix of class anxiety and carnal violence has been transferred to the screen at least half a dozen times, in an array of social contexts and with varying degrees of fidelity. The best-known version, from 1946, directed by Tay Garnett and starring Lana Turner and John Garfield, gave the noir genre one of its most iconic femme fatales and one of its most persuasively doomed love-hate affairs.
December 14, 2011 | By Elaine Woo, Los Angeles Times
Bert Schneider, the iconoclastic producer behind a trio of influential movies — "Easy Rider," "Five Easy Pieces" and "The Last Picture Show" — that captured the rootlessness and discontent of the late 1960s and '70s and became symbols of a new era in Hollywood, has died. He was 78. Schneider had been in failing health and died of natural causes Monday at Olympia Medical Center in Los Angeles, said his daughter, Audrey Simon. The son of a Hollywood power broker — his father, Abraham, ran Columbia Pictures in the late 1960s — Schneider helped revitalize moviemaking in the "New Hollywood" movement in which directors, not studios, held the creative reins and made movies that embraced the sensibilities of the emerging counterculture.
It's quite literally a weekend of mystery as both HBO and A&E present new TV thrillers. James Caan follows in the footsteps of Humphrey Bogart, Dick Powell, Robert Mitchum and Robert Montgomery as Raymond Chandler's famous detective Philip Marlowe in HBO's movie "Poodle Springs," Saturday at 9 p.m. In this outing, it's 1963, and though Marlowe is a lot older, he certainly isn't wiser. He's up to his neck in murders, mayhem and corpses. Dina Meyer plays the new Mrs.
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