April 27, 2004 |
The outrageous hit London musical "Jerry Springer -- The Opera" is coming to the United States. It will open at the Orpheum Theatre in San Francisco next spring before transferring to Broadway in October 2005. The musical, loosely based on Jerry Springer's TV talk show, began its life as a cult production in a small London fringe theater before becoming a hit at the 2002 Edinburgh Festival, then being produced at London's National Theatre.
September 21, 2003 |
Curtain up! Light the lights! There's an opening on Broadway that is neither a play nor a musical. It's the Biltmore Theatre, 261 W. 47th St., which fell into disrepair and closed in 1987. After a $37-million renovation, it is to become the home of the Manhattan Theatre Club (www.manhattantheatreclub.org). Its production of "The Violet Hour," a new play by Richard Greenberg, the Tony-winning author of "Take Me Out," begins previews Oct. 16 and opens Nov. 6.
May 7, 2003 |
Warner Bros. will produce a Broadway musical version of the Anne Rice vampire novels with the working title "The Vampire Lestat," the studio announced Tuesday. If the project comes to fruition in 2005 as planned, it will be the studio's first venture in producing theater, although Warners has previously invested in theater, said Gregg Maday, executive vice president of Warner Bros. Theatre Ventures. The "Vampire" talent includes names associated with rival Disney's theatrical projects.
March 13, 2003 |
There was a festive, almost giddy air in the New York Theater District as the 18 musicals that had been shut down for four days by a strike, including "The Producers," "The Lion King," "Mamma Mia!" and "Thoroughly Modern Millie," resumed playing Tuesday night. There were celebrations at many theaters. At "La Boheme," all 28 players in the orchestra came on stage after the show to take a bow, as did the musicians at "Hairspray."
March 11, 2003 |
Mayor Michael R. Bloomberg invited striking Broadway musicians and producers to hold round-the-clock negotiations at the mayoral mansion, and both sides continued bargaining late into the night. Bloomberg said the 4-day-old strike was causing a "severe economic impact" as well as the "disappointment of theater-goers from around the world." The city's tourism office said the overall loss for the weekend was about $7.2 million.
March 10, 2003 |
A dispute over the size of orchestras for musicals left most of Broadway filled with the sound of silence for the third straight day of a strike that is costing New York's fragile economy millions of dollars. The Great White Way went dark Friday night after talks between a musicians union and producers broke down and actors and stagehands refused to cross union picket lines, closing 18 Broadway musicals.
March 4, 2003 |
The union representing Broadway musicians has set a deadline of midnight Thursday for a walkout that would affect virtually every musical on Broadway. The union's move came even though theater producers softened their position on minimums -- the number of orchestra players required for Broadway shows. Union representative Bill Dennison said the producers proposed during weekend negotiations that the number of musicians required for the large Broadway theaters be reduced to seven.
September 20, 2001 |
In a bid to keep five struggling Broadway shows running--following the announced closure of five others--members of the union representing stagehands agreed Wednesday to take an unprecedented 25% pay cut for the next four weeks. "Broadway is the guiding light of New York City. Psychologically and philosophically that would be devastating if Broadway went dark ...
August 9, 2001 |
The crowds still snake down to the statue of George M. Cohan that stands guard in the middle of Times Square. They patiently wait in the hot summer sun to buy theater tickets, most at a 50% discount, at the orange-and-white ticket booth run by the Theater Development Fund. "This summer is mirroring last summer almost exactly to the ticket--extremely busy," said treasurer Jim Gatens, a 28-year veteran of the booth. "We are doing between 42,000 and 44,000 seats a week."
June 4, 2001 |
It's a Tony Award-winning Mel Brooks lyric: "The toast of society's burning tonight!" On Sunday night, no one in Broadway society glowed more brightly than Brooks, the main man behind the phenomenon, the colossus, the Mothra known as "The Producers." We've officially hit it. Hype-othetically speaking, we've hit the point where people on other planets have heard plenty about this show.