August 28, 2011 |
Popular music and classical music may be distinct genres with their own traditions and social mores, but cross-pollination has long been the way of most musics. If nature abhors a void, she adores a hybrid. Jazz, for instance, developed when 19th century African Americans filtered the waltz and other aspects of Western music through African musical traditions, producing a new language to express their situation in America. Take a peek at 21st century Brooklyn, which John Adams called the new Montmartre at a Green Umbrella concert last season.
January 24, 2010 |
There's nothing new about classical musicians trying to expand their fan base. Even if deeds don't always match goals, plenty of performers make the effort. Still, one doesn't expect a largely unknown, foreign artist with little connection to this country to undertake such a project in America -- let alone mostly fund the enterprise himself. Yet here is Johannes Moser, a Berlin-based cellist of German and Canadian parentage, doing just that. He is scheduled to appear this afternoon at Pepperdine University's Raitt Recital Hall, presenting "Sounding Off: A Fresh Look at Classical Music," the fourth of six concerts in a cross-country tour he conceived to reach audiences that might otherwise be unfamiliar with or even resistant to classical music.
September 18, 2011 |
Two recent and seemingly unrelated events, the release of 250,000 unredacted State Department cables written between 1966 and 2011 via WikiLeaks and the pro-Palestinian protests at the Israel Philharmonic concert in London, got us thinking: How closely entwined are politics and classical music in diplomatic circles? A few weeks ago WikiLeaks published cables sent by American diplomats who were reporting back to the government on events and people of interest to the United States.
November 20, 1993
"Making Classical Music Kid's Stuff" (Nov. 2) by Lynne Heffley was such a discovered treasure. Having several grandchildren, I was absolutely enthralled to read this article. Just imagine: Young people can listen to good music even on trips with parents or others instead of all the nothingness. When parents discover that listening to Mozart actually increases the IQ of their children, can you imagine what will become the hottest craze? Hope there will be follow-up articles on this same theme.
September 23, 2010 |
The seminal story of how modern classical music turned Louisville, Ken., into a mid-20th century cultural phenomenon feels far less thrilling than it should, at least in the hands of co-directors Owsley Brown III and Jerome Hiler. That's because their documentary, "Music Makes a City," despite its gorgeous soundtrack, historical sweep and wealth of archival material, is weakened by sluggish pacing and an overly detailed, increasingly narrow focus. Singer-songwriter-actor Will Oldham's lecture-like narration tells how the 1937 formation of the Louisville Orchestra helped rejuvenate the city after the Great Depression and, later, a devastating flood.
July 3, 2005 |
Twenty Fresno schoolteachers were learning last week how to integrate classical music into such core subjects as math, science and history, thanks to a new pilot music education program developed by the San Francisco Symphony. The effort is part of a $23-million orchestra project called "Keeping Score," which also includes television and radio programming, websites and community outreach projects.
July 11, 2010 |
Grammy Award-winning violinist Joshua Bell, 42, returns to the Hollywood Bowl on Thursday with a program of Mahler and Bruch. The boyish classical superstar talked about music, friends and adrenalin rushes from his home in New York. You've done a lot of TV, like VH1, and film, and I'm wondering whether you're consciously trying to bring more young people into the classical music fold. Yes. It's hard to say what my main motivation is, but I'm definitely conscious of trying wherever I can to bring young people in, whether it's doing "Sesame Street" or going into schools.
June 6, 1994
Face it: Classical music is a dead language. In the latest skirmish of the Thirty Ears War, music-lover Claire Rydell writes that composers "Milk a Dead-End Aesthetic" (Counterpunch, May 2), composer Burt Goldstein retorts with ad hominem tut-tutting ("New Music Merits Respect, Not Attack," May 16), Times Music and Dance Critic Martin Bernheimer scolds the troops for defecting ("Modern Progress Under Salonen's Green Umbrella," May 18), and UCLA Professor Paul Reale preaches that history will go on ("In Support of Well-Conceived Music--Old and New," May 23)