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Charlotte Bronte

April 16, 1987 | MARK CHALON SMITH
Julie Harris will offer her portrayal of reclusive poet Emily Dickinson during a pair of benefit performances of "The Belle of Amherst" this weekend at the Laguna Moulton Playhouse. The Saturday and Sunday shows will help raise money for the playhouse's building fund, which is trying to secure $1 million to finish a 5,000-square-foot rehearsal hall. Another $1 million is needed for the playhouse's operating endowment, said Karyn Rohrer, the theater's development director.
September 2, 1999
Theater "Orphans," Lyle Kessler's drama about a couple of wild-child orphans and the mysterious patriarch who transforms their lives, closes Sunday at the International City Theatre, Long Beach City College, Clark Street and Harvey Way, Long Beach. Friday-Saturday, 8 p.m.; Sunday, 2 p.m. $22. (562) 938-4128.
April 19, 2013 | By Los Angeles Times Staff
Ben Fountain's satire "Billy Lynn's Long Halftime Walk" was named the winner of the L.A. Times 2012 book prize for fiction on Friday night at a ceremony in Los Angeles. Katherine Boo's "Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity" took the prize in the current interest category. The complete list of winners: --Biography: Robert Caro, "The Passage of Power: The Years of Lyndon Johnson " (Knopf) --Current Interest: Katherine Boo, "Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity" (Random House)
July 15, 2007 | Nick Owchar
OH, how an artist's achievement is sometimes at the mercy of the wrong critic! Thomas Bewick's woodcut engravings of Northumbrian country scenes were disparaged in 1782 by the critic Horace Walpole as nothing more than "slovenly stamps." Years later, however, noted Victorian art and social critic John Ruskin countered that attack with lavish praise, Jenny Uglow tells us in "Nature's Engraver: A Life of Thomas Bewick" (Farrar, Straus & Giroux: 460 pp., $30).
January 24, 1997 | JANA J. MONJI
In 1847, Charlotte Bronte's classic novel "Jane Eyre" was considered somewhat scandalous for its portrayal of improper conduct between Jane and Mr. Rochester. How times have changed. Bronte's plotting has become bastardized into an industry of bodice-ripping publications of little literary worth. Modern times permit the action to venture into more explicitly questionable conduct. How does one treat what might be considered the mother novel of the Gothic romance genre without appearing dated?
October 20, 1996 | CATHY SMITH, Smith is a freelance writer based in London
It was one of those strange coincidences that couldn't have been planned for all the tea in China. I had driven north from London to the Derbyshire Peak District to meet a friend in the village of Edale, the beginning of the Pennine Way long-distance path. Not that we were planning to hike all 250 miles of it, you understand. Just a bit of weekend pottering around the best bits.
The romantic excesses of Charlotte Bronte's "Jane Eyre," like sister Emily's "Wuthering Heights," would seem to fit naturally into a musical scheme. And for awhile in an adaptation of "Jane Eyre"--receiving its West Coast premiere at the Glendale Centre Theatre--it seems right to set the narrative's emotions to music. Just not this music. Nor with this cast. The theater's arena-style setup allows no space for a live orchestra, which severely harms directors Brenda and Tim Dietlin's production.
September 3, 1998 | SHAUNA SNOW
STAGE Musical 'Jane Eyre': La Jolla Playhouse will present the U.S. premiere of a new musical version of Charlotte Bronte's "Jane Eyre," written and co-directed by John Caird ("Nicholas Nickleby," "Les Miserables"). Pop composer and lyricist Paul Gordon wrote the score. An earlier version of the show premiered in Toronto in 1996, but the La Jolla production--slated for next summer--will use a smaller cast, some new songs and less musical underscoring.
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