August 11, 1991
The Home Improvement item: "Shed Provides Handy Storage," (June 23) released a torrent of memories for me. In 1963 my family had a very similar tool shed that, as my playhouse, I imagined to be my cowboy bunkhouse, barn and office for my "great construction projects." But in that era of urban renewal, my parents lost the argument with a very persistent building inspector to save the shed from demolition. You see, although it sat on a cement yard, it did not have a cement foundation and thus did not meet city codes!
June 6, 2007
GEORGE CLOONEY, Brad Pitt, and Matt Damon -- need we say more? Hours before the red carpet waltz got underway for the premiere of "Ocean's 13," the movie's stars immortalized their hand and shoe prints in cement outside Grauman's Chinese Theatre on Tuesday. The three amigos and the film's producer, Jerry Weintraub, posed for about 100 photographers and smiled and waved to several hundred onlookers, a number that was sure to swell by day's end.
September 26, 2010
London (Reuters) -- Halliburton Co, the oilfield services company that cemented the blown-out Gulf of Mexico well which caused the United States' worst-ever oil spill, Sunday said a BP report into the disaster that laid the blame on the cement job offered a questionable account of events and “erroneous conclusions.” Halliburton, based in Houston, Texas and Dubai, questioned tests BP said it conducted that showed Halliburton's cement had failed, allowing channels to form, through which hydrocarbons could flow up the well and cause the explosion.
CALIFORNIA | LOCAL
July 21, 1986 |
The driver of a small truck was fatally injured early Sunday when the truck hit the center divider on Commonwealth Avenue and then slammed into a cement lamppost, police said. Lt. Dennis Bryerton said Thomas Gage Corbin, 18, of Fullerton, was driving his 1982 Toyota truck west on Commonwealth Avenue near Brookhurst Road at 1 a.m. when he lost control and hit the divider.
January 11, 1998
Marvin Rand's detailed photos of the Watts Towers brought back vivid childhood memories ("View From the Top," by Mary Melton, Nov. 9). In 1949, we lived on 107th Street, a few blocks from Simon Rodia's work-in-progress. The then-quiet, manicured middle-class neighborhood was a postcard for postwar suburbia. Sometimes my parents would take me to watch Rodia work. I remember him hunched over, digging through trash, looking for discarded objects to embed in his amazing skeletal edifice.
December 5, 2008 |
Given the great confusion of purpose that often seems to be afflicting contemporary art -- where anything goes, for better or worse -- one has ever more reason to appreciate an artist such as David McDonald, whose work remains solidly rooted in a few profound fundamentals: color, texture, scale and the mysterious alchemy of material and form. It's not work that advertises itself or goes out of its way to get your attention. Of the roughly two dozen sculptures in his show at the Jail Gallery, most are about the size of a fire hydrant and all sit directly on the floor.
April 5, 1991 |
When he was learning to do hip replacements, Dr. Hank Wuh, a young orthopedic surgeon, was frustrated by the slow and potentially harmful method used to remove the cement securing an old artificial joint before replacing it. "Taking out the old cement was tedious, the blood loss was high and there was always the risk of fracturing the femur, or thigh bone," said Wuh. After much experimentation, Wuh and his co-inventor, Dr.
May 28, 1986 |
Since the late 1960s, Laddie John Dill has established a reputation as one of Southern California's foremost modernists, producing a series of superbly crafted works in a variety of media that explore light and space in both environmental and architectural contexts. More recently, however, Dill has come under considerable critical re-evaluation.
January 21, 1985 |
"Tonight we celebrate many things," said Barbara Bain, a member of the Dance Gallery Guild (and board), which Friday night hosted the world premiere of MGM/UA's "That's Dancing!" and followed that with a supper dance at the Beverly Wilshire. But mainly the evening, which raised $250,000 for the Dance Gallery, celebrated dancers and dancing. "The dancers are the very best," added Alexis Smith, a Dance Gallery board member. "Let's celebrate their multifaceted talents."