ENTERTAINMENT
February 5, 2006 | Diane Haithman, Times Staff Writer
ANYONE who has seen David Mamet's tough-talking, all-male plays -- including "American Buffalo," "Glengarry Glen Ross" and "Romance" -- might assume that his writing and directing "Boston Marriage," a corseted, turn-of-the-century drawing room comedy with an all-female cast, would be like loosing an American buffalo in a china shop.