April 16, 1987 |
Julie Harris will offer her portrayal of reclusive poet Emily Dickinson during a pair of benefit performances of "The Belle of Amherst" this weekend at the Laguna Moulton Playhouse. The Saturday and Sunday shows will help raise money for the playhouse's building fund, which is trying to secure $1 million to finish a 5,000-square-foot rehearsal hall. Another $1 million is needed for the playhouse's operating endowment, said Karyn Rohrer, the theater's development director.
September 2, 1999
Theater "Orphans," Lyle Kessler's drama about a couple of wild-child orphans and the mysterious patriarch who transforms their lives, closes Sunday at the International City Theatre, Long Beach City College, Clark Street and Harvey Way, Long Beach. Friday-Saturday, 8 p.m.; Sunday, 2 p.m. $22. (562) 938-4128.
April 19, 2013 |
Ben Fountain's satire "Billy Lynn's Long Halftime Walk" was named the winner of the L.A. Times 2012 book prize for fiction on Friday night at a ceremony in Los Angeles. Katherine Boo's "Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity" took the prize in the current interest category. The complete list of winners: --Biography: Robert Caro, "The Passage of Power: The Years of Lyndon Johnson " (Knopf) --Current Interest: Katherine Boo, "Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity" (Random House)
July 15, 2007 |
OH, how an artist's achievement is sometimes at the mercy of the wrong critic! Thomas Bewick's woodcut engravings of Northumbrian country scenes were disparaged in 1782 by the critic Horace Walpole as nothing more than "slovenly stamps." Years later, however, noted Victorian art and social critic John Ruskin countered that attack with lavish praise, Jenny Uglow tells us in "Nature's Engraver: A Life of Thomas Bewick" (Farrar, Straus & Giroux: 460 pp., $30).
January 24, 1997 |
In 1847, Charlotte Bronte's classic novel "Jane Eyre" was considered somewhat scandalous for its portrayal of improper conduct between Jane and Mr. Rochester. How times have changed. Bronte's plotting has become bastardized into an industry of bodice-ripping publications of little literary worth. Modern times permit the action to venture into more explicitly questionable conduct. How does one treat what might be considered the mother novel of the Gothic romance genre without appearing dated?
October 18, 1997 |
A new "Jane Eyre" is the latest small jewel in the crown of the A&E network, which has supplanted PBS as U.S. television's leading interpreter of popular classics. A&E is bearing the fruits of its collaborations with British production companies. Having already done Jane Austen's "Pride and Prejudice" extremely proud and aired a pretty decent TV version of her "Emma," the cable network now turns to Charlotte Bronte, whose "Jane Eyre" was published in 1847 under the pseudonym Currer Bell.
October 20, 1996 |
It was one of those strange coincidences that couldn't have been planned for all the tea in China. I had driven north from London to the Derbyshire Peak District to meet a friend in the village of Edale, the beginning of the Pennine Way long-distance path. Not that we were planning to hike all 250 miles of it, you understand. Just a bit of weekend pottering around the best bits.
April 5, 2009 |
People Are Unappealing True Stories of Our Collective Capacity to Irritate and Annoy Sara Barron Three Rivers Press: 224 pp., $13.95 paper These days, the market is pretty well saturated when it comes to memoir. Which means it has to be good; it has to be different. Sara Barron's essays about her childhood, her parents, her life in acting school in Manhattan and her fellow actors are, dare we say it, as funny as David Sedaris'.
September 3, 1998 |
STAGE Musical 'Jane Eyre': La Jolla Playhouse will present the U.S. premiere of a new musical version of Charlotte Bronte's "Jane Eyre," written and co-directed by John Caird ("Nicholas Nickleby," "Les Miserables"). Pop composer and lyricist Paul Gordon wrote the score. An earlier version of the show premiered in Toronto in 1996, but the La Jolla production--slated for next summer--will use a smaller cast, some new songs and less musical underscoring.