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Christopher Wheeldon

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ENTERTAINMENT
January 7, 2002 | SID SMITH, CHICAGO TRIBUNE
You've probably never heard of him, but you will. Christopher Wheeldon, already something of a New York City darling, is poised to boost his already impressive resume.
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ENTERTAINMENT
October 13, 2012 | By Joseph Carman
The Mad Hatter executes demonic time steps, his tap dancing signifying his mindless chatter. An enormous dismembered Cheshire Cat floats through space like a Japanese bunraku puppet. The Queen of Hearts glides threateningly around the stage in a bulbous, hard-framed, heart-shaped gown. Playing cards projected onto a scrim shuffle in concert with a full corps de ballet. And then there's Alice, who hardly ceases dancing through the entire ballet, gets pulled by the White Rabbit into a jelly mold that morphs into a computer-generated spiraling sinkhole, swirling with Victorian font letters.
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ENTERTAINMENT
October 13, 2012 | By Joseph Carman
The Mad Hatter executes demonic time steps, his tap dancing signifying his mindless chatter. An enormous dismembered Cheshire Cat floats through space like a Japanese bunraku puppet. The Queen of Hearts glides threateningly around the stage in a bulbous, hard-framed, heart-shaped gown. Playing cards projected onto a scrim shuffle in concert with a full corps de ballet. And then there's Alice, who hardly ceases dancing through the entire ballet, gets pulled by the White Rabbit into a jelly mold that morphs into a computer-generated spiraling sinkhole, swirling with Victorian font letters.
ENTERTAINMENT
October 11, 2004 | Lewis Segal, Times Staff Writer
New York City Ballet closed its two-venue Southland visit over the weekend with performances at the Dorothy Chandler Pavilion that balanced the familiar mastery of early and late works by George Balanchine with the novelty of a recent, splashy kiddie-ballet by resident company choreographer Christopher Wheeldon.
ENTERTAINMENT
October 11, 2004 | Lewis Segal, Times Staff Writer
New York City Ballet closed its two-venue Southland visit over the weekend with performances at the Dorothy Chandler Pavilion that balanced the familiar mastery of early and late works by George Balanchine with the novelty of a recent, splashy kiddie-ballet by resident company choreographer Christopher Wheeldon.
NEWS
February 16, 2006
Four of the most prominent classical dancers on Western stages gather for "Kings of the Dance" this weekend at the Orange County Performing Arts Center. No Parisians or Cubans are on the roster, which immediately makes the event incomplete, but expect plenty of firepower from Angel Corella (American Ballet Theatre), Johan Kobborg (Royal Ballet), Ethan Stiefel (ABT) and Nikolai Tsiskaridze (the Bolshoi Ballet).
ENTERTAINMENT
December 24, 2004 | Lewis Segal
ROSE EICHENBAUM looks and listens with equal skill, so her new book, "Masters of Movement: Portraits of America's Great Choreographers," supplies insights as striking as her images. Here are interviews that set the seal on distinguished careers as well as photographs that capture the essence of an artist's public identity. Some of the 59 people she includes aren't really choreographers.
ENTERTAINMENT
October 11, 2003 | Lewis Segal, Times Staff Writer
By the time this review is published, it'll be too late to see San Francisco Ballet's mixed bill at the Dorothy Chandler Pavilion -- a pity, since this four-part program (scheduled only on Thursday and Friday) showcased the company's multifaceted excellence far more persuasively than its undistinguished new "Don Quixote."
ENTERTAINMENT
May 26, 1997 | LEWIS SEGAL, TIMES DANCE CRITIC
Dancers who convey a rich inner life are as fascinating as they are rare--and the recast Royal Ballet "Ravel Evening" offered a prime example in Sarah Wildor, Friday at the Orange County Performing Arts Center. Dancing one of the unnamed leads in Kenneth MacMillan's "La Fin du Jour," she matched her scrupulous attention to the choreographic text with an ability to put her signature on the role: subtle, mysterious, shaped from within.
ENTERTAINMENT
December 20, 2009 | By Lewis Segal >>>
Throughout the first decade of the 21st century, impatient dancers, choreographers, critics and audience members all hoped that a new breed of innovators would appear to transform theatrical dance the way that Russian impresario Sergei Diaghilev radically renewed and updated classical ballet in the first decade of the 20th. We're still waiting. Where are the bold, young choreographers creating imperishable dances, the adventuresome composers and designers venturing off the middle of the road?
ENTERTAINMENT
January 7, 2002 | SID SMITH, CHICAGO TRIBUNE
You've probably never heard of him, but you will. Christopher Wheeldon, already something of a New York City darling, is poised to boost his already impressive resume.
ENTERTAINMENT
May 1, 2008 | Chris Pasles, Times Staff Writer
The West Coast premiere of a Twyla Tharp collaboration with rock star composer Elvis Costello, "Nightspot," and the return of the Kirov Ballet will highlight the 2008-09 "Dance at the Music Center" series. "Nightspot," to be danced by Edward Villella's Miami City Ballet, will open the season Oct. 24. The work is the most recent creation by the innovative choreographer, whose Broadway hit "Movin' Out" was set to music by rocker Billy Joel.
ENTERTAINMENT
March 31, 2004 | Lewis Segal, Times Staff Writer
Starting with three different programs by the New York City Ballet in October, the Los Angeles Music Center's second self-produced dance season will present seven companies in 2004-05 -- all but one of them performing in the L.A. County facility for the first time. A total of 26 performances are scheduled. Besides celebrating the 100th anniversary of co-founder George Balanchine's birth, the New York City Ballet engagement, Oct.
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