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Boris Eifman

ENTERTAINMENT
July 1, 2003 | Susan Reiter, Special to The Times
To honor the centennial of George Balanchine's birth, New York City Ballet -- the company he founded and whose artistic profile he shaped -- has planned a celebration focusing on the influences that shaped the master choreographer's creative profile as well as the visionary scope of his extensive repertory.
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ENTERTAINMENT
March 11, 2001
Movies Jude Law plays a Russian sharpshooter who becomes a hero in the World War II siege of Stalingrad, and Joseph Fiennes, left, is the propagandist who chronicles his exploits in Jean-Jacques Annaud's "Enemy at the Gates," which also features Ed Harris and Rachel Weisz. Opens wide Friday.
ENTERTAINMENT
April 5, 2004 | Chris Pasles, Times Staff Writer
Kenneth MacMillan's "Romeo and Juliet," which American Ballet Theatre is dancing here during the New York company's run through Sunday, turns 40 next year. Its longevity and long roster of stars in the title roles --beginning with, but not limited to, Rudolf Nureyev and Margo Fonteyn -- suggest it's a classic. But as seen Saturday at the Dorothy Chandler Pavilion, it's a classic teetering on the brink of becoming a museum piece.
ENTERTAINMENT
May 19, 2003 | Lewis Segal, Times Staff Writer
By linking the turbulent life of Tchaikovsky to central actions and images in the composer's theater works, Russian choreographer Boris Eifman created a stream-of-consciousness narrative of great richness and daring. At the Orange County Performing Arts Center on Saturday, "Tchaikovsky: The Mystery of Life and Death" showcased the Eifman Ballet of St.
ENTERTAINMENT
August 28, 1989 | LEWIS SEGAL, Times Dance Writer
The Saturday Kirov program in Segerstrom Hall seemed like old times: the same mix of "Chopiniana," "Paquita" and contemporary miniatures that the company offered on the final night of its 1986 engagement in Shrine Auditorium. "Paquita" remains one of the glories in the Kirov repertory: a suite drawn from a 19th-Century Petipa classic that tests, molds and displays the dancers technically but also allows each soloist to make a personal statement.
ENTERTAINMENT
December 18, 2005 | LEWIS SEGAL
DANCE in Southern California had its share of milestones in 2005. Three contenders announced their intention to create world-class ballet companies in the Southland -- none more promising than Ethan Stiefel, the new artistic director of Ballet Pacifica. The Dance at the Music Center series presented its first dauntingly expensive, top-of-the-line international ensemble: Russia's superb Kirov Ballet. And two television networks discovered how dance could serve the needs of reality TV through L.A.
NEWS
January 2, 2003 | Lewis Segal
Savion Glover. (Ahmanson Theatre, Los Angeles, Jan. 29-Feb. 9). Lots of things have changed since 1996, but Savion Glover is still the great, unchallenged tap virtuoso of our time, and his Tony Award-winning "Bring in 'Da Noise, Bring in 'Da Funk" is still the great, unchallenged tap musical about African American solidarity. So what hotter ticket could there be than seeing Glover return to his show and perform it for the first time on any local stage?
ENTERTAINMENT
November 17, 2007 | Lewis Segal, Times Staff Writer
The floor is the star of the hourlong dance drama "Ravish" at the New LATC through Sunday. Sometimes it's outlined in intense golden light, but it's just as likely to turn into a giant dining room table or sketch-pad or bed, thanks to Barnaby Levy's video projections. At one point, it even becomes a phantom ballroom with ghostly dancers whirling across it.
CALIFORNIA | LOCAL
June 27, 2000 | MIKE BOEHM, TIMES STAFF WRITER
The first West Coast appearance of Italy's La Scala Ballet and the Paris Opera Ballet's Southern California premiere of Rudolf Nureyev's last work as a choreographer will highlight the 2001 International Classic Dance season at the Orange County Performing Arts Center. Also in the offing are the first OCPAC performances by the Eifman Ballet of St.
ENTERTAINMENT
June 30, 2003 | Lewis Segal, Times Staff Writer
Gerald Arpino served American dance splendidly in the 1960s and '70s through choreography that made classicism seem fresh and accessible, that brought the music and social issues of the time onto the ballet stage and that resourcefully enhanced the reputation of the Joffrey Ballet.
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