October 13, 2012 |
The Mad Hatter executes demonic time steps, his tap dancing signifying his mindless chatter. An enormous dismembered Cheshire Cat floats through space like a Japanese bunraku puppet. The Queen of Hearts glides threateningly around the stage in a bulbous, hard-framed, heart-shaped gown. Playing cards projected onto a scrim shuffle in concert with a full corps de ballet. And then there's Alice, who hardly ceases dancing through the entire ballet, gets pulled by the White Rabbit into a jelly mold that morphs into a computer-generated spiraling sinkhole, swirling with Victorian font letters.
February 16, 2006
Four of the most prominent classical dancers on Western stages gather for "Kings of the Dance" this weekend at the Orange County Performing Arts Center. No Parisians or Cubans are on the roster, which immediately makes the event incomplete, but expect plenty of firepower from Angel Corella (American Ballet Theatre), Johan Kobborg (Royal Ballet), Ethan Stiefel (ABT) and Nikolai Tsiskaridze (the Bolshoi Ballet).
December 24, 2004 |
ROSE EICHENBAUM looks and listens with equal skill, so her new book, "Masters of Movement: Portraits of America's Great Choreographers," supplies insights as striking as her images. Here are interviews that set the seal on distinguished careers as well as photographs that capture the essence of an artist's public identity. Some of the 59 people she includes aren't really choreographers.
October 11, 2003 |
By the time this review is published, it'll be too late to see San Francisco Ballet's mixed bill at the Dorothy Chandler Pavilion -- a pity, since this four-part program (scheduled only on Thursday and Friday) showcased the company's multifaceted excellence far more persuasively than its undistinguished new "Don Quixote."
May 26, 1997 |
Dancers who convey a rich inner life are as fascinating as they are rare--and the recast Royal Ballet "Ravel Evening" offered a prime example in Sarah Wildor, Friday at the Orange County Performing Arts Center. Dancing one of the unnamed leads in Kenneth MacMillan's "La Fin du Jour," she matched her scrupulous attention to the choreographic text with an ability to put her signature on the role: subtle, mysterious, shaped from within.
March 31, 2004 |
Starting with three different programs by the New York City Ballet in October, the Los Angeles Music Center's second self-produced dance season will present seven companies in 2004-05 -- all but one of them performing in the L.A. County facility for the first time. A total of 26 performances are scheduled. Besides celebrating the 100th anniversary of co-founder George Balanchine's birth, the New York City Ballet engagement, Oct.