October 24, 2010 |
I am a latecomer to graphic novels. Years ago, my truly literary friends tried to turn me on to the groundbreaking art of the "Sandman" books (Neil Gaiman and various artists) and "Love and Rockets" (Los Bros. Hernandez). I admit I felt about those books the way I feel about great horror movies: I could admire the art, but they did not make my heart sing. When I was editor of the Los Angeles Times Book Review in the 1990s, I tried without success to get one or another of those literary friends to commit their intriguing ideas about the emerging world of graphic novels to a piece for the Book Review, but they were apparently keeping their enthusiasms to themselves and their aficionados.
December 18, 2011 |
A movie doesn't have to be jampacked with cinema style to have a memorable fashion moment or two, and in the course of screening the slate of holiday-season films, we found all kinds of clothes, accessories, hairstyles and makeup worth a mention. "Hugo" Yes, Martin Scorsese's "Hugo," based on a book by Brian Selznick, is a movie about an orphaned boy living in a Paris train station. But it's also a filmmaker's film about a filmmaker making films, and as such even the costumes and makeup (designed by Sandy Powell and Morag Ross respectively)
December 18, 2011 |
Cue the flappers, the fringe, the beads and the bobs. The Roaring '20s are back in fashion — on the runways and on-screen. It started in September at the spring 2012 fashion shows, with Ralph Lauren's "Great Gatsby" gowns, Tory Burch's sportswear inspired by Coco Chanel and 1920s Deauville, and Frida Giannini's Art Deco black-and-gold fringed flapper dresses at Gucci. Those clothes won't be in stores for another month or so, and Baz Luhrmann's film adaptation of F. Scott Fitzgerald's Jazz Age novel "The Great Gatsby," sure to be a costume extravaganza, isn't due out until next Christmas.
July 29, 2008 |
The COMIC lunacy of Theodor Geisel's illustrations for "The Cat in the Hat" is light years away from the pale delicacy of Kate Greenaway's 19th century watercolor depictions of idealized childhood. In fact, the 1950s Dr. Seuss classic turned out to herald an explosion in the way picture books portrayed children.