ENTERTAINMENT
September 18, 2011 | By Noel Murray, Special to the Los Angeles Times
Bridesmaids Universal, $29.98; Blu-ray, $34.98 One of the biggest comedy hits of the summer, "Bridesmaids" stars Kristen Wiig (who also co-wrote the film with Annie Mumolo) as a lifelong loser whose inability to do anything right threatens to ruin her best friend's wedding. Much of the talk surrounding "Bridesmaids" has been about the movie's raunchiness, and how it shows that women comedians can be as crude as their male counterparts. But what really makes the film so enjoyable is Wiig's fearlessly goofy performance, and the way Wiig, Mumolo and director Paul Feig convey the nuances of female friendships rather than reducing the characters to chick-flick stereotypes.
ENTERTAINMENT
September 18, 2011 | By Mark Olsen, Special to the Los Angeles Times
Issues of race and class in the early 1960s are playing out in the multiplex right now in the period literary drama "The Help. " But two new documentaries follow that cultural thread even further forward, using recently unearthed archival material to examine historical events in a current context. "The Black Power Mixtape 1967-1975" is a loosely constructed time capsule composed entirely of film footage captured by Swedish news crews during the titular era. Director Göran Hugo Olsson uses voice-overs from African American artists, activists and scholars — including musicians Ahmir "Questlove" Thompson, Talib Kweli and Erykah Badu — reacting to the archival material throughout the film, which is available on video on demand and opens in theaters in Los Angeles on Sept.
ENTERTAINMENT
September 16, 2011 | By Kevin Thomas, Los Angeles Times Staff Writer
Not only have writers-directors-editors Katsuto and Kenji Kobayashi acknowledged that their inspiration for their first feature, "The Neighbor," is Akira Kurosawa's "Ikiru," a great classic of the world cinema, but they are also allowing their film to be released alongside a revival of the 1952 masterpiece. (Laemmle's Sunset 5 in West Hollywood will be showing the films in separate auditoriums.) "The Neighbor" shares with its predecessor the story of a marginalized office worker discovering the meaning of his life after a confrontation with mortality.
ENTERTAINMENT
September 16, 2011 | By Kevin Thomas
Writer-director Jeanne Labrune affords Isabelle Huppert, arguably the finest French screen actress of her generation, yet another splendid role in the complex, compassionate and endlessly illuminating "Special Treatment. " Huppert plays Alice, an art history major who years ago became a high-priced Paris prostitute specializing in kinky clients who require elaborate role-playing on her part. She is a coolly proud, fearless woman, confident of her looks and abilities even as she approaches 50, though she finds it increasingly difficult to deny that her soul is withering away.
ENTERTAINMENT
September 16, 2011 | By Robert Abele
Winds, rain and straying yak are only some of the hardships in the remote and harshly beautiful Sichuan province grasslands where Tibetan nomads toil for their livelihood, but as Lynn True and Nelson Walker's humanely observed documentary "Summer Pasture" hints, it's the pull of modernity that most threatens their traditions. The film is on the one hand a graceful record of a primitive calling — featured husband and wife Locho and Yama are in a near-constant state of tethering, milking, dung-drying for fire, cooking and rope-making, on top of caring for their infant daughter and wryly bickering in their crowded tent.
ENTERTAINMENT
September 16, 2011 | By Mark Olsen
In 1987, two Midwestern punk rockers moved to San Francisco. Their new neighbors in a ramshackle apartment building were a pair of aging alcoholics who spent their days drinking and arguing, their rants branching into such wildly baroque duets that the punks started recording them. In something of a pre-Internet viral sensation, their cassette tapes circulated hand-to-hand and inspired a cult following. In making "Shut Up Little Man! An Audio Misadventure," a documentary that tells the story of not just the tapes but their strange and increasingly sad afterlife, Australian filmmaker Matthew Bate faces the challenge not only of visualizing the audio artifacts but also of finding a way to position their makers and explain all that has transpired since the tapes were initially recorded.