March 15, 2013 |
LONDON, Canada - The first sellout crowd at the World Figure Skating Championships got what it came for, a victory by the national homey, Patrick Chan. But his performance as Rodolfo, the poet in the opera "La Boheme," wasn't much to write home about. Unless, of course, someone wanted to add another chapter to the voluminous history of questionable judging in figure skating. Only the near seven-point lead Chan built in the short program and a dose of home-cooked "Chanflation" allowed the Canadian to win his third straight men's world title and prevent Denis Ten of Kazakhstan from a triumph that would have made him one of the most surprising champions in history.
March 13, 2013 |
LONDON, Canada - It had been a blue funk kind of season for Patrick Chan. Sure, the judges remained enamored of his prodigious talent. But it had reached the point that they simply overlooked his frequent falls and propped him up to victory with the component - or artistry - scores. The Canadian was third at the Grand Prix Final and second at Skate Canada, of all places. As the World Championships neared, Chan knew something had to change if he were to win a third straight title.
March 6, 2013 |
Foreign auteurs tend to enjoy a good metaphoric image or three. And few like them more than Chan-wook Park, the South Korean filmmaker behind violent cult hits such as "Oldboy. " In "Stoker," Park's English-language debut starring Nicole Kidman that opened in Los Angeles last weekend, there are a number of memorable images. They're all there for a reason. "Stoker" centers on the loner India (Mia Wasikowska), her aloof and at times rivalrous mother (Kidman) and India's affectionate but mysterious uncle Charlie (Matthew Goode)
February 28, 2013 |
What would happen if a psychopath fell for a sociopath? The short answer in "Stoker" is people die. The longer answer in the new thriller from South Korean director Park Chan-Wook is a bizarrely perverse, beautifully rendered mystery that you may or may not care to solve. It has fine performances from Mia Wasikowska, Matthew Goode and Nicole Kidman - we'll leave you guessing who's the more twisted of that trio. And an out-of-nowhere script from rising British-born, Brooklyn-raised actor Wentworth Miller, best known for starring in the edgy TV drama series "Prison Break.
February 9, 2013 |
In a high-tech bungalow on a back corner of the 20th Century Fox lot, the South Korean auteur Chan-wook Park is chiseling his opus as the clock ticks toward 9 p.m. Park, the toast of Asian cinema and hero to hordes of genre-film enthusiasts, is editing "Stoker," a coming-of-age Gothic thriller starring Mia Wasikowska and Nicole Kidman. It's his first film in the U.S. and first in English. For hard-core fans of the director's blood-spattered Korean work - including "Oldboy," the 2004 Cannes Grand Prix winner being remade by Spike Lee - his arrival on the shores might be compared, with less exaggeration than you may think, to the landing of the Beatles.
February 7, 2013 |
Steven Soderbergh - who's indicated, not for the first time, that he's tired of filmmaking and may retire - has had a most unusual career. His persistent ennui has led him to all manner of narrative experiments, benighted projects like "Schizopolis" and "The Good German" that were doubtless more involving for him to make than for audiences to experience. But, as successes like "Erin Brockovich," "Out of Sight" and his new film, "Side Effects," demonstrate, when Soderbergh is willing to play it on the square, he's as good as anyone at bringing intelligence and verve to straight-ahead material.
January 30, 2013 |
Nicole Kidman has been pushing in some unusual directions lately. But that adventurousness takes on an entirely new dimension in Chan-wook Park's “Stoker,” a movie focusing on an unstable woman who lives in a Gothic house (Kidman), her moody daughter (Mia Wasikowska) and her mysterious brother in-law (Matthew Goode), who shows up after her husband passes away. Kidman plays Evie, a woman who is hardly an ideal mother and may be overlooking or even enabling some pretty macabre behavior.
December 31, 2012 |
The Chicago Bears announced on Monday that they have fired Coach Lovie Smith. And the Buffalo Bills have fired Coach Chan Gailey. According to ESPN's Adam Schefter, the Bears have sent out consent forms to teams requesting permission to interview head-coaching candidates. The Bears were eliminated from playoff contention Sunday when Minnesota beat Green Bay. The Bills beat the Jets in their finale, 28-9, but finished last in the AFC East at 6-10. Buffalo has yet to announce whether it plans to keep General Manager Buddy Nix, whose acquisition of several high-priced defensive players did not achieve the team's desired results.
December 17, 2012 |
Channing Tatum and wife Jenna Dewan-Tatum have plenty to dance about: Husband and wife will soon be mommy and daddy. Tatum and Dewan-Tatum reps confirmed the two ”are pleased to announce that they are expecting the birth of their first child next year,” according to People. This will be the first bundle for the actors who sparked on the set of 2006's "Step Up" and got hitched in March 2009. "The first number that pops into my head is three," Tatum told the magazine about his ideal brood, "but I just want one to be healthy and then we'll see where we go after that.” It's not as if the Tatum household isn't busy as it is: Channing's had a banner year solidifying himself as a bankable movie star and sexiest man alive, while Jenna stretched some bad-girl muscles on "American Horror Story: Asylum.
November 16, 2012 |
People's decision to crown Channing Tatum with this year's “ Sexiest Man Live ” title hasn't been without backlash. Ryan Gosling devotees can't possibly understand why the magazine keeps snubbing him. Matt Stopera has offered a rebuttal in the form of photos on -- where else? -- BuzzFeed, in a post that juxtaposes terrible photos of Tatum next to dreamy pics of Gosling. (And remember the “ Occupy People ” effort last year? Oy.) Over on the Daily Beast, Tricia Romano also takes People to task for its lack of diversity.